Empirical Labs Trak Pak Channel Strip - Mike-E Pre & Lil Freq Eq

Empirical Labs Trak Pak Channel Strip - Mike-e Pre & Lil Freq Eq

Product Code: eq178444
Availability: In Stock

$12,597.00 $18,013.71

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Description
Reviews (19)

The EL-9 Mike-e from Empirical Labs is a transformer-coupled mic preamp with compressor/saturator circuits that deliver classic knee compression, as well as versatile tonal coloring. This low noise transformer input amplifier section offers precise digital control over gain and has a signal-to-noise ratio of 130 dB. It features stepped control knobs for gain control and a "BAD!" LED indicator for alerting the user when input signal is overloading the circuit.

The front panel instrument input that allows the unit to function as an ultra-clean Direct Box. The saturator is a multi-stage soft-clipping circuit that provides triode-type saturation effects, while severely flattening out the peaks. The compressor circuit is based on the Distressor, but with a longer attack time. Preset ratios include 2:1, 4:1, 8:1, and Nuke. Emphasis improves the signal to noise ratio, while soft-clipping high frequencies before the CompSat circuit and cutting the frequencies after it.

Mix provides the parallel compression technique achieved by mixing between the compressed and the dry, uncompressed signal. This can often help maintain transients and a sense of dynamic range while enhancing the low level nuances. A stereo link connector allows two Mike-e processors to be used for stereo buss functions, while the optional send/return insert modification allows for additional processors, such as the Lil Freq EQ, to be connected between the mic preamp and compressor, forming a powerful and flexible channel strip. The Mike-e ships with a standard IEC power cord.

Low-Noise Transformer-Coupled Mic-Pre Compressor/Saturator for Wide Tonal FX Compressor Based on Distressor Circuit Saturator Multi-Stage Soft-Clipping Parallel Compression with Mix Knob EQ with Eight Processing Sections High Pass Filter High and Low Shelf Equalizers Four Bands of Parametric Equalization DS - Dynamic EQ Section

Parameters
Frequency Response	No CompSat: 3 Hz to 200 kHz CompSat: 3 Hz to 150 kHz Optional Transformer Output: 6 Hz to 80 KHz
Signal to Noise	130 dB at 40 dB gain Maximum Output: 28 dBu
Distortion Range	0.0006 to 15% depending on mode and settings
Input / Output	Transformer coupled Input, active and transformer outputs available High quality audio caps used internally
Impedance	Input Impedance: 600 ohms at all frequencies, transformer coupled Output Impedance: less than 38 ohms Instrument Input Impedance: 332 kOhms
Attack	0.9 to 70 msec
Decay	0.15 to 1 sec
Power Consumption	15 W maximum
Dimensions	(1 U) 1.7 x 19.0 x 10.0" / 4.3 x 48.3 x 25.4 cm
Weight	11 lb / 5 kg

Versatile and simple microphone pre-amplifier with a deep feature set
Pre-amplifier section offers a transformer input. Low signal-to-noise exceeds 130 dB, well below the self-noise of any microphone
Super long life gain switching with 5 dB increments in preamp section and output pot for fine resolution gain setting. Sealed relays used throughout
CompSat section soft saturates the peaks of waveforms to warm things up and offers a world-class compressor with detented parameter selections
Germanium circuitry in the CompSat section to offer new warming characteristics
Two CompSat LED indicators, one “WARM” and one “TOASTY” LED, indicating internal saturation circuitry
Emphasis function tames high frequency build-up, while offering frequency dependent saturation, which enhances Mike-E’s popular tape-like tone
High performance high-pass filter at 80 Hz, 18 dB per octave
Built in Instrument preamp/direct box with auto sensing passes the signal through the input transformer for some “IRON” in its sound
Renowned Empirical Labs digitally controlled analog topology
Huge "DISTRESSOR" knobs with high resolution numbering for easy readability and repeatable settings
A “BAD!” hard clip LED indicates the signal is within .5 dB of hard clipping. It monitors many sections of the Preamp for internal clipping
Locked and calibrated output level allows speed in setting record and live mix levels
Extremely useful as a mixdown processor, too. Great for fitting the mixes together.
Discrete and integrated combination offering the best of speed/linearity with repeatability. Hand tested & selected components. All metal film and Roederstein resistors in the audio path
Top quality components, most being high temperature military spec parts
Upgradeable transformer output option
Switchable 115/230 volt operation - Extra fuse provided inside unit
XLR and 1/4" phone ins and outs - XLR fully balanced design, pin-2 hot
No internal connectors, high reliability parts and military grade switches and relays. All contacts doubled up for maximum reliability
Linkable Compressor section
Hand wired and calibrated in USA

Related Questions and Answers

Q: 1. Can you purchase additional smaller padded dividers for the bottom tray of the Pelican IM2975 Storm Trak Case, so the case can fit a variety of lens resting vertically?

A: I'm sorry, no. You will have to contact Pelican at; Tel: 310-326-4700 or 800-473-5422 Website http://www.pelican.com/ Email sales@pelican.com

Q: 2. Can this case hold two DSLR's with two 70-200s and a 16-80mm lens?

A: Sorry, can't answer. That's not what I use the case for. I think you have to measure the stuff you want to put in it and include how much foam you want between items, to make your own determination. Per the specs, the inside dimensions are: 22.0 x 17.0 x 12.7 / 55.9 x 43.2 x 32.3 cm

Q: 3. Does the PELICAN iM2875 STORM TRAK CASE HAVE SUFFICIENT SPACE IN THE INTERIOR TO HOLD ALL THE ITEMS NEEDED FOR ASTROPHOTOGRAPY USING THE CGEM II 9.25? SHOULD PADDING BE PURCHASED WITH THE CASE?

A: The Celestron CGEM II 925 will fit in the Pelican iM2975 Storm Trak Case (Black). You will need to purchase the Pelican Foam Set (8 Piece) B&H # PEFIM2975 and cut to fit.

Q: 4. Can I use this to carry my celestron 130 slt telescope?

A: I do not know the dimensions of your telescope, but if it will fit inside the interior dimensions of the case it should work as the pluck and pull foam is completely customizable...

Q: 5. Can I fit my DJI Ronin MX plus accesories?

A: The DJI Ronin MX will snugly fit the Pelican iM2720 Storm Trak Case with Foam, but with no room for accessories.

Q: 6. What is the width of the handle of this case?

A: Outer width: 6.75 Inner width: 5

Q: 7. How many trays does this case have? Some photos seem to indicate two, others show three.

A: This photo shows the inserts that this case will have. It has two smaller trays and one larger tray. https://bit.ly/30I4H66

Q: 8. Would this case work for a telescope where the optical tube's diameter is 9.1 and an length of 16.75 ?

A: The foam can be pulled apart to fit anything even your telescope.I am not sure how strong those are but I would save some foam and use it to cover up the unit.Basically give some space at the top of the telescope and drop foam on top for travel.

Q: 9. iMac 21.5 case?

A: Yes, but you need foam

Q: 10. Will a movi pro fit in here?

A: I don't believe that will fit. I would recommend the Pelican 1640 case. You can click on the link below to view; https://bhpho.to/2JDu9Tw

anyonymous	26/09/2024
[0.9 to 70 msec] Nice sounding tube preamp with lots of options. Tube plate voltage can be adjusted between (low) warmer sound and (high) cleaner sound. The high tube plate voltage option is good for chaining with another tube preamp (e.g. UA 610) for getting a different character. I get a lot of use out of the channel strip features -- the compressor / expander, de-esser, and EQ, which all work pretty well. Digital out too in a lot of formats, if you need it -- I don't. Fit and finish / physical quality is very good on the two that I ordered. 5

Mel the guitar man	25/09/2024
[0.15 to 1 sec] Ive been used to record guitar, acoustic guitar, bass, vocals in my studio and the sound its always great, warm and fat in all situations. I really like to have a Tube Preamp with EQ and Compressor, I can setup the whole tone using this avalon. 5

PEPE	24/09/2024
[11 lb / 5 kg] El producto es excelente trabajo muy bien en las laparas ETC DE 1000W ,UNO POR LAMPARA .Se lo recomiendo al que estew buscando un Dimmer DMX 5

Matteo	21/09/2024
[11 lb / 5 kg] For the price, it is a basic EQ that I bought last minute to use in line for a mono feed to a series of speakers in a loud gym space production. I was short for equipment in this production that involved multiple spaces for production. This EQ was only used for EQ on 7 wirelss LAVs in this loud boomy room. I was able to cut all the hot frequencies with 4 very cheap low quality self powered speakers (all 300-500w). For its price range, it is basic and simple and did the job. XLR in/out was a must. 5

UnderXTheXRadar	15/09/2024
[15 W maximum] I dont give products 5 stars ever. But today I'm doing that. Let me tell you I am really impressed. I can see why ART named this thing the Voice Channel. I keep reading about people using this for bass or overheads (It would work great for these) but this is really designed for the voice. After owning one for just a couple of hours and really getting a feel for the unit, it took my voice to a brand new level. Admittedly this is the first time i've done compression/eq/de-essing/gate/expand out of the box. However i feel like the investment in plugins (and the fact that very successful producers like Chris Lorde Algie and Graham Cochrane use plugins) prove there's nothig wrong with that approach. I've been recording in the box (plus a preamp) for a while. This was such an immediate upgrade. I've tried both using the USB out as well as running direct into my interface. The quality is absolutely there. The control though? If you're an in-the box mixer, you should still get one of these. Add a bit of compression and De-Esser on the way in and your singer can relax and focus on the performance. You can get SO MUCH MORE out of the singer that way. Overall i've been so impressed with this unit. The Preamp goes from SUPER clean to as much breakup as you would ever realistically use. It's a very musical preamp. And then the controls let you fine tune. I went from doing everything in the box to now I just use reverb and maybe a touch of further eq once I have my mix almost finished. When I expand and buy more channel strips, I'll probably just buy more of these. 5

b	01/09/2024
[15 W maximum] awesome sound. best kept secret. great bang for the buck. a lot of tweaking options for different sounds. use on vocals and acoustic guitars. 5

Paul	23/08/2024
[0.9 to 70 msec] This Graphic Equalizer works great, easy to set up and has intuitive controls. This unit replaced another brand that had failed. The best part is that ART makes great equipment that is 1/3 to 1/2 less than other brands with the same features. This is the second ART 351 that I have used and would recommend this unit without reservations. This unit is installed in a medium-size church to control feedback on the public address system. 5

anyonymous	22/08/2024
[0.15 to 1 sec] Once you add a tungston bulb this thing shines 5

jason robayo	11/08/2024
[0.9 to 70 msec] I use it with vocals an acoustic guitars, usually with a Neumann TLM49 or Rode NTK.I love the warmth of the tubes in the preamp. The eq is outstanding. The compressor section is very nice, but a little tricky because the attack and release times are a little bit slow and tends to sound too transparent. I compress a lot the vocals and bass and I really like the sound of the optical compressors. If you are good sound engineer an musician, Youll love it. 5

Anton	28/07/2024
[15 W maximum] Empirical Labs is one of the few companies that has its own taste for sound, they have not moved to China. For its price, I do not know better than an amplifier, I advise. 5