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Empirical Labs Twin Pak El-9 Mike-e Preamp Compressor

Empirical Labs Twin Pak El-9 Mike-e Preamp Compressor
  • Product Code: eq178445
  • Availability: In Stock

$9,747.00 $15,497.73

The EL-9 Mike-e from Empirical Labs is a transformer-coupled mic preamp with compressor/saturator circuits that deliver classic knee compression, as well as versatile tonal coloring. This low noise transformer input amplifier section offers precise digital control over gain and has a signal-to-noise ratio of 130 dB. It features stepped control knobs for gain control and a "BAD!" LED indicator for alerting the user when input signal is overloading the circuit.

The front panel instrument input that allows the unit to function as an ultra-clean Direct Box. The saturator is a multi-stage soft-clipping circuit that provides triode-type saturation effects, while severely flattening out the peaks. The compressor circuit is based on the Distressor, but with a longer attack time. Preset ratios include 2:1, 4:1, 8:1, and Nuke. Emphasis improves the signal to noise ratio, while soft-clipping high frequencies before the CompSat circuit and cutting the frequencies after it.

Mix provides the parallel compression technique achieved by mixing between the compressed and the dry, uncompressed signal. This can often help maintain transients and a sense of dynamic range while enhancing the low level nuances. A stereo link connector allows two Mike-e processors to be used for stereo buss functions, while the optional send/return insert modification allows for additional processors, such as the Lil Freq EQ, to be connected between the mic preamp and compressor, forming a powerful and flexible channel strip. The Mike-e ships with a standard IEC power cord.

Low-Noise Transformer-Coupled Mic-Pre    Compressor/Saturator for Wide Tonal FX    Direct Box Instrument Input    Compressor Based on Distressor Circuit    Saturator Multi-Stage Soft-Clipping    Emphasis - Soft Clips High Frequencies    Parallel Compression with Mix Knob    Side-Chain Input    Linkable for Stereo Processing

Parameters
Frequency ResponseNo CompSat: 3 Hz to 200 kHz
CompSat: 3 Hz to 150 kHz
Optional Transformer Output: 6 Hz to 80 KHz
Signal to Noise130 dB at 40 dB gain
Maximum Output: 28 dBu
Distortion Range0.0006 to 15% depending on mode and settings
Input / OutputTransformer coupled Input, active and transformer outputs available
High quality audio caps used internally
ImpedanceInput Impedance: 600 ohms at all frequencies, transformer coupled
Output Impedance: less than 38 ohms
Instrument Input Impedance: 332 kOhms
Attack0.9 to 70 msec
Decay0.15 to 1 sec
Power Consumption15 W maximum
Dimensions(1 U) 1.7 x 19.0 x 10.0" / 4.3 x 48.3 x 25.4 cm
Weight11 lb / 5 kg

  • Versatile and simple microphone pre-amplifier with a deep feature set
  • Pre-amplifier section offers a transformer input. Low signal-to-noise exceeds 130 dB, well below the self-noise of any microphone
  • Super long life gain switching with 5 dB increments in preamp section and output pot for fine resolution gain setting. Sealed relays used throughout
  • CompSat section soft saturates the peaks of waveforms to warm things up and offers a world-class compressor with detented parameter selections
  • Germanium circuitry in the CompSat section to offer new warming characteristics
  • Two CompSat LED indicators, one “WARM” and one “TOASTY” LED, indicating internal saturation circuitry
  • Emphasis function tames high frequency build-up, while offering frequency dependent saturation, which enhances Mike-E’s popular tape-like tone
  • High performance high-pass filter at 80 Hz, 18 dB per octave
  • Built in Instrument preamp/direct box with auto sensing passes the signal through the input transformer for some “IRON” in its sound
  • Renowned Empirical Labs digitally controlled analog topology
  • Huge "DISTRESSOR" knobs with high resolution numbering for easy readability and repeatable settings
  • A “BAD!” hard clip LED indicates the signal is within .5 dB of hard clipping. It monitors many sections of the Preamp for internal clipping
  • Locked and calibrated output level allows speed in setting record and live mix levels
  • Extremely useful as a mixdown processor, too. Great for fitting the mixes together.
  • Discrete and integrated combination offering the best of speed/linearity with repeatability. Hand tested & selected components. All metal film and Roederstein resistors in the audio path
  • Top quality components, most being high temperature military spec parts
  • Upgradeable transformer output option
  • Switchable 115/230 volt operation - Extra fuse provided inside unit
  • XLR and 1/4" phone ins and outs - XLR fully balanced design, pin-2 hot
  • No internal connectors, high reliability parts and military grade switches and relays. All contacts doubled up for maximum reliability
  • Linkable Compressor section
  • Hand wired and calibrated in USA

Related Questions and Answers

Q: 1. Can you power this flash with rechargeable AA batteries?

A: The Canon Speedlite EL-1 does not work with AA batteries; it works with the Canon LP-EL Lithium-Ion Battery Pack.

Q: 2. Will it use the 1" sensor in 360 mode?

A: Unfortunately no. The 1 inch sensor is not include in the 360 edition or twin edition.

Q: 3. can this be used underwater?

A: The GoPro EL Grande is Durable and Waterproof.

Q: 4. Does the 1 inch mod has a filter thread?

A: The Insta360 ONE R 1" Mod will not have filter threading.

Q: 5. can I use the Canon CP-E4N Compact Battery Pack with the EL-1?

A: Yes, the plug from the CP-E4N will connect to the "external power source socket" on the EL-1. However, please note that few are likely to need that feature except those wanting it mostly to extend battery life. That's because the rechargeable battery used for the EL-1 can already allow it to recycle after a full power flash in just 0.9 seconds.

Q: 6. When's the ETA for this one?

A: We do not have a firm receiving date from this manufacturer, but we will be happy to let you know when we do.

Q: 7. Is this compatible with 6D Mark 2 ?? Also would it work off camera without a trigger?!

A: Yes the Canon Speedlite EL-1 is compatible with the Canon 6D Mark 2 camera and it can be used off camera with a trigger such as the ST-ET-R3: https://bhpho.to/2MYKDds

Q: 8. Can it stream via wi-fi or does it need a cable like 360 one x ?

A: Live-streaming will be available soon: Wi-Fi 5G (Standard range of approximately 20 meters)

Q: 9. Will I damage the smart pins if I use my EL-1 on my R3 without the Canon AD-E1 adapter?

A: You can use the Canon Speedlite EL-1 BH #CAEL1 on the Canon R3 with out the BH #CAOCSAADE1 adapter.

Q: 10. Does this come with a mounting bracket? Or do I have to buy that separately?

A: Hi, yes the mounting plate is included. Thank you for shopping at B&H!

14/09/2024

[0.9 to 70 msec] perfect product and esy set up.

5
13/09/2024

[0.15 to 1 sec] This device works great in leveling out our audio, and gets rid of the low level room noise. Our podcast post-processing has gone to almost zero.

5
25/08/2024

[0.9 to 70 msec] Purchased these for studio monitor use, but am so impressed with the quality, I'll be taking them on the road too - outstanding value.

5
23/07/2024

[0.9 to 70 msec] We're using it to compress our levels for live streaming and dvd recording. The audio is clean and noise free. The compressor was easy to setup. Our pastor speaks with lots of variation. He can be quite loud and then softens towards the end. The DBX is a great compressor to moderate his volume and keep it consistent.

5
22/07/2024

[11 lb / 5 kg] Mike is an excellent teacher and communicator. His tutorial is well- organized and laid out. I like the real-life examples of different shoots, tackling lighting issues and then seeing how Mike edits it all in Photoshop. I highly recommend!

5
04/07/2024

[0.9 to 70 msec] Loved it....its a bit tricky at first....once u get the jist its preyy straight forward....build like a tank

5
03/07/2024

[15 W maximum] This compressor is exactly what I was looking for. Transparent, smooth, and powerful. The double-knee system is unique and sounds terrific. The auto-attack & release are so good I never turn them off. Lastly, the ability to add subtle harmonics to the output gain adds that little bit of glisten.

5
28/06/2024

[0.9 to 70 msec] We are using this unit with two wireless lavalier mics used by trainers presenting in hotel ballrooms and consider it a bargain for how much performance improvement it has yielded.


After watching a few YouTube videos I was able to configure some defaults for vocals and then fine tune using the meters and my ears.


We have much better control now and fewer requests to make it louder but also not feed back while the person is standing in front of the PA while also making it not so loud while the presenter is shouting GET READY TO ROCK AND ROLLLLLL! or whatever at the beginning of the event.

5
25/06/2024

[11 lb / 5 kg] Great sound right off w/ no effort. Drill down further to get better sound.

5
17/06/2024

[11 lb / 5 kg] Works great, easy to use, soft limiting, great stuff here folks!

5

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