Shure Blx14r/w93 Wireless Lavalier Mic System H9 512-542mhz
- Product Code: eq178805
-
The Shure BLX14R/W93 Wireless Lavalier Mic System H9 512-542MHzbrings broadcasters, on-screen talent, and theatrical performers a cost-effective wireless lavalier microphone system with quality sound, simple setup, intuitive operation, and dependable performance right out of the box. It includes the rugged BLX4R single-channel receiver with LCD display, adjustable output level, and removable antennas for rackmounting the unit—ideal for broadcast applications.
The BLX14R/W93 also includes a miniature WL93 omnidirectional lavalier mic with clip and windscreen, and a bodypack transmitter. The receiver features one-touch QuickScan frequency selection to quickly search 123 available frequencies and locate a clean RF channel in case of interference. It provides up to 14 hours of continuous use with two AA batteries, at a range up to 300'. Up to 12 mic channels can operate simultaneously in each frequency band.
This system is well suited for hands-free speech in TV and home video studios, and can also be used in theatrical productions.
For Broadcasters and Performers WL93 Miniature Omnidirectional Lav Mic Lightweight Bodypack Transmitter Single-Channel Rackmount Receiver 123 Auto-Scan Frequencies Two Removable Antennas with Diversity Adjustable Output Level Rugged Metal Construction 14-Hour AA Batteries Expandable to 12 Mic Channels/300' Range
Key Specs | |
---|---|
Wireless Technology | Analog UHF |
Included Transmitters | 1x Bodypack |
Diversity | Antenna Diversity |
Max Operating Range | 300' / 91.4 m (Line of Sight) |
Receiver Type | Tabletop |
Microphone Type | Lavalier |
Polar Pattern | Omnidirectional |
System | |
Wireless Technology | Analog UHF |
Number of RF Channel Frequencies | 123 |
Included Transmitters | 1x Bodypack |
Diversity | Antenna Diversity |
RF Frequency Band | H9: 512 to 542 MHz |
RF Bandwidth | 24 MHz |
RF Channel Scanning | Auto-Scan |
Max Operating Range | 300' / 91.4 m (Line of Sight) |
Max Transmitters per Band | 12 |
Built-In Recorder | No |
Timecode Support | No |
Mobile App Compatible | No |
Dynamic Range | 100 dBA |
Receiver | |
Receiver Type | Tabletop |
Mounting Options | Rackmount (with Included Hardware) |
Rackmount Size | 1 RU (1/2 Rack) |
Antenna | 2x 1/4 Wave External, Detachable (Rear-Mount) |
Number of Audio Channels | 1 |
Built-In Microphone | No |
Audio I/O | 1x XLR 3-Pin Male Balanced Output 1x 1/4" TS Female Unbalanced Output |
Audio Output Level | XLR Output: -20.5 dBV (Mic Level) 1/4" Output: -13 dBV (Instrument Level) |
Frequency Response | 50 Hz to 15 kHz (Dependent on Mic) |
USB Class-Compliant | No USB Connectivity |
Impedance | XLR Output: 200 Ohms 1/4" Output: 50 Ohms |
Adjacent Channel Isolation | >50 dB |
Power Requirements | AC/DC Power Adapter |
AC/DC Power Adapter | 12 to 15 VDC at 260 mA, Center-Positive (Included) |
Input Power | 100 to 240 VAC, 50 / 60 Hz at 150 mA |
Display & Indicators | 1x Backlit LCD (AF Level, Channel, Group, Metering, RF Level) 1x LED (Transmitter Battery Status) |
Housing | Steel |
Operating Temperature | 0 to 135°F / -17 to 57°C |
Dimensions | 7.8 x 2 x 6.4" / 198 x 50 x 163 mm (without Mounting Hardware, Antennas) |
Weight | 35.2 oz / 998 g |
Transmitter | |
Transmitter Type | Bodypack |
RF Output Power | 10 mW |
Built-In Microphone | No |
Audio I/O | 1x TA4/Mini-XLR 4-Pin Male Input (Locking) |
Muting | Off/On Switch |
Auto-Level Control | No |
Gain Range | -16 to +10 dB |
Sync Method | Manual |
Antenna | 1x Flexible Whip, Fixed (Beltpack) |
Power Requirements | Battery |
Battery Type | 2x AA (Included) |
Approx. Battery Life | 14 Hours (Alkaline) |
Display & Indicators | 1x Multi-Segment LED (Channel, Group) 1x LED (Battery Status, Power) |
Housing | ABS |
Dimensions | 2.5 x 4.3 x 0.8" / 64 x 110 x 21 mm |
Weight | 2.6 oz / 75 g (without Batteries) |
Microphone | |
Microphone Type | Lavalier |
Sound Field | Mono |
Capsule | Electret Condenser |
Polar Pattern | Omnidirectional |
Frequency Range | 50 Hz to 20 kHz |
SNR | 76 dB |
Equivalent Noise Level | 28 dB |
Maximum SPL | 120 dB SPL |
Impedance | 3000 Ohms |
Sensitivity | -38 dBV/Pa |
Dynamic Range | 102 dB |
Output Connector | 1x TA4F/Mini-XLR 4-Pin Female (Locking) |
Cable Length | 4.17' / 1.27 m |
Operating Voltage | 2 to 10 V |
Weight | 0.56 oz / 16 g |
Packaging Info | |
Package Weight | 6.85 lb |
Box Dimensions (LxWxH) | 18.3 x 14.9 x 3.6" |
The WL93 condenser microphone is built for low visibility and clear vocal reproduction in low-volume environments. The mic's omnidirectional polar pattern offers consistent pickup even when the talent turns away from the mic, while Commshield RF Filtering minimizes RF interference from nearby smartphones. The tailored frequency response features a controlled low-end roll-off and is optimized for speech intelligibility.
The durable BLX1 bodypack transmitter offers a lightweight, ergonomic design that is comfortable for the presenter to wear. Group and channel selection buttons allow for quick and simple frequency matching with the receiver. Other features include an easily accessible on/off switch, adjustable gain control, and a TA4M 4-pin input jack.
The BLX4R receiver employs a microprocessor-controlled antenna diversity feature to improve the quality and reliability of your wireless audio. The receiver can be rackmounted with the included hardware, allowing you to position the two removable antennas on the front of the rack for optimal signal reception.
The LCD display shows group and channel settings, and allows you to meter audio level and signal strength. An LED indicator even lets you keep an eye on the transmitter's remaining battery life. The unit offers 1/4" and XLR connectors with adjustable output level for flexible connectivity to PA systems and mixing boards.
Shure offers a variety of headset, instrument, and handheld microphone options to adapt your BLX system as your needs evolve.
- The discrete MX153 sub-miniature earset mic provides exceptional clarity in spoken word applications.
- The PGA31 is a comfortable, durable headset microphone for active performance.
- Instrumentalists can attach the WB98H/C flexible gooseneck instrument microphone for brass, woodwind, and percussion applications.
- The WA302 guitar cable lets you connect the bodypack transmitter to a guitar or bass.
- The BLX2 handheld transmitter is available with three different mic capsules for presenters who prefer the flexibility of a handheld microphone.
Related Questions and Answers
Q: 1. Do these have auto shut-off? If so, can it be disabled?
A: No auto shut off. I agree with Bob B.: always charge units before using. They don't seem to hold charge very well while in storage or non-use.
Q: 2. How well does it work with the iPhone camera app?
A: It works very well. I have used it to shoot a number of iPhone videos, both indoors and out and it has worked very well.
Q: 3. I was wondering how to use these microphones to record a meeting with my PC?
A: Analog 3.5mm input and output connectors can be switched between mic and line level operation, and also have the ability for both inputs and outputs to be mixed to a single channel. Connect to your PC's microphone inpuut.
Q: 4. I have been told that the Shure PSM 300 Twin-Pack is capable of being used as a wireless speaker system like the SENNHEISER Wireless Speaker System 5 which consists of 1 Transmitter and 2 Receivers. Please let me know if that is doable. I have always wondered if it will damage the speakers or not thanks?
A: Yes, essentially you could use the PSM 300 Twin-Pack as a Wireless Speaker System. They are NOT meant for this purpose, but if the proper cabling is used, proper gain staging, and you have proper line of sight this should cause no harm to the speakers.
Q: 5. Is this mic compatible with the DJI Mic 2 transmitters?
A: The Shure MOTIV MVL Omnidirectional Lavalier Microphone for Smartphones has a TRRS connector for use with smartphones. It would not be compatible with a wireless transmitter such as the DJI Mic 2.
Q: 6. Would this work with a digital voice recorder? (i.e. Olympus WS-822?) Thanks!
A: No. It is compatible with mobile phones or tablets that offer a 1/8 TRRS Connector
Q: 7. Is this compatible with a Sony A7?
A: Should work fine with this and most other HDSLR cameras and most camcorders as well.
Q: 8. Can a system like this one be had for under $700 with a configuration of one TX and 2 (to 3) RX. It won't be used for a stadium but for an in-home event, within the restraints of a home's short distance. headphones will be purchased separately.
A: The Shure PSM 300 system will be over the budget, but we do have other systems from other manufacturers like the VocoPro IEM-Digital 4 Wireless Stereo In-Ear Monitoring System (B&H # VOIEMDIG4), the Galaxy Audio AS-950-4N 4-Pack Any Spot Series Wireless Personal Monitoring System - N Band, 518-542 MHz (B&H # GAAS9504N), the CAD GXLIEM4 Quad-Mix In-Ear Wireless Monitoring System - T: 902 to 928 MHz (B&H # CAGXLIEM4), the Nady PEM-04 Wireless 4-Person In-Ear Monitoring System - 903 to 928 MHz (B&H # NAPEM04), and the Xvive Audio U4R4 Wireless In-Ear Monitor System with Four Receivers - 2.4 GHz (B&H # XVU4R4), which are all systems for up to four users. For two users, we have the CAD GXLIEM2 Dual-Mix In-Ear Wireless Monitoring System - T: 902 to 928 MHz (B&H # CAGXLIEM2), the Xvive Audio U4R2 Wireless In-Ear Monitor System with Two Receivers - 2.4 GHz (B&H # XVU4R2), the Galaxy Audio AS-1100-2N Wireless In-Ear Twin Pack Monitor System - N: 518 to 542 MHz (B&H # GAAS11002N), and the Nady PEM-02 Wireless 2-Person In-Ear Monitoring System - 903 to 928 MHz (B&H # NAPEM02).
Q: 9. one mic is louder than the other. is there anyway to fix this?
A: Make sure that both microphones are connected to the mic input (not the line input) on each of the transmitters. Since the WMX-1-DUO system does not have individual level controls for each transmitter and people do tend to speak at different volume levels, try experimenting with placement of the microphones on each person wearing a mic. Try moving the mic closer to the mouth of the person whose volume is lower or move the mic further away from the mouth of the person whose volume is louder. If you find that there is still an usual difference between the output levels of each mic, please contact us for further assistance so we can do additional troubleshooting to determine whether there may be a problem with one of the mics or transmitters..
Q: 10. Can multiple receivers be used simultaneously to get the same signal?
A: Yes. An unlimited number of bodypack receivers can tune in to the transmission of one transmitter provided all units are of the same frequency band.
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