This 12-channel tactical fiber cable is designed for broadcast applications and meets all outdoor tactical needs for applications requiring an outdoor-rated crush- and impact-resistant design. The tough thermoplastic polyurethane core-locked design is perfect for any situation where ordinary PVC jacket cables do not provide adequate protection in the field. This rugged multi-channel fiber optic cable is designed for multiple deployments for field production in outside broadcast, rental houses and more.
The highly flexible tight-buffered tactical cable with internal aramid strength member for crush-resistance in high traffic areas and a polyurethane outer sheath is designed to withstand crushing by both military tanks and outside broadcast vehicles. All assemblies are multi-stage machine-polished.

• Broadcast-deployable
• Wide temperature range
• Excellent crush and impact resistance due to the polyurethane core-locked outer jacket
• Designed to withstand crush and impact after deployment
• Strong, lightweight and extremely durable cable

Related Questions and Answers

Q: 1. So on inputs 9/10 and 11/12, if you plug your single mono input into the left channel, it will come across both L and R in mono?

A: No, input 9 is routed directly to Main L and input 10 is routed to Main R. 9/10 are controlled by a single fader and share controls, but there is no summing taking place. This is true for both stereo channels of the Zoom LiveTrak L-12.

Q: 2. Can I record via the USB output (into my laptop) while simultaneously using an analog (headphone) output into my video camera?

A: Yes, you can perform this kind of operation with the L-12.

Q: 3. How does the Latency Adjustment work? Looking at the manual, there is only an ON or OFF function. Is there a way to manually delay the output? For example in the Zoom F8n, you can delay the output by a number of frames. I'd like to delay the output of this mixer because it's going to a video switcher and I know if someday I use HDMI inputs, the video will be delayed and then the sound will be slightly off. I'd hate to take the output of the mix and feed it back into a camera to feed it back to the video switcher if I don't have to

A: Yes it is.

Q: 4. Hi , will this work with Canon R5 . Thanks

A: Yes, this Vello 2.5mm remote shutter release cable for Canon 3-pin cameras is compatible with the Canon EOS R5.

Q: 5. Can it work with 220 voltage?

A: The Zoom LiveTrak L-12 - 12-Channel Digital Mixer & Multitrack Recorder is 110V only.

Q: 6. This Vello cable comes in either a 3.5mm or 2.5mm configuration. I assume this is referring to the end of the cable that plugs into the receiver as the other end is 3-pin, and plugs into the camera. So is the mm choice determined by what size connection is on the Vello receiver?

A: Yes the 2.5mm or 3.5mm end is for the type of connection on the receiver.

Q: 7. Can you use a blade on the top surface without damaging it? Is the viewing surface glass?

A: Within reason, yes. The manufacturer states it has a scratch resistant surface that can be used for cutting, pasting or retouching. The viewing surface is scratch resistant crystalglass and white acrylic diffusion.

Q: 8. If I am using this as a multitrack audio interface on a computer, can I also record to an SD card?

A: When set to Audio Interface Mode, the L12 will send multitrack audio to a computer while recording to an SD card.

Q: 9. Greetings, I am a location sound mixer and I am building my cart, which will be separate from my audio bag. I primarily record narrative features, but will be doing some live event work soon (stand-up comedy & music). My question is: would the L-12 work well as the heartbeat of my cart? As the mixer/recorder and with the headphone outs, can this be used as adequate IFB for video village? And, finally does the L-12 generate timecode?

A: This has five headphone outputs that can each have it's own individual mix, so throretically it can be used for IFB. It will not do timecode. Other than that it works like any other digital mixer.

Q: 10. The audio recorded on each track is Raw audio (pre faders and or EFX) or is recorded after process? Thanks

A: The recording is pre-fader and pre-effects. It can also be pre-compressor, there is a setting for that. So yes, it is RAW . The other person who answered is wrong.