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Mogami Gold 8-channel Db25 Analog Snake Cable 1.5'

Mogami Gold 8-channel Db25 Analog Snake Cable 1.5'
  • Product Code: eq179543
  • Availability: In Stock

$464.85 $669.38

The 1.5' Mogami Gold 8-Channel DB25 Analog Snake Cable 1.5'offers renowned quality and reliable connectivity between analog multichannel devices in touring setups, project studios, and commercial facilities. It is based on Mogami's own #2932 Neglex multipair snake cable, which is well respected for its neutral tone, remarkable transmission of audio detail, noise-free background, and super-flexible jacket.

Each length of audio channel wire is individually shielded with numbered jackets for simplified organization of cable clusters. Inner conductors and outer jackets are color-coded for quick identification. Sturdy metal shells and thumbscrews ensure long-lasting durability.

8-Channel Configuration    DB25 Connectors    Sturdy Metal Shells    Easy-to-Grab Metal Thumbscrews    Individually Twisted Shielded Pairs    Printed & Underlined Core Jackets    Color-Coded for Easy Identification

Parameters
Cable TypeAnalog multitrack cable
Length1.5' / 0.5 m
Diameter0.453" / 11.5 mm
GaugeConductor Core: 30 x 40 AWG
Drain Wire: 7 x 33 AWG
InsulationMaterial: XLPE (cross-linked polyethylene)
Diameter: 0.039" / 1 mm
ShieldingIndividual 58/0.10A served (spiral) bare copper shield
JacketMaterial: Flexible PVC
Thickness: 0.047" / 1.2 mm
Diameter: 0.11" / 2.8 mm
Connector 1DB25
Connector 2DB25
Weight0.2 lb / 0.1 kg
Packaging Info
Package Weight0.8 lb
Box Dimensions (LxWxH)11.8 x 4.6 x 2"

XLPE (cross-linked polyethylene) insulation provides superb electrical characteristics and will not melt or shrink back during soldering

Per-channel drain wire and spiral bare copper shield

Individually shielded wire sets drastically minimize EMI and RFI

Rugged and flexible construction

Eight-channel I/O with standard analog pinouts will fit Apogee, Mackie, Sony, Tascam, Yamaha, and other similar multitrack recording units

Related Questions and Answers

Q: 1. does this fit the Leica mp ?

A: Yes, the Leica Correction Lens M (+1.5 Diopter) does work on the Leica MP.

Q: 2. Are Sony transmitters able to supply phantom power to a mic with this connector? Or it's only for powered inputs?

A: No. Sony transmitters that are compatible with this cable are only capable of mic input and line input. They do not provide phantom power for XLR connection microphones that require phantom power.

Q: 3. Does this lens include a separate adapter, or is it built-in?

A: The TTArtisan 21mm f/1.5 Lens for Nikon Z does not include a separate adapter, as it utilizes a Nikon Z mount already.

Q: 4. can I use this with the URX-P03 model?

A: This cable will connect to the Sony URX-P03 receiver, or any Sony receiver with a 3.5mm locking connector.

Q: 5. Will this perfectly work sending an audio feed from my Zoom U-24 Audio Interface into an android smartphone, iphone/ipad?

A: Yes, that cable should be compatible for that application, provided the Zoom product has 1/4 jacks.

Q: 6. Does this work with the Leica M11-P?

A: Yes, the Leica Correction Lens M (+1.5 Diopter) is compatible with the Leica M11-p.

Q: 7. Will this work on an M10?

A: The Leica Correction Lens II (-1.5 Diopter), B&H # LECLM15DPT, is listed as the correct -1.5 diopter for use with the Leica M10 Digital Rangefinder Camera.

Q: 8. Can this lens fit Sony aiii

A: Yes, the TTArtisan 21mm f/1.5 Lens for Sony E is compatible with the Sony A7 III.

Q: 9. Is the TTArtisan 21mm f/1.5 a full frame lens?

A: Yes. The TTArtisan 21mm f/1.5 Lens for Leica M is a full frame lens.

Q: 10. What’s the size of the front filter threads?

A: The front mount filter thread would be a 72mm filter thread.

27/09/2024

[0.2 lb / 0.1 kg] The cable was purchased for patching to Avid 16x16 analog IO from mixer outputs. As expected, good quality connections, with clear signal.

5
25/08/2024

[0.2 lb / 0.1 kg] a very well built snake, with the best components.

5
27/06/2024

[DB25] I am always wanting to eliminate any link in my audio chain that will compromise any loss of signal.Saying that, If you were to see my studio, you would understand.Its still a home studio though, and to spend a large amount of money on a cable snake thats 5' long, I had to take time and think about it.After reading the spec on the cable and trying to look closely at the picture supplied, I decided, why not.I can see where the money has gone.No effort has been spared to construct this cable, its very robust, completely shielded and apart from dragging it behind a car for 40 miles, its definitely a once in a lifetime purchase.all cable ends both braided and then shrunk wrap coatings are as good as any top shelf cable I have, and if the specs are anything to go by, I'm yet to see any other cable of this type on the market that will match it.As with any signal path you still have to be mindful of what cables are running next to what, so I still don't run audio less than 150mm parallel to power and always cross at 90 degrees. My recording equipment gets moved around alot, so to have something that can handled regularly and not show signs of ware and tear is a big one. Although I have only had it for a short time, I reckon this cable will last as long as any I have.Well done to the crew at Mogami, well made.If you can afford it, you will only buy it once, thats worth considering.

5
17/04/2024

[1.5' / 0.5 m] Great little cable, gotta love Mogami quality

5
16/04/2024

[DB25] Very well built with the best components.

5
30/11/-0001

[DB25] I'm continually on the road, recording sound and video on location. I have several Mogami short snakes for connections to gear in rack cases. They're expensive compared to most competing products, but stand out for their high quality. In particular, Mogami cables are extremely flexible, and fit well in tight quarters. Yet they are rugged enough to withstand years of connections and disconnections on the road. This TRS to TRS snake will be used to connect an 8-channel portable recorder to backup recordings made on a computer based system, direct from the preamp.

5

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