Rokinon Xeen 14mm T3.1 Lens Sony E
- Product Code: eq179848
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The Sony E Rokinon Xeen 14mm T3.1 Lens Sony Eis built specifically for use as a cinema lens. It features an internal focus design so that the lens does not change size while focusing, minimizing the appearance of breathing when changing focus. Each lens in the set is multi-coated for good contrast, glare prevention, and color-match to a factory standard, allowing you to assemble a set over time with minimal color shift. This 14mm lens provides what is considered a very wide angle of view on full-frame cameras, and a tighter angle of view on smaller formats.
The lens features dual-sided focus scales marked in feet, with dual-sided iris scales. The 9-bladed iris provides a rounded aperture for natural-looking highlights and bokeh. The lens is a manual focus and iris lens, and it does not have auto focus or auto iris capability. It incorporates cinema-style focus and iris gears that share the same position across the lenses in the Xeen set. The common 114mm front diameter allows for quick lens changes when using a matte box and focus accessories. The focus ring rotates 200° from close focus to infinity. This gives you a high degree of precision when adjusting focus.
14mm Lens Covers Full-Frame Sensors Internal Focus Design Multi-Coating for Color Consistency Dual-Side Focus and T-Stop Scales 9-Blade Iris Cinema Gearing for Focus and Iris 200° Focus Rotation 114mm Front Diameter
Key Specs | |
---|---|
Focal Length | 14mm |
Maximum Aperture | T3.1 |
Lens Mount | Sony E |
Lens Format Coverage | Full Frame |
Image Stabilization | No |
Electronic Communication | No |
Parameters | |
Maximum Aperture | T3.1 |
Lens Mount | Sony E |
Interchangeable Mount | No |
Lens Format Coverage | Full Frame |
Image Circle | Not Specified by Manufacturer |
Angle of View | Full Frame Diagonal: 115.7° Super 35 Diagonal: 98.2° |
Minimum Focus Distance | From Unspecified Point in Lens: 11.0" / 27.9 cm |
Maximum Magnification Ratio | Not Specified by Manufacturer |
Diaphragm Blades | 9 |
Image Stabilization | No |
Gear Standard | Not Specified by Manufacturer |
Gear Rotation | Focus: 200° Iris: 300° |
Electronic Communication | No |
Diameter | Maximum: 4.63" / 117.6 mm Front: 4.5" / 114 mm |
Length | 4.5" / 113.7 mm |
Weight | 41.4 oz / 1.2 kg |
Packaging Info | |
Package Weight | 4.4 lb |
Box Dimensions (LxWxH) | 10.3 x 7.9 x 7.7" |
This 14mm lens has an image circle that covers a full-frame sensor. When mounted on a camera with a full-frame sensor it provides you with a very wide angle of view.
The lens features metal construction to withstand the rigors of daily production.
Dual right and left side focus and t-stop scales allow your focus puller to work from either side of the lens, without having to flip the lens in the mount or facing upside numerals.
Each lens in the XEEN series shares common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.
The common 114mm front diameter allows for quick lens changes as you don't have to swap out anti-reflection donuts or adapters to use the same matte box.
The non-rotating front allows you to use optional clip-on matte boxes.
Clickless aperture ring for smooth iris pulls.
A minimum focusing distance of 11" allows you to get up close to your subject.
Related Questions and Answers
Q: 1. What kind of horizontal distortion does this lens render on full frame around the top and bottom of the frame? Does it have barrel distortion, bulge distortion, pincushion distortion, or wave/ wiggle distortion? Do lines stay straight horizontally?
A: All extreme wide lenses exhibit some level of barrel, chromatic, and rectilinear distortion. If you wish to avoid these negatives while using wide lenses, do not get too close to your subject and cause barrel distortion or tilt and cause leaning lines. That being said, rarely are there any wide lenses that are truly bad otherwise lens manufacturers would not make any money. Getting on to your question, this Xeen 14mm lens' performance is not known at this time. However, it is based on the Rokinon 14mm and we know that to be very good, especially in light of its low price. Final note: Wide and tele lenses have characteristics unique unto themselves. In the beginning of their camera career, people often look at these characteristics as negatives to be overcome. In time, the user knows what to look for and then exploits these characteristics to storytelling advantage.
Q: 2. Does the Xeen line lenses have weather sealing?
A: Rokinon Xeen lenses are not listed as weather sealed.
Q: 3. Is there a filter solution for this lens?
A: You can use a mattebox with this lens to be able to use filters with it.
Q: 4. is it suitable for panasonic lumix GH5??
A: Yes it is. The Panasonic GH5 has an MFT mount, this lens will work on the camera.
Q: 5. So if using this with the cannon RP there is no need for an adaptor? It mounts directly? Thanks. JB
A: Yes, The Rokinon 14mm T3.1 DSX lens has a Canon RF mount. The Canon RP camera also has a RF lens mount. You would not need an adapter to work with this lens on the Canon RP.
Q: 6. Does this lens have autofocus capabilities?
A: No. The following unit is a manual focus and aperture lens.
Q: 7. Can the lens mounts be changed?
A: Yes, the Rokinon Xeen 35mm T1.5 Lens for Canon EF Mount can have the mount changed. For example, the Rokinon XEEN Support Mount Kit for PL. See the link below: https://bhpho.to/3fDL4YO
Q: 8. Are these the same optics as the photo lenses?
A: No, The Rokinon Xeen lenses are 6k ready optics with XEEN Proprietary X-Coating Technology that differ from Rokinons photo lens models. Also the 114mm non rotating front is perfect for matte box attachment. Unified 40° Iris Rotation Unified 200° Focus Throw Large Easy To Read Markings
Q: 9. will this lens work with a Panasonic Lumix DC-S1H ?
A: This is an EF mount lens while the S1H has an L-Mount. You will need a Canon EF Lens to Leica L-Mount adapter. https://bhpho.to/2ICgtHp
Q: 10. what is diferent about mark II and mark I lens?
A: The Mark II (Mk 2) versions feature revised placement of the focus and aperture gearing so that they are consistent with the other cine lenses made by the manufacturer.
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