Genelec G Four 2-way Powered Bookshelf Speaker White
- Product Code: eq180354
-
Enjoy audio from your source of choice with the white Genelec G Four 2-Way Powered Bookshelf Speaker. It features an XLR and an RCA input, allowing you to have two source devices connected for easy switching. The speaker has a 2-way design with one built-in Class-AB amplifier for the 6.5" woofer and one for the 0.75" metal-dome tweeter. The speaker features a 48 Hz to 20 kHz frequency response and has a die-cast aluminum cabinet with a rear-facing bass port.
Up to 180W Output 2-Way, Bass-Reflex Design 6.5" Woofer 0.75" Metal-Dome Tweeter 48 Hz to 20 kHz Frequency Response 1x XLR, 1x RCA Input Class-AB Amplifiers Die-Cast Aluminum Cabinet
Key Specs | |
---|---|
Speaker Configuration | 2-Way |
Amplifier Power Rating | 180 W |
Drivers | 1x 6.5" / 165 mm Cone Woofer 1x 0.75" / 19.05 mm Dome Tweeter |
Frequency Response | 48 Hz to 20 kHz (±2.5 dB) |
Inputs/Outputs | 1x XLR Input 1x RCA Input |
Speaker System | |
Speaker Configuration | 2-Way |
Amplifier Power Rating | 180 W |
Drivers | 1x 6.5" / 165 mm Cone Woofer 1x 0.75" / 19.05 mm Dome Tweeter |
Enclosure Type | Bass-Reflex |
Ports | 1x Rear-Firing |
Frequency Response | 48 Hz to 20 kHz (±2.5 dB) |
Frequency Range | 41 Hz to 25 kHz (-6 dB) |
Inputs/Outputs | 1x XLR Input 1x RCA Input |
Amplifier Class | 2 x Class-AB |
Crossover | 3000 Hz |
SPL | ≥99 dB |
THD (Total Harmonic Distortion) | ≤ 2% |
Input Impedance | 10 Kilohms |
Power | |
Power Consumption | 110 W (Maximum) 10 W (Idle) 0.5 W (Standby) |
Physical | |
Placement & Mounting Options | Tabletop/Bookshelf Wall-Mount (with Optional Hardware) |
Cabinet Material | Aluminum |
Grille | No |
Dimensions | 9.3 x 14.4 x 8.8" / 237 x 365 x 223 mm (with Base) 9.3 x 13.8 x 8.8" / 237 x 350 x 223 mm (without Base) |
Weight | 19.0 lb / 8.6 kg |
Packaging Info | |
Package Weight | 24.3 lb |
Box Dimensions (LxWxH) | 17.5 x 11.7 x 11.6" |
The G Four is designed to reproduce the fine details and nuances of your favorite music and movies, so you can experience content the way the creators intended, even in challenging acoustic environments. With its generous SPL of ≥99 dB and frequency extension as low as 41 Hz, the G Four can match its precision with power.
The active speaker design removes the need for bulky external power amplifiers, since the amplifier is built into the speaker. This amplifier is optimized for the drivers they're feeding and enables you to simply connect your sound source directly to the G Four. With simple room compensation switches, you can tailor the sound to your unique acoustic environment for faithful sound in nearly any room.
- Active crossovers
- Directivity Control Waveguide (DCW) technology
- Intelligent Signal Sensing (ISS) technology
- Iso-Pod stand
- Minimum Diffraction Enclosure (MDE) technology
- Optimized amplifiers
- Protection circuitry
- Reflex port design
- Room response compensation
- Versatile mounting options available separately
- Short-term max SPL of ≥105 dB
- ≤10 dB of self-generated noise
Related Questions and Answers
Q: 1. Would this be a suitable substitute for the Q2 ball head on a MeFoto C2350 tripod?
A: Yes, the Benro HD3A 3-Way Panhead will be a suitable substitute for the ballhead included with the MeFOTO GlobeTrotter Carbon Fiber Travel Tripod Kit if you are interested on setting specific angles while panning and tilting on your camera.
Q: 2. Do I need a different plate for the Swarovski ATX 95mm?
A: No plate is needed. The ATX 95mm scope has a built in Arca foot so you will not even use the plate that comes with this Gitzo head (unless you want to use the head with a camera).
Q: 3. What Junior based boom will work well with the Para 133 with mono light.
A: Although this Kupo Big Boom would be suitable for the Broncolor Para 133 with a monolight attached, another option to consider is the Manfrotto 025BSL Super Boom ONLY, Black - 8.8' (2.7 m), BH # MA025BSL https://bhpho.to/3tZZiFW
Q: 4. the length of the removable panning bar? please provide link/s for different length bars can be used for this head!
A: There is only one panning handle made by Gitzo, and compatible with the Gitzo 2-Way Fluid Head. The total length is 13.5''.
Q: 5. Where I can find instruction to dismantle the HD3way tilthead of my A300F Benro tripod and substitute for this one?
A: These instructions apply to most tripods with removeable heads. 1) Ensure there are no set screws locking the current head down to the platform; check underneath and loosen with appropriate hex wrench or flathead. 2) Tighten the panning base on the tripod head and secure the center column to prevent it from twisting. 3) Grab the ballhead and rotate counterclockwise to remove the head from the mounting screw. 4) Ensure both the new head and tripod legs use the same mounting screw size (typical is 3/8"-16). 5) Rotate the new head onto the legs by twisting clockwise. Voila!
Q: 6. Can I use it like an gimbal head ? Can I lock the horizon and just move up and down with circle move ?
A: It may be the closest head to a gimbal but you will achieve much results with a gimbal head as far as tracking and smoothness of motion.
Q: 7. i just purchased a GH1720QR. Is it compatible with a Gitzo GT2540T tripod?
A: Yes this head will be compatible on the Gitzo GT2540T Tripod.
Q: 8. If I wanted to point my camera straight up can this head accomplish that? Would I have to turn the camera a quick release plate around backwards?
A: I use a Manfrotto 410 geared head which has the same limited up pointing constraint. I mount my telescope, which obviously needs to point way up, on it. To get around the up pointing constraint I mount the QR plate with the telescope pointing "backwards." When I connect the telescope to the mount I am using the downward pitch as my upward pitch. Since the Benro plates are Arca-Swiss comparable there is no front or back to them. To maintain 3-way operation I would mount the plate in line with the optical axis of the camera and mount the camera to the head with the lens pointing out over the pitch handle. That is going to require reaching around the head to got to that handle which will be a little awkward, but allows control of pitch, yaw, and roll which becomes limited if the camera is mounted "sideways" as suggested by Staff.
Q: 9. Has anyone used this boom with a Broncolor Para 133 and strobe..? How stable & well does the boom do.
A: This would not be recommended for use with a Para 133.
Q: 10. Would it be possible to "perfectly" balance a 80D with EF 50mm f1.4 so that I can point the camera at any direction, at any tilt angle and the camera would stay absolutely "stationary" at the pointed direction?
A: Yes the 80D with the EF 50 f/1.4 can easily be balanced on this fluid head.
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