Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 24mm T1.5 Cine DS Lens for Canon EFanswers the challenge of assembling a set of lenses over time. The lens comes in a Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 24mm lens produces a 84.1° FOV when used with full-frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

Open Box Products Have a Limited 1-Year Manufacturer Warranty    24mm Lens    84.1° FOV, Full-Frame Coverage    Multi-Layer Coating to Reduce Flare    Standard Gearing for Focus and Iris    Dual Side Focus and T-Stop Scales    "De-Clicked" Aperture Ring    Hybrid Aspherical Lenses    Manual Focus and Aperture    Removable Petal-Type Lens Hood    Accepts 77mm Threaded Filter Rings

24mm lens with approximate angle of view of:
Full-Frame: 84.1°
APS-C: 57.6°

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

ED, extra-low dispersion glass, helps reduce chromatic aberration and can improve contrast and color saturation.

Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.

"De-clicked" aperture ring for smooth iris pulls.

A minimum focusing distance of 9.8" allows you to get up close to your subject.

A removable petal-type lens hood provides flare protection without a matte box.

Related Questions and Answers

Q: 1. What exactly is the difference between these Cine DS lenses compared to their equivalent non-DS lenses? I get that the DS lenses have some new markings to make it easier to look at focus and adjust exposure. But what is the difference in the DS lens that makes it cost about $200 more?Also, what different markings are there on the lens that make it obvious this is a Cine DS lens compared to the previous models? If you were looking at the two side by side, how could you tell the difference?

A: ) All of the gears are unified among all Rokinon Cine DS lenses. The focus and aperture gears are exactly aligned so that the user does not have to re-adjust his/her follow focus when swapping out lenses. 2) The new Cine DS lenses now feature dual focusing scales, one on each side. 3) All of the Cine DS lenses are tested to be color matched to provide the same color & contrast in video production.

Q: 2. What size filter does it use?

A: 77mm

Q: 3. What is the multiplier when used on the JVC GY-LS300 MFT mount with super 35 Sensor?Is it 1.5x or 2x?

A: JVC GY-LS300 MFT is 35% larger than a standard MFT

Q: 4. Does it support auto focus?

A: No, the Rokinon 24mm T1.5 Cine DS Lens for Micro Four Thirds Mount is a fully manual lens.

Q: 5. Hi, what is teeth size of apperture and focus rings?

A: Cine 0.8 pitch.

Q: 6. Will this fit on the Blackmagic Ursa Mini?

A: Yes, you can get it with a EF or PL mount.

Q: 7. Since this is a manual lens, what adapter do I need to get this to fit an EF mount cam?

A: As the flange distance between an EF mount to sensor (more distance) and Micro-Four Thirds/MFT (less distance) mount to sensor varies, an EF mount lens can be mounted to a MFT mount (with adapter), however an MFT mount lens will unfortunately not be able to be mounted to an EF mount, with an adapter. If there was such an adapter, the lens would likely also vignette with its MFT mount, it is a smaller mount opening. In short, the Rokinon 35mm T1.5 Cine DS Lens for Micro Four Thirds Mount, would not be compatible with an EF mount camera.

Q: 8. Can I used for photography purposes? what's the difference between a photo lens?

A: It can be used for photos, however you will be unable to autofocus at all since there are no electronic connections with the camera. This will perform similarly to other Rokinon manual lenses, but what makes it designed for video is the focusing gears for use with a follow focus system. If you're using this for photos keep in mind those gears may be uncomfortable to focus with your hand. Another difference is the de-clicked aperture ring that is measured in T-stops instead of F-Stops. No clicks means a smooth change of light coming in so exposure changes don't look choppy in video. T stops are an actual measurement of light that comes through the lens, whereas F stops are ratios and an f/1.4 may let more or less light in from lens to lens. The numbers will still yield similar results, so T/1.5 on this lens is close to an F/1.4 or 1.8 on a photo lens, just a different method of marking it. This lens can also be a little long and heavy depending on what you're pairing it with (would look ridiculous on an a6500 or something small), so another option is the newer Rokinon AF 35mm that might be better for photos and is much more compact

Q: 9. Is this camera mount altered in any way to accomodate emount? What I Mean is that has the flange been elongated for the emount? Is this emount lens from Rokinon made for emount or has a ring or some type of adapter been welded or molded onto it?

A: You can mount it straight to the camera

Q: 10. Can I use this lens on a Blackmagic Production Camera 4K?

A: Yes, if you have the Production Camera 4K with EF mount this lens is compatible.