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Rokinon 24mm T1.5 Cine Ds Lens For Sony E

Rokinon 24mm T1.5 Cine Ds Lens For Sony E
  • Product Code: eq19076
  • Availability: In Stock

$1,587.00 $2,285.28

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 24mm T1.5 Cine DS Lens for Sony Eanswers the challenge of assembling a set of lenses over time. The lens comes in a Sony E-Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 24mm lens produces a 84.1° FOV when used with full-frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

24mm Lens    84.1° FOV, Full-Frame Coverage    Multi-Layer Coating to Reduce Flare    Standard Gearing for Focus and Iris    Dual Side Focus and T-Stop Scales    "De-Clicked" Aperture Ring    Hybrid Aspherical Lenses    Manual Focus and Aperture    Removable Petal-Type Lens Hood    Accepts 77mm Threaded Filter Rings

Key Specs
Focal Length24mm
Maximum ApertureT1.5
Lens MountSony E
Lens Format CoverageFull Frame
Filter Thread77 mm
Image StabilizationNo
Electronic CommunicationNo
Parameters
Maximum ApertureT1.5
Minimum ApertureT22
Lens MountSony E
Interchangeable MountNo
Lens Format CoverageFull Frame
Image CircleNot Specified by Manufacturer
Angle of ViewFull Frame
Diagonal: 84.1°
Super 35
Diagonal: 61.8°
Focus ScalesImperial, Metric
Optical Design13 Elements in 12 Groups
Filter Thread77 mm
Minimum Focus DistanceFrom Unspecified Point in Lens: 9.8" / 25 cm
Maximum Magnification RatioNot Specified by Manufacturer
Diaphragm Blades8
Image StabilizationNo
Gear Standard0.8 MOD / 32 Pitch
Electronic CommunicationNo
DiameterMaximum: 3.27" / 83.1 mm
Front: 3.3" / 83 mm
Length4.86" / 123.5 mm
Weight22.6 oz / 640 g
Packaging Info
Package Weight1.73 lb
Box Dimensions (LxWxH)7.2 x 5.7 x 5.1"

24mm lens with approximate angle of view of:
Full-Frame: 84.1°
APS-C: 61.8°

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

ED, extra-low dispersion glass, helps reduce chromatic aberration and can improve contrast and color saturation.

Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.

"De-clicked" aperture ring for smooth iris pulls.

A minimum focusing distance of 9.8" allows you to get up close to your subject.

A removable petal-type lens hood provides flare protection without a matte box.

Related Questions and Answers

Q: 1. what is the AOV on a BMPCC super 16 size sensor ??

A: The original Pocket Cinema Camera has a 2.88x crop factor. This would be the equivalent of a 69mm lens on that camera.

Q: 2. How well would this work on a Canon Rebel T5i?

A: This lens covers full frame so it will easily cover the smaller APS-C/Super35 sensor of the Rebel T5i. The image and build quality is a bargain at this price. Do know this is all manual, both focus and iris rings. There is no electronic communication between the camera and the lens so no lens metadata. The iris ring is click-less so smooth iris pulls can be made shooting video.

Q: 3. Is there a replacement hood available?

A: This lens does have a removable hood, however we do not have that available for a separate purchase. Feel free to email us directly at provideo@bhphoto.com and we can guide you in the right direction for a replacement part.

Q: 4. Can you use a 80mm front diameter clip on matte box with this?

A: We would need more info about the matte box that you intend to use to give you a definitive answer. The Rokinon lens has ridges on the outside for mounting the included lens hood therefore an 80mm matte box would not be able to mount directly to the lens but it would work via a filter thread adapter (this is how the SmallRig Lightweight Carbon Fiber Matte Box works). On the other hand some matte boxes are adjustable and can stretch within a certain range such as the Wooden Camera 2-Stage Clamp-On 4 x 5.65" Zip Box (80-85mm)

Q: 5. What is the difference between this lens that costs $584.00and the Samyang 24mm T1.5 VDSLRII Cine Lens for Micro Four Thirds Mount that cost $699.00?

A: No difference since they are made exactly the same except for the name badge. I would get the Rokinon. It normally is more expensive but it is on special sale right now with a limited supply.

Q: 6. Do you have to disengage shutter lock if using Rokinon 24mm T1.5 cine DS lens on a 5D mark ii?

A: You can use this all-manual lens on the 5D Mark II without issue. Since you have to set both focus and aperture by hand, using the Manual, Shutter or Aperture modes is recommended.

Q: 7. Does it support auto focus?

A: No, the Rokinon 24mm T1.5 Cine DS Lens for Micro Four Thirds Mount is a fully manual lens.

Q: 8. What exactly is the difference between these Cine DS lenses compared to their equivalent non-DS lenses? I get that the DS lenses have some new markings to make it easier to look at focus and adjust exposure. But what is the difference in the DS lens that makes it cost about $200 more?Also, what different markings are there on the lens that make it obvious this is a Cine DS lens compared to the previous models? If you were looking at the two side by side, how could you tell the difference?

A: ) All of the gears are unified among all Rokinon Cine DS lenses. The focus and aperture gears are exactly aligned so that the user does not have to re-adjust his/her follow focus when swapping out lenses. 2) The new Cine DS lenses now feature dual focusing scales, one on each side. 3) All of the Cine DS lenses are tested to be color matched to provide the same color & contrast in video production.

Q: 9. How much does it weigh

A: The shipping weight is 1.75 lb. So say about 1 lb/ 0.45 kg.

Q: 10. how will it work with Sony PMW F3?

A: You can use this lens on that camera. You will need an adapter. See below. You will not need the adapter's aperture feature with this lens but you will if you get Canon EF lenses.

18/09/2024

[T22] I previously purchased Rokinon lenses and I just bought this as an addition to my collection of primes.

5
27/07/2024

[T1.5] I have LOVED moving away from the Canon L series 24mm to this lens. It's not QUITE as bright, but the SMOOTH focus and iris rings are incredible. I'm also loving being able to have my shutter speed set and ISO low, and quickly being able to adjust exposure with the iris ring. It's making my run and gun workflow so nice that I would love to trade in my Canon 50mm for the new Rokinon 50. Super pleased. And this thing is a third of the price of the Canon or something like that!

5
24/07/2024

[24mm] This is the sixth Rokinon lens I have brought. The 1.5 lens speed is essential for shooting night reinstatement's and considering its cost..you just cant beat it!

5
25/04/2024

[1.73 lb] I produce indie film. I purchased this lens as part of the four lens DS bundle. The 50mm is a favorite among Rokinon owners, and I too love it. This 24mm lens is a close second or third as it performs very well for me. I am using these lenses with an adapter on a Sony FS7. As with all the other lenses in this bundle, T1.5 is amazing at this price point. It certainly has more plastic in it than other lenses I own. The powder coating does a good job of not showing fingerprints. Smooth rings. I will say that of all the lenses in the bundle that I got, the lens hood on this one does not snap as tight as the others. Not really a big deal, but I noticed it.

5
21/04/2024

[Sony E] First, I mainly use this lens on Sony bodies. I've used it on an a6300, an A7S II, and an FS5 using two FotodioX adapters (one that just passes it through, one with a built-in variable ND filter) and a Metabones Speed Booster. This is actually why I prefer using Canon lenses on a Sony body - it effectively multiplies your capabilities. No matter what I'm doing, I can pull a great image from this lens.�

An interesting side note: Rokinon lenses can focus beyond infinity. This is incredibly useful when you're running them through the speedbooster, which moves your focus point out a bit (in my experience). Your new infinity is now where the focus ring physically stops when using the speedbooster, rather than the infinity mark.

As with most of the Cine DS series, it's a bit soft until you hit around T4-5.6 (I've found this one gets tack sharp around T4). I actually like the softer look for video work, as I feel that it looks a bit more classically cinematic than a tack sharp image does.

All in all, it's an utterly beautiful lens. I'm looking forward to using it more in the future! Paired with my Rokinon 50mm lens, I don't really see myself needing anything but the two for most of the work I do.

5

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