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Shure Qlxd14/93 Digital Wireless Lavalier Microphone

Shure Qlxd14/93 Digital Wireless Lavalier Microphone
  • Product Code: eq21151
  • Availability: In Stock

$3,297.00 $4,681.74

The Shure QLXD14/93 Digital Wireless Lavalier Microphonerackmount digital wireless lavalier microphone system provides instructors, presenters, and broadcasters with professional-quality audio, reliable RF performance, and secure AES 256-bit encryption. Rugged and easy-to-use, it is ideal for use in TV broadcast or sound-reinforcement applications in medium-sized venues and houses of worship, as well as A/V installations in conference, educational, and corporate facilities.

The QLXD14/93 operates in the UHF band to transmit pristine 24-bit/48 kHz digital audio with clarity, accurate low end, and crisp transient response. It utilizes Digital Predictive Switching Diversity to protect the transmission from interference and deliver solid RF signal stability without audio artifacts. You can run up to 60 mic channels at the same location.

The system comes with a WL93 omnidirectional lavalier microphone optimized for speech intelligibility in applications where a visually unobtrusive microphone is desirable. The bodypack transmitter provides up to 9 hours of operation on two AA batteries, with selectable 1/10mW RF power and a transmission range up to 330'.

The receiver features audio and RF meters, 60 dB of gain control, and both mic/line XLR and 1/4" instrument outputs. A large LCD screen and intuitive controls let you quickly make adjustments, even in low-light situations. Additional features include automatic frequency scanning, IR sync, and internal limiting to prevent clipping.

The Ethernet port allows multiple receivers to be easily networked together for simplified frequency coordination and deployment via Shure's Wireless Workbench (WWB) software.

For Presenters and Broadcasters    WL93 Miniature Omni Lavalier Mic    Rugged Bodypack Transmitter    Switching-Diversity Rackmount Receiver    2560 Auto-Scan Frequencies    Selectable 1/10mW RF Power    High-Contrast LCD Display    Ethernet Port for WWB Control Software    9-Hr AA Batteries    Expandable to 60 Mic Channels/330' Range

Key Specs
Wireless TechnologyDigital UHF
Included Transmitters1x Bodypack
DiversityAntenna Diversity
Max Operating Range330' / 100.6 m
Receiver TypeTabletop
Microphone TypeLavalier
Polar PatternOmnidirectional
System
Wireless TechnologyDigital UHF
Number of RF Channel Frequencies2560
Included Transmitters1x Bodypack
DiversityAntenna Diversity
RF Frequency BandH50: 534 to 598 MHz
RF Bandwidth64 MHz
Frequency Step Size25 kHz
RF Channel ScanningAuto-Scan
Max Operating Range330' / 100.6 m
Max Transmitters per Band60
Built-In RecorderNo
Timecode SupportNo
Mobile App CompatibleYes: iOS Only
App Name: Boxcast
Functionality: View Live Feed
OS CompatibilityWindows 10 or Later
macOS 10.14 or Later
Sample Rate/Resolution48 kHz / 24-Bit
Latency< 2.9 ms
Dynamic Range120 dB
EncryptionAES 256
ModulationProprietary
Receiver
Receiver TypeTabletop
Mounting OptionsRackmount (with Included Hardware)
Rackmount Size1 RU (1/2 Rack)
Antenna2x 1/2 Wave External, Detachable (Rear-Mount)
Number of Audio Channels1
Built-In MicrophoneNo
Audio I/O1x XLR 3-Pin Male Balanced Output
1x 1/4" TRS Female Balanced Output
Gain Range-18 to +42 dB (1 dB Steps)
Pad30 dB
Audio Output LevelXLR Output:
+18 dBV (Line Level)
XLR Output:
-12 dBV (Mic Level)
1/4" Output:
+12 dBV (Instrument Level)
Phantom Power ProtectionOn 1/4", XLR Output
Frequency Response20 Hz to 20 kHz
Network I/O1x RJ45 (10/100 Mb/s)
Network ProtocolsDHCP, Manual IP
Word Clock I/ONo
USB/Lightning ConnectivityNo
USB Class-CompliantNo USB Connectivity
ImpedanceXLR Output:
100 Ohms (Balanced)
1/4" Output:
100 Ohms (Balanced)
1/4" Output:
50 Ohms (Unbalanced)
Adjacent Channel Isolation>70 dB
SpuriousRejection: >80 dB
Power RequirementsAC/DC Power Adapter
AC/DC Power Adapter12 VDC at 0.4 A, Center-Positive (Included)
Input Power100 to 240 VAC, 50 / 60 Hz at 150 mA
DC Input Power12 VDC at 0.4A
Display & Indicators1x Backlit LCD (AF Level, Channel, Group, Menu Navigation, Metering, RF Level, Transmitter Battery Status)
1x LED (Sync)
1x LED (Peak)
HousingMetal
Operating Temperature0 to 122°F / -18 to 50°C
Dimensions7.8 x 1.6 x 5.9" / 197 x 41 x 151 mm (without Antennas)
Weight1.7 lb / 777 g (without Antenna)
Transmitter
Transmitter TypeBodypack
RF Output Power1 / 10 mW
Built-In MicrophoneNo
Audio I/O1x TA4/Mini-XLR 4-Pin Male Unbalanced Input (Locking)
Included Cable Connector1/4" TRS
Audio Input Level8.5 dBV / 7.5 V p-p
Auto-Level ControlNo
Gain Range0 to 21 dB (3 dB Steps)
Frequency Response20 Hz to 20 kHz
Sync MethodIR
Antenna1x 1/4 Wave
Power RequirementsBattery
Battery Type2x AA (Included)
1x Shure SB900A (Not Included, Replaceable)
Approx. Battery Life9 Hours (Alkaline)
Display & Indicators1x Backlit LCD (Channel, Group, RF Output Power)
HousingAluminum
Dimensions2.6 x 3.4 x 0.9" / 65 x 86 x 23 mm
Weight4.9 oz / 138 g (without Batteries)
Microphone
Microphone TypeLavalier
ColorBlack
Sound FieldMono
CapsuleElectret Condenser
Polar PatternOmnidirectional
Frequency Range50 Hz to 20 kHz
Maximum SPL120 dB SPL
Impedance3000 Ohms
Sensitivity-38 dBV/Pa
Dynamic Range102 dB
Output Connector1x TA4F/Mini-XLR 4-Pin Female Unbalanced (Locking)
Cable Length3.94' / 1.2 m
Operating Voltage2 to 10 V
Packaging Info
Package Weight8.7 lb
Box Dimensions (LxWxH)19.3 x 17.3 x 8.66"

  • The WL93 condenser lavalier mic features an omnidirectional polar pattern which picks up sound evenly from all directions, allowing for flexible mic-positioning.
  • The lavalier mic plugs into the locking TA4M connection on the compact QLXD1 bodypack transmitter. The adjustable input sensitivity on the transmitter accommodates a wide variety of speaking styles and mic levels and even instrument-level audio.
  • The rugged, all-metal transmitter features a backlit LCD that displays essential information and provides fast menu access. It can be locked out to prevent accidental changes during a performance. The transmitter syncs to the receiver via infrared with a quick press on the Sync button.

  • The system operates in the H50: 534 to 598 MHz UHF band with a 64 MHz tuning range and 2560 selectable frequencies.
  • Digital Predictive Switching Diversity uses a microprocessor to switch antennas before dropouts occur.
  • Two detachable 1/2 wave dipole antennas are included.
  • 256-bit AES encryption offers unbreachable privacy by using a unique, randomized encryption key generated every time encryption is enabled.
  • Low latency makes the system ideal for meetings that require live sound reinforcement.

  • The receiver’s scanning function automatically finds, prioritizes, and deploys the cleanest frequencies to transmitters via IR sync.
  • The receiver offers up to 60 dB of adjustable gain with an internal limiter that automatically engages to prevent digital clipping of your audio.
  • Intuitive front-panel controls with audio and RF LED meters as well as a peak indicator, allow for quick visual checks.
  • Ethernet networking enables real-time, precision monitoring, and control of your system as well as automatic frequency coordination across multiple receivers, using Wireless Workbench software (WWB) for Mac/Windows.
  • The system is compatible with external controllers such as AMX and Creston.
  • Remote Control: Make adjustments from anywhere in the venue from your iPad/iPhone via the ShurePlus Channels Mobile App for iOS devices.

  • Smart Power Management on Transmitter: The SB900A lithium-ion intelligent rechargeable battery with SBC charger (both available separately) provide extended transmitter battery life over alkaline batteries.
  • The SB900A’s remaining battery life can be metered in hours and minutes from the receiver’s front panel.

  • Adding UA874 active antennas or PA805 passive antennas increases the range of your system and offers increased protection against interference.
  • The UA844+SWB antenna distribution system (available separately) lets you stretch the power of your antenna pairs, giving you more on-air channels in less setup time.

Shure offers numerous lavalier, headset, and handheld microphone options to adapt your QLX-D system as your needs evolve.

  • The WL185 (cardioid) and WL184 (supercardioid) lavalier mics offer narrower, feedback-resistant pickup patterns for louder events.
  • The discrete MX153 sub-miniature earset mic provides exceptional clarity in spoken word applications.
  • The SM35 is a comfortable, durable headset microphone for active performance.
  • The QLXD2 handheld transmitter is available with several mic capsules choices for presenters who prefer the flexibility of a handheld microphone.

Related Questions and Answers

Q: 1. What kind of battery is used to power it up?

A: Not battery powered.

Q: 2. What is the pre amp code number from Shure ?

A: If I understand the question correctly, the part # for the pre amp for the MX185 is the RK100PK.https://a href= http://www.bhphotovideo.com/c/product/469581-REG/Shure_RK100PK_RK100PK_RFI_Resistant.html target= _blank www.bhphotovideo.com/c/product/469581-REG/Shure_RK100PK_RK100PK_RFI_Resistant.html/a

Q: 3. Is the XLR connector female or male? I am connecting to a Roland PA mic input XLR.

A: The SM11-CN features a male XLR jack. This will allow for connection to most PA systems.

Q: 4. I need a microphone mixer with two xlr inputs. Any suggestions?

A: BH #ALM4USBFXPTX

Q: 5. This will work with Wirless go system?

A: This microphone is incompatible with the RODE Go

Q: 6. Does the Lavalier on this Shure QLXD14/84 (X52: 902 to 928 MHz) come with a windscreen?

A: Yes the Shure WL184 in the Shure QLXD14/84 system comes with a snap-fit windscreen, as well as a foam windscreen.

Q: 7. Is there a drop in charger for the belt pack transmitters

A: Yes. The transmitter includes two standard alkaline AA batteries, but can also be powered using the optional Shure SB903 Rechargeable Lithium-Ion Battery for SLX-D Transmitters (B&H # SHSB903). To charge the SB903 battery while inside the transmitter, you can use the Shure SBC203 Dual-Docking Recharging Station for SB903 Batteries & SLX-D Transmitters (B&H # SHSBC203US) which accommodates two SLX-D transmitters or an individual SB903 battery can be charged with the Shure SBC10-903 Single-Battery Charger for SB903 Battery (B&H # SHSBC10903US). Standard rechargeable AA batteries can be used with the SLX-D transmitter, but, can not be charged with either the SBC203 or SBC10-903 chargers or while they are inside the transmitter.

Q: 8. Would this work with a DSLR?

A: You would not be able to directly plug in this mic to a DSLR because the connector is TA4F, which is intended for connecting to a Shure wireless bodypack. For utilizing a lavalier mic such as this in a video application, we would recommend using this mic in conjunction with a portable wireless solution such as the Shure FP15 wireless system. The lavalier would be plugged into the transmitter bodypack and worn by the talent on camera, while the receiver bodypack would be connected to your DSLR or a field mixer. This would also eliminate the issue of the on-camera talent having to be tethered to the camera by the lavalier's cable and would allow for free range of movement as well as a more appropriate shooting distance.

Q: 9. I want to plug this directly into a PA that has no phantom power. Can I do this, or will I need a separate power source between the mic and the PA? And if so, what will work? Thank you

A: You will still need a power source. Something ike this: https://www.bhphotovideo.com/c/product/155422-REG/Rolls_PB23_PB23_Single_Channel.html?sts=pi&pim=Y

Q: 10. How do I choose which frequency spectrum would be best for my application?

A: It depends.. if you are in a rural area it does not make much of a difference, however, if you are in an urban or suburban area you may want to consult the Shure Frequency Finder: https://www.shure.com/en-US/support/tools/frequency-finder

12/09/2024

[Tabletop] Great size and nice quality.

5
05/09/2024

[DHCP, Manual IP] The best mic

5
04/09/2024

[>70 dB] I use these for recording depositions. For the price you can't beat the price.

5
24/08/2024

[2560] Needed a small, quality microphone for Documentary video shoot. Sound quality is excellent and reception of radios works well. Have only just received product and not put it to full use, but early tests seem to go well.

5
17/08/2024

[8.7 lb] Love this mic for our church

5
27/07/2024

[64 MHz] Exactly what the description said it would be. It's about twice the size of an ECM-50, but it has excellent sound quality for lower level productions. Seems fairly rugged and requires no batteries. Use it for church shoots.

5
13/07/2024

[120 dB] I bought this mic to use when recording personal histories to CD. It's small, easy to attach, and has excellent sound quality$The omni directional pick-up pattern insures that the talent will sound great even if they turn their head when speaking as untrained people are apt to do.

5
15/06/2024

[1x Bodypack] I have 5 of these. I have recommended them to other performers. I use them on my banjos. The are incredible, I use a tywrap and fix it to a tension hook on the outside of the banjo facing down into a sound hole. It has a great sound, I have used it for years, from a small pa, to onstage for a large audience. It always performs well. I have also used it for recording along with the front mic. With Banjo, when you move off axis it changes the tone, but with this, mic, you have no problem with that. The sound is always consistant. Well Done Shure.

5
11/06/2024

[20 Hz to 20 kHz] making training dvds and works perfect for our situation.

5
26/05/2024

[-38 dBV/Pa] I am using this lav mic to amplify a 5 string banjo. I had been using a generic electret battery driven lav mic (think radio shack) for that purpose, replacing the mini-plug with a female 1/4 inch, then using a standard guitar cord, plugging into a Baggs Para DI, then into the board of the sound system with an xlr mic line. That was OK, but I had lots of thin wire to coil, a fragile battery pod and the nusiance of dead watch batteries if I forgot to switch the thing off. The SM11 of course needs no batteries and the wiring is much more robust than the cheap lav mic. I can go direct into a mixing board and the sound is quite nice. The banjo doesn't really need a lot of high end amplification, and doesn't produce deep lows -- all of which the dynamic mic doesn't pick up. So the result is a nice warm sound, and much more full-spectrum than the electret mic to my ear. Probably because the diaphragm is larger, I guess. I don't need to hide this rather large (thumb size)lav canister in clothing, like a video person would. It rides in the backside of the banjo. The included tie clip worked fine, clipped to a little jig I sometimes use. But instead I wrapped the body in some dense memory foam, and made my own mount that also acts as a tone regulator behind the head -- it's an open-back banjo thing. Looks like this product is robust and should work for years. Works fine going straight into the mixing board. But when I run it through the Baggs Para DI (which is a preamp as well as a DI) I have to use a transformer to change the signal to HI-Z for the 1/4 inch input. Then the output from the Bagg's male xlr (lo-z again) is too hot for the mixing board, so I use a 20db attenuator between the DI out and the board mic-line in. Works fine that way.

5

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