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Rokinon Cine Ds Lens Bundle For Canon Ef Mount

Rokinon Cine Ds Lens Bundle For Canon Ef Mount
  • Product Code: eq21586
  • Availability: In Stock

$4,788.00 $7,229.88

Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon Cine DS Lens Bundle for Canon EF Mountanswers the challenge of assembling a set of lenses over time. The lens comes in a Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 24mm lens produces a 84.1° FOV when used with full-frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

24, 35, 50, 85mm Cine-Style Lenses    Canon EF Mount    Covers Full-Frame Sensors    T1.5 to T22 Exposure Range    Multi-Layer Coating to Reduce Flare    Dual Side Focus and T-Stop Scales    De-Clicked Aperture Ring    Manual Focus and Aperture

Key Specs
Focal Length24mm
Maximum ApertureT1.5
Lens MountCanon EF
Lens Format CoverageFull Frame
Filter Thread77 mm
Image StabilizationNo
Electronic CommunicationNo
Parameters
Maximum ApertureT1.5
Minimum ApertureT22
Lens MountCanon EF
Interchangeable MountNo
Lens Format CoverageFull Frame
Image CircleNot Specified by Manufacturer
Angle of ViewFull Frame
Diagonal: 84.1°
Super 35
Diagonal: 61.8°
Focus ScalesImperial, Metric
Optical Design13 Elements in 12 Groups
Filter Thread77 mm
Minimum Focus DistanceFrom Unspecified Point in Lens: 9.8" / 25 cm
Maximum Magnification RatioNot Specified by Manufacturer
Diaphragm Blades8
Image StabilizationNo
Gear Standard0.8 MOD / 32 Pitch
Electronic CommunicationNo
DiameterMaximum: 3.27" / 83.1 mm
Front: 3.3" / 83 mm
Length3.84" / 97.5 mm
Weight21.7 oz / 615 g
Packaging Info
Package Weight1.71 lb
Box Dimensions (LxWxH)7 x 5.7 x 5.1"

24mm lens with approximate angle of view of:
Full-Frame: 84.1°
APS-C: 57.6°

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

ED, extra-low dispersion glass, helps reduce chromatic aberration and can improve contrast and color saturation.

Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.

"De-clicked" aperture ring for smooth iris pulls.

A minimum focusing distance of 9.8" allows you to get up close to your subject.

A removable petal-type lens hood provides flare protection without a matte box.

Related Questions and Answers

Q: 1. what's the difference between?Rokinon 35mm T1.5 Cine DS Lens for Sony E-MountRokinon 35mm T1.5 Cine AS UMC Lens for Sony E Mount

A: The DS in the new version stands for Dual Scale which means there is a smart and dumb side scale for operating the lens from either side of the camera, instead of the top side position that the other versions offered. The focus and iris gear positions have been moved along the axis in order to maintain a consistent position from lens to lens making swapping a very easy when using a follow focus or motors. Additionally, each of the lenses is carefully color matched to a certain degree in order to sustain a specific cinematic look throughout the set. The optics however in each set, remain the same as the non-DS set.

Q: 2. Does this lens has Circular Aperture Blades?

A: Yes, it has

Q: 3. Is 35mm focal length expressed in terms of MFT or full frame? I/o/w, on a GH5s, will this lens yield a 35mm field of view, or 70mm?

A: Lenses are listed for their focal length first, from there they are subject to the crop factor of the camera. This is a 35mm lens, but when put on the GH5s with a 2x crop factor if will give you a 70mm field of view.

Q: 4. Is this lens a match with the Red Scarlet Mysterium-x ?How heavy is package ?

A: The SCARLET MYSTERIUM-X has a sensor than is bigger than Super35/APS-C but smaller than full frame. Since these lenses cover full frame, you are OK to use these or any other full frame lenses. All lenses together weigh approximately 8.6 lbs / 3.9 kg.

Q: 5. This lens fit in the new Blackmagic Design Pocket Cinema Camera 4K ?

A: Yes

Q: 6. I have a Sony a7 iii and a Nikon D810. will this work for either?

A: It will not. This is an MFT mount lens. The A7III is E-Mount and the D8100 is F-Mount.

Q: 7. Hi, what is teeth size of apperture and focus rings?

A: Cine 0.8 pitch.

Q: 8. I'd like to buy ND filters to go with this one and it's the 77mm ND filters, correct? Just wanna be on the same side. Thanks!

A: Yes, this lens takes 77mm filters.

Q: 9. Hi,will this kit work on a BMMCC + a speedbooster for BMPCC? Especially the 16mm one, considering its sensor size. Thanks!

A: Sorry but the Metabones Canon EF Lens to Blackmagic Pocket Cinema Camera T Speed Booster ONLY works on the Pocket Cinema Camera. Used on the Blackmagic Design Cinema Camera (MFT Mount) the adapter's rear glass element may cause damage to the camera. You would have to use the Metabones Canon EF Lens to Blackmagic 2.5k Cinema Camera T Speed Booster (Micro 4/3 Mount) to mount these lenses on the camera. The 16mm is meant to cover an APS-C sensor which is 22.2mm wide. With the Booster's 0.64 factor applied, that comes to 14mm. You will be good since the Blackmagic Design Cinema Camera (MFT) sensor is 8.8mm wide.

Q: 10. there are full frame?

A: If you have a full frame camera, this would work perfectly well because it is not an APS-C mount.

18/09/2024

[24mm] Great budget set. I have never had an issue with sharpness on any of these Rokinon's, but at the same time I have noticed that wide open they will be slightly softer, just like almost any other lens.

5
01/09/2024

[8] In this budget, it is so amazing... I will choose it in my film with BMPCC 6k pro... I will see the results!

5
28/08/2024

[T22] Love this lens. Love the cine ds line. Its soft at T1.5 but at T2.0 its tack sharp. More sharpness than needed for 4k video.

5
18/08/2024

[1.71 lb] A fine set of lenses for a great price.

5
06/08/2024

[Full Frame] These are the first cinema cameras I've ever owned. The quality of the shots I get from them are better than I expected. Well worth ever penny! I use them on my Blackmagic Pocket Cinema and they perform well together. I'll never buy any other brand!

5
05/08/2024

[7 x 5.7 x 5.1"] I have an old Ursa mini 4.6k ef body and this set breathed some new life into my rig. Getting way more beautiful footage than all of my L series canon zoom lenses. Really happy with the build quality and image. Definitely recommend.

5
25/07/2024

[T1.5] I just got this lens and put it to work right away in a very low light basement scene with only small dimmed LED wire lights on blue for lighting. Shot it on a bmpcc4k w/speed booster, lens set to T2, 3200 iso and the scene looks fantastic!!! No noise whatsoever!!! If u know how to properly set a lens, lighting, ect - this lens is a must have. My new fave over my Nifty Fifty lens.

5
25/07/2024

[T1.5] Absolutely love this lens. Very well made and handles well. Just the right amount of resistance on the aperture and focus rings. I like the fact that they use plastic because it makes them much lighter and easier to hold. Maybe not as rugged as a metal body but for the price I donâ€t think you can beat this lens. Great geometry,FOV and sharpness. A pleasure to look through. Very glad to have picked up the 20 instead of the 24. This is my second Samyang/Rokinon lens and next to the expensive Sony lenses I own can say Iâ€m very impressed.

5
16/07/2024

[8] I'm a fan of Elite Brands lenses and am working on the cine ds set, have three so far. Apart from the lens hood there is little not to like.
I found some vignetting at T1.9, but quite even by T2.8.
I 'borrowed' the Sony 20mm lens profile for editing. Centring seems good and this is a bright lens!

So if you want to combine wide apertures with sunny days, consider a neutral density filter.

5
28/06/2024

[Canon EF] Excellent Optic - the flower hood is not ideal. I've been using it on my Lumix G95 - it suffers same issue as the 50mm Rokinon with a similar hood in terms of Glare and angle you can use before running into the problem / sun spots appearing in a frame - I did gaffer tape wrap the hood a bit and it gained significantly on glare angle. I'd not hesitate to recommend it as a lens, at T2.8 onward it is impressive. It is also a good size for a lot of work conditions and should prove very useful to have in ones Kit.

5

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