Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon Cine DS Lens Bundle for Nikon F Mountanswers the challenge of assembling a set of lenses over time. The lens comes in a Nikon F Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 24mm lens produces a 84.1° FOV when used with full-frame cameras. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of just under 10" from the lens. A removable petal shaped lens hood provides flare protection when shooting without a matte box, the lenses threaded front accepts a 77mm filter ring.

Please note that some cameras may require that Shutter Lock be disengaged when using this lens.

24, 35, 50, 85mm Cine-Style Lenses    Nikon F Mount    Covers Full-Frame Sensors    T1.5 to T22 Exposure Range    Multi-Layer Coating to Reduce Flare    Dual Side Focus and T-Stop Scales    De-Clicked Aperture Ring    Manual Focus and Aperture

24mm lens with approximate angle of view of:
Full-Frame: 84.1°
APS-C: 61.8°

Ultra Multi Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard eliminating the need to acquire an entire set of lenses at the same time.

ED, extra-low dispersion glass, helps reduce chromatic aberration and can improve contrast and color saturation.

Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned.

"De-clicked" aperture ring for smooth iris pulls.

A minimum focusing distance of 9.8" allows you to get up close to your subject.

A removable petal-type lens hood provides flare protection without a matte box.

Related Questions and Answers

Q: 1. Will these lenses work with the five axis stabilization of the a7s ii?

A: Yes they will. You just have to be sure to manually change the compensation when you swap lenses. Its pretty easy to do by adding the stabilizer compensation tile to the function menu

Q: 2. Does this lens work on a D3200 Nikon??

A: It does, I happen to have that very same camera and have been using the 50mm Rokinon lens in fI'll manual mode. Great results.

Q: 3. Will these work with a BMPCC with a native MFT mount or would I need an adaptor?

A: No adapter needed. They will mount with no issue and work as intended.

Q: 4. Forgive my ignorance, but do these lenses have built-in image stabilization? I'm working with a camera that does not have good sensor stabilization; therefore I'm wondering if these lenses would help at all with image stabilization.

A: No these lenses does not have image stabilization. They actually don't have any electronic devices built in, purely glass.

Q: 5. Does this lens have the 1.9x crop factor? Planning to use it on the new blackmagic pocket 4k as a wide angle.

A: This is an MFT mount lens that will be subject to the crop factor of the camera you put it on. It will be subject to the 1.9x crop factor of the Pocket Cinema Camera 4K.

Q: 6. will nikon D5300 meter with this lens?

A: With your D5300, you can use the light meter with this lens and all other manual lenses. Be in either Manual or Aperture mode. Press the shutter button halfway, adjust the lens aperture manually until the arrow is in the middle of the scale. Mind your ISO and shutter speed.

Q: 7. How long is the focus throw?

A: It looks to be about 1/2 half of a rotation or about 160 degrees.

Q: 8. Will these lenses work with a Sony PXW-FS5 XDCAM Super 35 Camera or do I need an adapter?Thanks !

A: No adapter required. These are Sony E-Mount as is the PXW-FS5 so they should work like a charm.

Q: 9. What is the focal length equivalent for Super 35mm CMOS on Canon EOS C100 Mark II?

A: Super35 is, for all intents and purposes, has the same angle of view as APS-C. With both of these, there is a 1.6 difference in their angle of view as compared to Full Frame. So on the C100's Super35 sensor a 50mm will have about the same angle of view of an 80mm lens on a Full Frame sensor.

Q: 10. Will this work in a Canon 7D Mark II?

A: Since the Canon 7D Mark II has a APS-C sensor, this entire set can be used with confidence that there will be full sensor coverage with no onerous vignetting.