Da-Lite Cinema Contour Fixed Frame Screen 52X92"

Da-lite Cinema Contour Fixed Frame Screen 52x92"

Product Code: eq23425
Availability: In Stock

$7,449.00 $10,801.05

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Description
Reviews (3)

The Da-Lite Cinema Contour Fixed Frame Screen 52x92"from Da-Lite Cinema Contour Fixed Frame Screen 52x92"features a wider, more substantial frame as well as a projection surface designed for viewing 4K and Ultra HD content so you can maximize the capabilities of your projector. The larger standard black frame gives the eye a point of reference and enhances contrast for film purists and aficionados.

106" Diagonal / 16:9 Aspect Ratio High Contrast Cinema Vision Surface 1.1 Gain / 100° Viewing Angle 45° Angle-Cut Frame Flat Viewing Surface Pro-Trim Finish and Black Backing Aluminum Frame

Key Specs
Front/Rear Projection	Front
Aspect Ratio	16:9
Diagonal	106.0" / 269.2 cm
Gain	1.1
Tensioned	Yes
Type
Series	Cinema Contour
Front/Rear Projection	Front
Aspect Ratio	16:9
Style	Frame
Dimensions
Viewing Area	52.0 x 92.0" / 132.1 x 233.7 cm
Diagonal	106.0" / 269.2 cm
Surface
Gain	1.1
Viewing Angle	100 degrees
Tensioned	Yes
Black Backing	Yes
Whiteboard Surface	No

High Contrast Cinema Vision features a gray base for deeper reproductions of black, which improves contrast, and an increased reflectivity to enhance brightness for moderate ambient light. Ideal for video images. Cone: 100° Gain: 1.1

Related Questions and Answers

Q: 1. Is there vignetting on Super35 sensors because of the 30mm image circle?

A: Vignetting is evident when the image circle (mm) is less than a camera sensor's diagonal (mm). The Angenieux EZ-1 will not vignette on a Super35 sensor because its image circle is larger than all Super35mm sensor cameras.

Q: 2. Can I use this lense on a canon c300 m III, s35, like a "normal" filmmaking lense ?

A: Yes, although you would need to use the optional EF mount adapter - https://bhpho.to/33v2JZ3

Q: 3. What is the difference between S35 rear element group and S35, FF element group ?

A: S35: Super 35mm FF: Full Frame VV: Vista Vision

Q: 4. Does it come with a case?

A: For the Angenieux EZ-2 15 to 40mm Cinema Lens Pack (Super35 and Full-Frame), there is a 2-lens kit available, which come with a case: Angenieux EZ-1 30-90mm & EZ-2 15-40mm Zoom Lens Kit with Hard Case BH #ANEZ12S35PLK

Q: 5. What is the MOD of the lens with the full frame adapter on?

A: The Angenieux EZ-1 Zoom Full-Frame Rear Lens-Group has the MOD listed at Focal Minimum: 351 x 228 mm and at Focal Maximum: 115 x 77 mm.

Q: 6. If Im shooting with a Red Gemini, will I get a true 30mm?

A: The Red Gemini 5K has a Super 35mm Sensor. Any lens you put on it will be subject to a crop factor, which varies depending on the mode you are shooting. It will not give you a 30mm field of view as it is not a Full Frame Sensor.

Q: 7. If Im shooting with a Red Scarlet W, will I get a true 30mm?

A: The Red Scarlet W has a Super 35mm Sensor. Any lens you put on it will be subject to the crop factor of the sensor, the lens would be closer to 45mm on the wide end.

Q: 8. Does this lens have filter threads, and if so what size?

A: The Angenieux EZ-1 30 to 90mm Cinema Lens Pack (Super35 and Full-Frame) has a 114mm front diameter but no filter threads, as it is meant to be used with a 114mm Matte-Box.

Q: 9. Will this fit a Black Magic Pocket Cinema 6K G2?

A: The Vello Screen Protector Ultra for Blackmagic Pocket Cinema Camera 6K Pro will also fit onto the Blackmagic Pocket Cinema Camera 6K G2.

Q: 10. Hello, again! Is Angenieux EZ compatible with anamorphic adapters? Which Adapter is the most recommender?

A: We are not aware of an anamorphic adapter for this lens. If you are looking to invest in PL lenses for Anamorphic Shooting your best bet is to purchase Anamorphic PL Mount lenses.https://bhpho.to/2tVXwaK

Karl	25/09/2024
[Yes] This is my fourth ALR (ambient light reflecting) screen. The first thing to know is, there are no miracle screens. There are good ALR screens, but none perform miracles. Even the best don't show a great picture in a really bright room. The second thing to know is, don't necessarily believe the promotional pictures and videos from manufacturers that show amazing screen performance. They have positioned the screens, projectors and cameras to show the screens at their very best. You are unlikely to duplicate this in a real world situation. Almost all ALR screens have, to one extent or another, a major problem – screen artifacts. Shimmering, hot spots, sparkles, grainy appearance and so on. In order to eliminate this problem I have owned four different screens. My newest one, which wasn't available when I first started my quest for better picture quality, the Da-Lite Parallax, has none of these problems. Zero! The Parallax probably doesn't have quite as good of ambient light rejection properties as some of the other screens, but with some light control and careful placement of light sources, you can still have light in the room and a great picture. A great artifact free picture is really important now that we have 4K material to watch. 5

Peter	03/09/2024
[100 degrees] After correspondence with B&H on product lines and availability , I selected the cinema contour to marry up with the projector specifications that were needed. It also worked well with the acoustic demands of the in wall speakers hidden behind it . The result was spot on. Excellent price coupled with exceptional performance. B&H got the job done. Pro service for pro contractors. 5

Ricky T	02/08/2024
[Yes] An elegant screen. Easy to put together and hang. I purchased the 110 inch which did not require both upper wall brackets and only had one bottom frame bracket with fillister screw (was supposed to have 2) which also was sufficient. Lots of complements. Would highly recommend this product. 5