Da-lite Cinema Contour Fixed Frame Screen 110"x176"
- Product Code: eq23448
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The Da-Lite Cinema Contour Fixed Frame Screen 110"x176"from Da-Lite Cinema Contour Fixed Frame Screen 110"x176"features a wider, more substantial frame as well as a projection surface designed for viewing 4K and Ultra HD content so you can maximize the capabilities of your projector. The larger standard black frame gives the eye a point of reference and enhances contrast for film purists and aficionados.
208" Diagonal / 16:10 Aspect Ratio HD Progressive 1.3 Surface 1.3 Gain / 150° Viewing Angle 45° Angle-Cut Frame Flat Viewing Surface Pro-Trim Finish and Black Backing Aluminum Frame
Key Specs | |
---|---|
Front/Rear Projection | Front |
Aspect Ratio | 16:10 |
Diagonal | 208.0" / 528.3 cm |
Gain | 1.3 |
Tensioned | Yes |
Type | |
Series | Cinema Contour |
Front/Rear Projection | Front |
Aspect Ratio | 16:10 |
Style | Frame |
Dimensions | |
Viewing Area | 110.0 x 176.0" / 279.4 x 447.0 cm |
Diagonal | 208.0" / 528.3 cm |
Surface | |
Gain | 1.3 |
Viewing Angle | 150 degrees |
Tensioned | Yes |
Black Backing | Yes |
Whiteboard Surface | No |
Ideal for applications where projector brightness and screen size require an increase in gain, the white surface offers high-fidelity color reproduction, and allows for more flexibility with ambient light conditions. This surface works for video as well as charts and graphs in a corporate setting. Cone 150° Gain: 1.3
Related Questions and Answers
Q: 1. Does this lens have filter threads, and if so what size?
A: The Angenieux EZ-1 30 to 90mm Cinema Lens Pack (Super35 and Full-Frame) has a 114mm front diameter but no filter threads, as it is meant to be used with a 114mm Matte-Box.
Q: 2. Hello, again! Is Angenieux EZ compatible with anamorphic adapters? Which Adapter is the most recommender?
A: We are not aware of an anamorphic adapter for this lens. If you are looking to invest in PL lenses for Anamorphic Shooting your best bet is to purchase Anamorphic PL Mount lenses.https://bhpho.to/2tVXwaK
Q: 3. If Im shooting with a Red Gemini, will I get a true 30mm?
A: The Red Gemini 5K has a Super 35mm Sensor. Any lens you put on it will be subject to a crop factor, which varies depending on the mode you are shooting. It will not give you a 30mm field of view as it is not a Full Frame Sensor.
Q: 4. Is changing the rear lens element group an easy end user procedure like shiming a PL adapter? Or does it require special tools
A: Swapping the rear element on the Angenieux EZ-2 15 to 40mm Cinema Lens Pack (Super35 and Full-Frame) is an easy process. Please see this link for a tutorial: https://bhpho.to/44tbD8o.
Q: 5. Does this lens share compatibility with either ARRI LDS, Cooke /i, or Zeiss eXtended data?
A: The Angenieux EZ-1 30 to 90mm Cinema Lens Pack (Super35 and Full-Frame) is not listed as having data capability.
Q: 6. What is the diagonal length of the screen?
A: The viewable diagonal of Elite Screens model# M110H is 110". The viewable width is 96" and the viewable height is 54".
Q: 7. If Im shooting with a Red Scarlet W, will I get a true 30mm?
A: The Red Scarlet W has a Super 35mm Sensor. Any lens you put on it will be subject to the crop factor of the sensor, the lens would be closer to 45mm on the wide end.
Q: 8. Will it fit the new Blackmagic 6K Full frame camera?
A: Yes, the Vello Screen Protector Ultra for Blackmagic Pocket Cinema Camera 6K Pro will fit on the Blackmagic Cinema Camera 6K, as it has the same screen.
Q: 9. I see this series of lenses have a S35 compatibility. So how do you think these EZ lenses would preform compared to Cooke miniS4/i?
A: Angenieux has been making lenses since 1935 and their lenses are world class outstanding in build and image quality. They are in the same league as Cooke, Zeiss, Panavision, et all. I would say that the Angenieux would be of the same quality as the Cookes over all but the question comes down to what look your production needs. The Cooke look is the beloved one of warmth and easy focus roll-off. It is very complementary for faces. Angenieux is more neutral in color and again an easy focus roll-off. Then there is the big consideration that primes look different than zooms. In the end, while the differences are only apparent to the trained eye, these considerations are what make up the totality of the movie experience. I would say the decision comes down not to whether one lens is good or bad but which lens is right.
Q: 10. Does it come with a case?
A: For the Angenieux EZ-2 15 to 40mm Cinema Lens Pack (Super35 and Full-Frame), there is a 2-lens kit available, which come with a case: Angenieux EZ-1 30-90mm & EZ-2 15-40mm Zoom Lens Kit with Hard Case BH #ANEZ12S35PLK
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