[12 mA] well, I have dozens of pedals, but this one still amazes me from the first day I bought it. spectacular slow down feature, selectable waveforms, 16-step sequencer, envelope, presets, tap tempo (along with tap-in port), expression support, tons of subdivisions... well, it just does everything, in STEREO, and still it's all analog. can be really as slow and as lighting-ring-mod-like fast as you want: the rate button works like a gear switch for precise adjustments. also, we all know EHX doesn't look good at times, but the visuals we got here are just awesome, sorts of retro spaceship with those leds on top (those don't only look nice, but also an important part of its UI). real candy to look at. there's only one con: the thing isn't small and won't fit small boards, but at least all the controls are visible, no hidden settings etc. Devs at EHX could make it smaller and even save some money on electronic parts, but it's big by design: both features and sounds wise.

[0.7 lb] First of all, this pedal has so many features and applications. Four different octaves, attack, and low-pass filter (I don't use the detune much, but others probably would get some mileage out of it), plus a built-in presets footswitch. One note: if you are powering your pedalboard with a dedicated pedal power supply, only certain combinations of power supply and pedals will work if you include the POG2. Do some research online if you already have a pedal power supply or if you will add one in the future. Even though this was a special delivery order and not something that B&H carries in stock, B&H delivered very quickly.

[10.2 oz / 290 g] This is the best delay / slap-back echo / mod machine I've ever heard. There are versatile sounds for every need, with responsive controls to dial in the perfect effect. Plus, the secret secondary controls make this even more customizable. The looper is lots of fun, though might be a little difficult to pull off live onstage. Basically, if you're looking for a versatile delay, with some added modular swirly/shimmery sounds and a looper thrown in for good measure, stop reading this and buy this pedal. Just be prepared to sit in front your amp and enjoy exploring the sounds this pedal provides, for hours! Highly recommended!

[12 mA] Best chorus I've played. Limited range but sounds so good. The modern 9v plug is a bonus.

[10.2 oz / 290 g] Yes, this pedal is pretty cool! I particularly like the orchestra and choir voices, though the rest are interesting too. I got it, added it to my pedal board, and tried it out at a gig. Audience members were looking around trying to figure out where all the orchestral sounds were coming from. My bandmates thought it was hilarious that our scrappy garage band suddenly had this new big production sound.

[12 mA] Love the sound of electro-harmonix. this provides a great fuzz. I prefer a fuzz over a distortion. this may be my favorite pedal especially with the electro harmonix small stone.

[10.2 oz / 290 g] A simple and easy to use looper Clean controls, solid switch design and rugged body.

[12 mA] The EHX series of organ pedals are a breath of fresh air in an industry that seems content recycling the same basic stompbox designs. You can get a wide range of sounds that go from subtle organ texture to bizarre voicings. Having a dry signal out is fantastic for players like me (bass) who want to keep an uneffected signal to my bass rig. Meanwhile I can run the organ sounds into a separate amp and/or series of pedals and tweak to taste. I'm not sure I'll use it in a live setting much, but its a blast to record and play with.

[12 mA] The Electro Harmonix Platform Compressor is a fantastic stereo compressor pedal that works quite well. It runs on a standard 9-volt pedal power supply that it comes with. I used three of them for a live techno set I was doing. I had a Roland TR-8, Roland TB-3, and Novation Circuit all synced and running together. I had Platform Compressors on the stereo out of each piece of gear and they worked perfectly. They were very reliable but I did have a user error once which I will mention so you can avoid it. The Swell knob got bumped and my attack times began fading in completely throwing off the timing of the TB-3. I couldn't figure out what happened till after my set. So be careful to not hit this knob mid performance. To remedy this possibility, I used electrical tape to hold my knob settings in place after this incident and never had this issue again. The Platform Compressor is fantastic for the money and for the functionality. Stereo compression has never been more convenient with the Platform Compressor.