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Samyang 12mm T3.1 Cine Fisheye Lens For Pentax K

Samyang 12mm T3.1 Cine Fisheye Lens For Pentax K
  • Product Code: eq24930
  • Availability: In Stock

$1,647.00 $2,503.44

The 12mm T3.1 VDSLR Cine Fisheye Lens for Pentax K Mount from Samyang is a lens optimized for digital cinematography and as such provides a de-clicked manual aperture for smooth and silent adjustment and unified focus and aperture gears for use with follow focus accessories. Also, focus, aperture, and depth of field markings are on the side of the lens to aid focus pullers who typically operate on the side of the camera. Aperture is measured in absolute T-stops to provide accurate and consistent exposure across lenses and color rendition is matched with other Samyang cine lenses for consistency.

This fisheye lens provides a 180º diagonal angle of view on full-frame cameras for an ultra-wide angle, distorted perspective that is useful for creative interiors, landscapes, and experimentation in many applications. The T3.1 maximum aperture is effective in low light situations. 

The lens' optical design consists of 12 lens elements arranged in 8 groups including three elements made of low dispersion ED glass and two aspherical lens elements to minimize coma and chromatic aberrations. Highly effective nano crystal anti-reflection (NCS) coating applied together with UMC coatings improve light transmission and reduce ghosting. Its internal focus system does not extend the front elements during focus and minimizes the effects of lens breathing.

Pentax K Mount Lens/ Full-Frame Format    Aperture Range: T3.1 to 22    Three Extra Low Dispersion Elements    Two Aspherical Elements    Nano Crystal and UMC Lens Coating    Manual Focus, Internal Focus System    Geared Focus and Aperture Rings    De-Clicked Manual Aperture Ring    180º Angle of View    Removable Petal-Shaped Lens Hood

Key Specs
Focal Length12mm
Maximum ApertureT3.1
Lens MountPentax K
Lens Format CoverageFull Frame
Filter ThreadNo
Image StabilizationNo
Electronic CommunicationNo
Parameters
Maximum ApertureT3.1
Minimum ApertureT22
Lens MountPentax K
Interchangeable MountNo
Lens Format CoverageFull Frame
Image CircleNot Specified by Manufacturer
Angle of ViewFull Frame
Diagonal: 180°
Super 35
Diagonal: 124.6°
Optical Design12 Elements in 8 Groups
Filter ThreadNo
Minimum Focus DistanceFrom Unspecified Point in Lens: 7.9" / 20 cm
Diaphragm Blades7
Image StabilizationNo
Gear StandardNot Specified by Manufacturer
Electronic CommunicationNo
DiameterMaximum: 3.2" / 81.3 mm
Length2.8" / 71.2 mm
Weight18.2 oz / 515 g

This Pentax K Mount manual focus lens optimized for digital cinema provides a de-clicked manual aperture for smooth and silent adjustment and unified focus and aperture gears for use with a traditional follow focus. Also, focus, aperture, and depth of field markings are on the side of the lens to aid focus pullers who typically operate on the side of the camera. Aperture is measured in absolute T-stops to provide accurate and consistent exposure across lenses and color rendition is matched with other Samyang cine lenses for consistency.

An ultra wide-angle fisheye lens with a 12mm focal length on full-frame cameras and an 18 mm equivalency when used on APS-C and Super 35mm format cameras. Its distorted perspective is useful for creative interiors, landscapes, group shots, and many other wide-angle applications.

Extra low dispersion and aspherical lens elements reduce aberrations for sharp, color-accurate imaging.

Nano crystal coating and ultra multi-coating on the lens elements improves light transmission and reduces ghosting and flare.

Sturdy metal barrel with removable petal-shaped lens hood.

Related Questions and Answers

Q: 1. Is this the same as the Samyang model? If not, what is the difference?

A: In general Samyang and Rokinon are the same if both lenses list exact same specs, but we do not have a Samyang with T stop and gears for follow focus at this focal length and mount. The most similar Samyang is only F stop and no outside gears for follow focus.

Q: 2. Other than brand marking, is the Samyang 14mm T3.1 VDSLRII identical to the Rokinon 14mm T3.1 DS lens? The Rokinon costs more, so I'm wondering if the build quality and/or coatings are different.

A: They are the same lens, different branding.

Q: 3. How does it compare to theRokinon 12mm f/2.8 ED AS fullframe Fisheye Lens (https://a href= http://www.bhphotovideo.com/c/product/1089938-REG/rokinon_12m_e_12mm_f_2_8_ed_as.html target= _blank www.bhphotovideo.com/c/product/1089938-REG/rokinon_12m_e_12mm_f_2_8_ed_as.html/a - wich I have in canon-mount version, a very good copy and that I use very, very often) but consider to change for the E-mont version. -Exept I now see ths new other one.(T3.1 might be the same as f2.8).I have not found any comparison study jet. THANK YOU !I shoot at 5.6/8 with my actual lens, max app is not my concern but corner-sharpness and rendition of people. Fully correctet anty-fisheye effect lenses do not render people as I like with my Rokinon 12mm 2.8)?

A: The more expensive cine lens has the Dual Side markings, focus and aperture gears plus the coatings that are supposed to match the others in the set. Otherwise the lens performance will be comparable.

Q: 4. What's the filter thread diameter for this lens? Can it accommodate a screw on filter?

A: you can not add filter on this lens but you can add matbox then filter on the box

Q: 5. Hi There,Does anyone know of a good MATTE BOX solution for the Rokinon 12mm Cine DS Fisheye Lens?(I know typically with wide angle lenses, they run into vignetting problems if the Matte Box isn't wide enough.)Does anyone know of a good Matte Box that works great with this lens?Additionally, do you know if that same Matte Box will also work for the Rokinon Cine DS 14mm Lens?In advance, thank you for your help and for your recommendations. I really appreciate it!

A: The answer to your question depends on the lens and what sensor size you are using for there is no universal matte box solution for ultra wide lenses. If you are using a 12mm Fish Eye on a Full Frame camera, no matte box will work. You might be able to use a 4x4 or larger filter holder. If you are using a 12mm on a MFT camera, you might be able to use a normal 4x4 matte box.

Q: 6. Is it rectilinear corrected?

A: It is not. I believe you may be referring to this lens instead, the Samyang 12mm f/2.0 NCS CS Lens for Sony E-Mount (APS-C) (Black) which is not a fisheye lens but a wide angle lens, BH #SA122SEB. https://bhpho.to/2MeAEiK

Q: 7. Can the lens be used on a D600 for still photography?

A: You could use the Rokinon 12mm T3.1 lens on a D600 for still photography, yes. The lens isnt limited to video use.

Q: 8. Are the lens optics, coatings and build quality of the Samyang 14mm T3.1 VDSLRII identical to the Rokionon 14mm T3.1 DS lens?

A: The lenses are made in the same factory by the same people. If there are significant differences between the two lenses, they have yet to come to light.

Q: 9. I have a D90 and a D5000. Will this lens dit?

A: This lens is compatible with the D90 and D5000 since both Nikon cameras use a Nikon F Mount. You won't have auto focusing.

Q: 10. Is this lenses going to be cheaper in blackfriday?

A: While we will have many great deals on Black Friday, Cyber Monday and during the Holiday Season we will not be aware of what they are until they are announced. If you go to the bottom of any page on our website you will be able to enter your email to sign up for our B&H News and Special Offers E-Mails. Those emails will be the fastest way to learn about deals we are having during the Holiday Season.

28/09/2024

[12mm] very happy with this glass but plastic hood very cheap brook in my hand

5
22/08/2024

[Pentax K] I bought this lens for my nikon d610 and it has worked really well! Great in low light and has no warping on my full frame. What else could you want from a fish eye?

5
15/08/2024

[T3.1] Five stars because of the price point for a 35mm full frame very wide 14mm cinema lens having a long focus throw and de-clicked aperture ring. I use this lens with a Meta Bones Speed Booster on a Sony FS7. It is not a fisheye lens, but there is some horizontal and vertical barrel distortion that can adjusted in post. I would not use this lens for architectural subjects unless the objective is to emphasize the curvature of lines at the edges of the frame. I did not detect any chromatic aberration and the lens was somewhat soft until stopped down to about T5.6 where it clearly resolved every line in my 8x10 Digital Image Flow LLC chart at the center and edges. I plan to use this lens in tight places outdoors, at the sea shore, and where there is cloud activity using time lapse. I recommend using this lens with a high resolution monitor like the Gratical Eye or HD, because the low resolution FS7 monitor displays significant moir which is not in the processed image.

5
29/06/2024

[Full Frame] I had doubts about how sharp this less expensive lens might be but to my delight its as sharp as can be from edge to edge! And talk about wide....180 degrees! I've used it for night shots downtown and was blown away by the great color and contrast.

5
21/06/2024

[7] I like this lense line great quality!

5
01/06/2024

[T3.1] I'm so glad I bought this lens because it has opened up new photographic opportunities for me and will enable me to take pictures I had previously wondered how they could have been done. The price is right and the AE chip allows me to use all of the exposure modes on my Nikon D610. Additionally, it features full frame coverage that enables me to produce superior compositions. You do have to be careful when using this lens because of the protruding front element and must take care not to damage it and to keep the provided front lens cover on when not using it. The amount of distortion produced is just right and can be a valuable compositional tool.

5
27/05/2024

[Pentax K] Real good bang for your buck with this lense.

5
22/05/2024

[T22] This lens has some distortion as you would expect, but the image comes out sharp. I use this lens on a BMPCC 4k with a Metabones XL Speedbooster, which is a great combination.

5
05/05/2024

[Pentax K] Haven't seen too many reviews of this lens and the ones out there don't really do it justice IMO. Traded some old Nikon glass at Samy's Camera in LA for this on a whim and wow am I impressed. Using it on both an a6300 and a7rII and both the sharpness and color rendition far exceed even my wildest expectations. A few nits: sometimes full infinity focus isn't quite the lock you want when shooting landscape, best to pay attention to the focus peaking if your camera or monitor have it. Also annoying that the geared focus ring is so close to the actual glass. When shooting in full frame mode with a Zacuto follow-focus, it's impossible to keep it out of the frame entirely. Almost impossible on crop mode as well on the A7RII. However, as tempted as I was to drop a star because of the above, the sharpness and Zeiss-like color rendition keep me from doing so. Major major value with this lens, highly recommended!

5
24/04/2024

[Pentax K] Nice piece of glass and great fisheye

5

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