The MK 2XS is designed for placement in a diffuse sound field, i.e. at distances in reverberant environments where the greater portion of arriving sound has already been reflected from various room surfaces. In such placement the integrated frequency response of this capsule is essentially flat; the on-axis high-frequency response elevation shown in the graph below is not heard as such. It is remarkable how well-focused a recording can be made with omnidirectional microphones at such distances, when the microphones have been designed and placed appropriately. If this type of microphone is used close to the sound source, the emphasis of high frequencies for on-axis sound incidence would become clearly audible, producing an overly brilliant sonic impression. If miking distances more typical of the mono and early stereo era are to be used, a capsule such as the MK 2XS, with its full diffuse-field equalization, may well offer the optimal balance of focus, depth and spaciousness.

• Omnidirectional pattern
• Diffuse-field capsule
• For miking distances at which the predominant sound is no longer direct
• Useful for relatively distant placement in reverberant environments

Related Questions and Answers

Q: 1. Is there a recommended field recorder for a high end mic like this? Is a Zoom F3 good enough?

A: The Zoom F3 would be an excellent choice for use with the Schoeps CMC641. It offers high-quality recording in 32-bit, which allows for great dynamic range with sensitive microphones.

Q: 2. Why does this description contradict itself re: midrange frequencies and off-axis performance?

A: I apologize for any confusion with the product overview. Our web team handles these issues and will be happy to review. Each product page also features a link at the bottom, in which you are able to submit if you believe there is an error on the page. If there are any details or specifications you are unclear on, the manual is attached to the product page for reference. A Representative in our Pro Audio Department will be happy to assist you with any questions as well. Please call 800-606-6969.

Q: 3. Will this suspension fit with Sennheiser 8040, 30 and 40?

A: It might but it comes with all the Schoeps mic's. You cannot buy this without the mic's.

Q: 4. Considering this stereo set and the single version. What I need it for is capturing audio from multiple speakers when I don't have enough inputs into my camera. Is the stereo version really necessary?

A: If you are okay recording in mono than just get one mic. If you want to record in stereo you will need the stereo set.

Q: 5. Where would I find other 8000 series capsules to use on this model?

A: According to the Manufacturer, there are no other capsule options for this microphone model at this time.

Q: 6. How do I connect a single or pair of these mics to a Sony A7VR or Sony equivalent camera?

A: The Sennheiser MKH 8020 Compact Omnidirectional Condenser Microphone require an XLR to XLR cable and 48V phantom power to function. The Sony a7R V Mirrorless Camera has a 3.5mm mic input as well as the Multi Interface Shoe. In order to connect and power either one or two of the MKH 8020 mics to the camera you will need to use a separate active XLR adapter/mixer or an external recorder. One of the best options is the Sony XLR-K3M Dual-Channel Digital XLR Audio Adapter Kit with Shotgun Microphone which connects to the camera using a cable-free digital connection through the Multi-Interface Shoe. Another option is the TASCAM CA-XLR2d-AN XLR Microphone Adapter Kit for Cameras (B&H # TACAXLR2DAN) which will connect through the camera's 3.5mm mic input. The Comica Audio CVM-AX3 Dual-Channel Audio Mixer for DSLRs (B&H # COCVMAX3) is a budget-friendly alternative that will also connect through the camera's 3.5mm mic input. The three adapters mentioned all have two channels with phantom power which will allow you to connect both mics at the same time.

Q: 7. why is the grey version cost more than the blue one?

A: The standard surface finish color of the CMIT 5U is blue. The CMIT5U is available in Antracite Gray as a special order item and custom made from Schoeps. Functionally both units are identical.

Q: 8. How much humidity can the CMIT 5 handle? I live in Texas and just curious if this is a good option or if I should go with something else. Thanks!

A: Our customers from Florida, Hawaii, the Caribbean,Thailand, and the Phillippines all report excellent resultsfor many years of working with this microphone in very high humidty environments. It is tough enough for ENG use and location film shoots.Many televison crews use this mic to shoot outdoor sporting events in all sorts of weather conditions. Note : Use it with a shock mount to avoid any handling noise.

Q: 9. What are the differences between this set and the CMIT 5u?

A: The Schoeps CMIT 5U is a 9.9" shotgun microphone with a supercardioid and lobar pickup pattern while the Schoeps Colette Mono Kit is a compact Colette Series modular supercardioid condenser microphone bundle that includes the modular MK41 Supercardioid Condenser Microphone Capsule, the CUT 60 Low-Cut Filter for Colette Series Microphones CMC 1, and the CMC 1 U Miniature Colette Microphone Amplifier. The mic capsule is only 0.9" and the mic amp is 1.4".

Q: 10. How’s the rear and side rejection? Thx for your time in advance

A: Thank you for your question. This microphone features a Lobar/Supercardiod pattern for excellent rear and side rejection