Rode Videomic Go Camera Mount Shotgun Microphone
- Product Code: eq29627
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Offering lower noise, higher sensitivity, and more adjustable settings than the VideoMic, the rode videomic go camera mount shotgun microphonecamera-mount shotgun microphone is ideal for mobile journalists, vloggers, budget filmmakers, and run-and-gun shooters looking for a cost-effective way to step up to the next level in quality.
A single 9V battery provides up to 70 hours of run time and an LED turns red to indicate low-battery status. Adjustable gain and a selectable bass roll-off make it easy to optimize the level and tone of your recording for a range of scenarios.
This compact and lightweight shotgun microphone features an integrated shockmount that mounts directly to your camera or boompole and reduces noise from various vibrations. The windscreen design reduces wind noise, making it well suited for outdoor shoots. The attached 3.5mm TRS cable ensures easy hookup to your camera, and the dual-mono output means that no channel selection is necessary on your recording device.
Mobile Journalist, Vlogger, Run and Gun VideoMic Pro Camera-Mount Shotgun Mic Rycote Windshield Reduces Wind Noise 70 h Run Time via 9V Battery Gain and Bass Roll-Off Attached 3.5mm TRS Output Cable Power Switch with LED Compact and Lightweight Integrated Shoe/Pole Shockmount
Key Specs | |
---|---|
Element Type | Electret Condenser |
Polar Pattern | Supercardioid |
Controls | Gain/Sensitivity, On/Off, Low Cut/HPF |
Frequency Response | 40 Hz to 20 kHz |
Maximum SPL | 134 dB |
Analog Output | 1x 1/8" / 3.5 mm TRS Male |
Power Sources | Battery |
Microphone | |
Sound Field | Mono |
Element Type | Electret Condenser |
Diaphragm | 0.5" / 12.7 mm |
Polar Pattern | Supercardioid |
Orientation | End Address |
Circuitry | Solid-State (JFET) |
Pad | No |
High-Pass Filter | 80 Hz |
Filter & EQ | Low-Cut Filter: 80 Hz |
Gain Adjustment | -10 dB to +20 dB |
Controls | Gain/Sensitivity, On/Off, Low Cut/HPF |
Performance | |
Frequency Response | 40 Hz to 20 kHz |
Maximum SPL | 134 dB |
Off-Axis Rejection | 2 dB at 60° 18 dB at 120° 10 dB at 180° |
Sensitivity | -32 dBV/Pa (at 1 kHz) |
Dynamic Range | 120 dB |
Equivalent Noise Level | 14 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x 1/8" / 3.5 mm TRS Male |
Power | |
Power Sources | Battery |
Operating Voltage | 9 V |
Battery Type | 1x 9 V (Not Included) |
Physical | |
Color | Black |
Mounting Thread Size | 3/8"-16 Female |
Dimensions | ø: 3.94 x L: 6.69" / ø: 100 x L: 169.93 mm |
Weight | 3 oz / 85 g |
Packaging Info | |
Package Weight | 0.5 lb |
Box Dimensions (LxWxH) | 8.5 x 5.6 x 3.1" |
Whereas most built-in camera microphones pick up sound from all directions, this microphone utilizes a supercardioid polar pattern to focus on sound in front of it while attenuating sound from the sides and rear. Its low-noise electronics and sensitive condenser element deliver more detailed audio than the mics typically found in cameras and portable recorders.
A straight 3.5mm cable is permanently attached to the mic for fast hookup to your camera. The cable's 3.5mm TRS plug is wired in a dual-mono configuration, ensuring that the mic signal is sent identically to both input channels of your camera or portable recorder.
Pop a 9V battery in the VideoMic Pro for up to 70 hours of operating time. The dedicated power LED changes from green to red when the battery should be replaced. The VideoMic Pro can still function for approximately 10 hours once the power indicator turns red, but performance will be compromised. Use the power switch to conserve battery life during periods of inactivity.
The high-pass filter can be set to flat or 80 Hz to roll off low-frequency noise from common sources such as air conditioners and traffic.
To enable optimal recording levels, the VideoMic Pro boasts a 3-stage gain control. Like the low roll-off and high-frequency boost, the gain control is digitally switched for precision and convenience. The +20 dB setting is ideal when recording to cameras, as it boosts the signal without requiring extreme gain on the camera's inferior preamp. Select the flat setting when routing the mic into a dedicated high-quality preamp, or switch to the -10 dB option when loud sound sources threaten to distort your recording.
Understanding that the rubber bands used in many shockmounts can snap and stretch, Rode chose to integrate a rugged Rycote Lyre suspension-style shockmount. This simplifies setup of the mic and inhibits the transfer of vibrations from the camera. Plus, the bottom of the shockmount features a camera shoe mount with a 3/8" thread, ensuring easy attachment to your camera or a boompole such as Rode's Micro Boompole (available separately).
The VideoMic Pro has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners. For maximum reduction of wind noise in outdoor environments, consider a furry windshield such as the Rode DeadCat VMPR (available separately).
Expand the microphone's device compatibility with Rode accessories such as the SC4 and VXLR (both available separately). The SC4 is a short cable that lets you connect the VideoMic Pro directly to a smartphone or tablet equipped with a 3.5mm TRRS jack. The VXLR adapter is the ideal solution when you want to record the VideoMic Pro to a camcorder or mixer that has XLR inputs.
Related Questions and Answers
Q: 1. Is this item compatible with the canon 70d?
A: Yes.
Q: 2. Is this mic comparable with the Nikon D850?
A: Yes it's comparable through your 3.5mm microphone input on your Nikon D850.
Q: 3. Can you plug this into a Wireless Go II transmitter?
A: Yes, the RODE VideoMic Pro+ Camera-Mount Shotgun Microphone can be connected to a RODE Wireless GO II Transmitter for wireless operation.
Q: 4. can I use this on my Canon R5?
A: Yes, the is compatible for use with the RODE VideoMic Pro+ Camera-Mount Shotgun Microphone.
Q: 5. Can this be used as a mic for the pc, mac, or portable device as well as on camera?
A: I have used it successfully on my android phone (Nexus 6)
Q: 6. There are a couple different combos for rode mic pro. Which is the one people usually get? I want to use this with my eos r6 so I assume the minimum would be mic and camera mount?
A: Yeah out of the box the Rode shotgun is ready to work with your R6, if you think youll be shooting audio video outdoors then go with the fur windbooster package, if your filminig doing ENG ( Electronic News Gathering ) then go with the boompole package.
Q: 7. How do I mount this to a BMPCC4K? I purchased a ProMediaGear 1/4"-20 Screw to Cold Shoe Adapter but it does not slide in still.
A: As far as I can tell, you have the right gear to make this work. If the lock-nut on the Microphone is open and you are still experiencing difficulties, perhaps something is damaged or bent (either on the mic or on the show adapter)?
Q: 8. Can the VMP+ be connected to an iPhone using the Rode SC7 cable and 3.5mm/lightning dongle?
A: Yes. Make sure you have everything connected before entering your video app. I have seen some flaky behavior if you first plug in the Lightning adapter then plug in the mic to the adapter. However, if you plug all the adapters and cables together before you plug the adapter into the iPhone, you should be fine.
Q: 9. Does this work with a Fuji X-T3?
A: Yes, the Rode VideoMic Pro+ Camera-Mount Shotgun Microphone is compatible for use with the FUJIFILM X-T3 Mirrorless Digital Camera. The Rode VideoMic Pro+ Camera-Mount Shotgun Microphone has a 1/8” (3.5mm) miniphone plug which would connect to the MIC connection terminal pictured on the "Parts of the Camera" page (page 2) of the Fujifilm X-T3 Mirrorless Digital Camera's instruction manual (labeled in the image as #24).
Q: 10. How long is the cable?
A: The connector cable for the RODE Stereo VideoMic Pro Rycote is 6" long.
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