Nugen Audio Vislm-H 2 Upgrade - Loudness Metering (Download)

Nugen Audio Vislm-h 2 Upgrade - Loudness Metering (download)

Product Code: eq31015
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Description
Reviews (8)

NuGen Audio VisLM-H 2 Upgrade - Loudness Metering (Download)from NuGen Audio VisLM-H 2 Upgrade - Loudness Metering (Download)is a loudness meter plug-in and standalone application that offers a variety of loudness measurement tools intended for use in audio mastering, broadcast, film, and more. With a design focused on primary loudness parameters, the software combines an instant overview with detailed historical information, enabling the user to hit their target first time. Additional loudness logging and timecode functions allow for proof of compliance reporting and postmortem analysis with frame-accurate referencing.

A fully resizable interface and many additional visualizations make it even simpler to identify exactly the information needed to choose the configuration that matches the current workflow precisely. The program remembers loudness data up to twelve hours, locked to timecode received directly from the NLE/DAW. Any minor edit or overdub immediately triggers overall loudness updates, eliminating the need for end to end re-measurement. Loudness data is saved with the session allowing full session loudness recall. Offline AudioSuite scans can be loaded into the real-time meter for immediate pre-loading of loudness history.

Upgrade from VisLM-C1 Broadcast, Film, Mastering, Game Audio True-Peak Level Metering Momentary/Short Term Loudness Metering Loudness History Profiling Mono to 5.1 + ASWG 7.1 Support Standalone AAX, RTAS, AudioSuite Audio Units, VST, VST3 Mac OS X, Windows

Parameters
Delivery Format	Download
License Type	Upgrade: Perpetual License
User Support	1 User
Standalone Operation	Yes
System Compatibility/Requirements	Operating System: Windows/macOS Plug In Formats: AAX (Native) / AU / AudioSuite / RTAS / VST / VST3 Please Visit the Manufacturer's Website for Up-to-Date System Requirements

Native NLE/DAW operation (Pro Tools, Avid Media Composer, FCP, Premiere, etc.)
Standalone application
International standards compliant
Timecode locked ReMEM enabled
Automated loudness overdub
Loudness history saved and recalled with session
Offline loudness 'pushed' to real-time meter
"Alert" warning options
Loudness boundary indicators

ITU-R BS. 1770, EBU R128 , CALM Act compliant
Momentary, short term, and Integrated loudness
Loudness range
Overall program loudness measurement
Maximum True Peak Level meters
"EBU Mode" meters
Automatic mono through 5.1 compatibility plus ASWG 7.1 support
Highly configurable

Historical loudness profile
Fully resizable history view
Loudness histogram
Offline data export
Multiple export parameters
Postmortem timecode referencing
Full ReMEM functionality requires a time-code lock to be provided to the plug-in by the NLE/DAW

Compatible with all recommendations and guidance based upon the international standard ITU-R B.S. 1770, revisions 1, 2, and 3 including:

ATSC A/85 (Calm Act)
EBU R128
EBU R128 S1
ARIB TR-B32
OP-59
AGCOM 219/9/CSP
Portaria 354
DPP

Related Questions and Answers

Q: 1. What version is this software? Is it 12.5?

A: The latest version of Reason 12 is 12.7.4 (as of April 2024).

Q: 2. I have had my Gorilla Pod for quite some time. How do I tell if the upgrade will work on my pod? I cant find a model number.

A: I sent my question to Joby. They replied very quickly and asked that I send a photo of my pod. Another prompt reply and I get my answer that my pod can use the upgrade.

Q: 3. Is this program compatible with Apple M1 chip using Sonoma?

A: Yes, the Steinberg WaveLab Cast Podcast Audio Streaming and Editing Software is compatible with M1/M2/M3 Mac computers.

Q: 4. Can you used for live podcast?

A: Steinberg WaveLab Cast Podcast Audio Streaming and Editing Software will allow you to record your podcast and then edit it. It allows you to post that recorded podcast content through WaveLab Cast to different podcasting platforms like Spreaker, Podbean and even Soundcloud.

Q: 5. I have an IP camera that can generate h.264 rtp multicast streams. Can the Osprey G2 decode from an IP camera?

A: Yes it should as this decodes H.264 RTP/UDP multicast and unicast streams.

Q: 6. Can this product stream 3 streams simultaneously WITH EACH STREAM HAVING A DIFFERENT BITRATE?

A: Yes it can. Each output stream can be configured independently on the UI of the Osprey Talon G2 H.264 Encoder.

Q: 7. Can it interface with a live mixer, like, X Air XR18 (Behringer) which has a computer interface(PC Win10) , so that I can use this software to manipulate the input live stream from the mixer and send it out to a camera, to stream it out. Is there a sdk, with APIs which allows it to do this?

A: No this needs to run on either a Mac or PC. The OS in the Behringer is not compatible,

Q: 8. Will the encoder work as an NDI source?

A: No, the AVMATRIX H.264/H.265 SDI Streaming Encoder has no NDI encoding built into it whatsoever.

Q: 9. Can I upgrade from Reason 10 with this?

A: Yes, This version of Reason Studios Reason 11 Suite Music Production Software is intended for use by owners of the full version of Reason 1-10 and enables a software upgrade to Reason 11 Suite Music Production Software.

Q: 10. Can this encoder simulcast to more than one platform? (Ex. stream to both Facebook and YouTube simultaneously)

A: Yes. The Osprey® Talon G2 H.264 Encoder has up to three streams that can be sent out simultaneously, originating from a single input stream.

Kyle	14/09/2024
[Yes] Gives your track warmth and stereo width without phasing issues. Use this on almost every track. Love it ! 5

James	25/08/2024
[Yes] This software is a tremendous help in cleaning up background noise in audio. I use the plugin with Davinci Resolve. So far it has been working great. I would recommend checking it out if you are looking to cleanup audio. 5

Grant	24/06/2024
[Yes] Bought this and its matching rx. They seem pretty good. You can select different definitions, FHD, HD, SD, and then can assign them to the 3 types, and allocate bit rates for each. Eg you can select HD, send that to SD and a bit rate of 800 and FHD to HD and a bit rate of 2000 etc. It then selects the resolution type, eg 720P. The only limitation I find a bit strange is that the full range of resolutions, are not available all the time. They vary what is available depending on the Hz, 50Hz or 60Hz of the incoming HDMI. I am using 60Hz, and this does not have 1080i, but if I was using 50Hz, then 1080i would be included. 60Hz has 480i, 480P, 720P, 1080P. 50Hz has 576i, 576P, 720P, 1080P, 1080i. The other strange thing I notice is that if I select a bit rate of 800Kbps, and then monitor the link at the IP level, it seems to be using about 3.5Mbps. However, for quality and ease of use, these seem to be great devices. 5

Demetrius	02/06/2024
[1 User] This synth is the best. So many high quality sounds.. A ton of customizations.. Use it with whatever DAW u use if it supports Vst plugins. 5

Ben	12/05/2024
[Yes] There's so many protocols to work with in this little box, and decodes practically anything thrown at it. It's not an entry level unit but it's very very good and VITEC keeps improving it 5

Grant	11/05/2024
[Download] Bought this and its matching tx. They seem pretty good. You can select different definitions, FHD, HD, SD, and then can assign them to the 3 types, and allocate bit rates for each. Eg you can select HD, send that to SD and a bit rate of 800 and FHD to HD and a bit rate of 2000 etc. It then selects the resolution type, eg 720P. The only limitation I find a bit strange is that the full range of resolutions, are not available all the time. They vary what is available depending on the Hz, 50Hz or 60Hz of the incoming HDMI. I am using 60Hz, and this does not have 1080i, but if I was using 50Hz, then 1080i would be included. 60Hz has 480i, 480P, 720P, 1080P. 50Hz has 576i, 576P, 720P, 1080P, 1080i. The other strange thing I notice is that if I select a bit rate of 800Kbps, and then monitor the link at the IP level, it seems to be using about 3.5Mbps. However, for quality and ease of use, these seem to be great devices. 5

Marcos	25/04/2024
[Download] The Osprey is quite versatile and reliable. We have purchased dozens of the G1 & G2 encoders for use throughout numerous facilities in our extensive network. Our primary use is for multicasting, but we also do a number of unicasts and YouTube streams. Osprey tech support is so helpful and knowledgeable, which is another huge selling point. We have used numerous other manufacturers products (HaiVision, Evertz, Ensemble Design, and Lynx). All of them work fine but Osprey offered the best quality and reliability for the price. 5

Grant	22/04/2024
[1 User] These units are ideal for instant connect up and they work. You can customise the bit rate and it keeps the video smooth. One TX can feed many RX. 5