[0.08 lb] This is fabulous for the 4.7inch red touch monitor and gimbal work. Totally worth it!

[0.08 lb] Converted my Scarlet to V-Mount batteries for longer shoot times. No more hassle with RedVolts and constantly charging and changing them out.

[0.08 lb] Solid lock, reliable percentage display on Scarlet-X. Have been using for over a year and no issues. Great alternative to more expensive v-mount to lemo options for RED % readout.

[1.6 oz (45.3 g)] Been using this mount for the last month on a feature with a variety of lenses. No issues.

[1.6 oz (45.3 g)] Always a reliable product, I personally carry three for multi camera shoots.

[0.08 lb] I bought this to connect RED Bricks to my Scarlet. It works perfectly. Definitely would recommend this to anyone on an indie budget with a RED.

[0.08 lb] This is my second A-Box. I've had to add this one for multi camera shoots when they prefer to sync by audio rather than timecode. Might end up buying a third someday. Works perfectly for running XLR cables to DSLR's and other types of cameras. Unfortunately as cameras have gotten smaller and DSLR's have gotten better, the 1/8 audio connection is just something audio and video professionals have to be prepared for.

Since the 1/8 TRS cable doesn't lock into the camera, the A-Box provides a simple solution to keep the pressure off the 1/8 connection and reduces the chances of the cable pulling out. It doesn't take much force to pull the 1/8 connector partly out and that will cause problems when trying to sync cameras by audio. Many camera operators don't even wear headsets so It's very easy for a camera operator not to notice if the cable has backed out.

The included bushings make it easy to attach to a variety of camera rigs. For cameras that don't have a rig, I just use a Red Whip or some other cord to attach the A-Box to the tripod. As long as the box is supporting the weight of the XLR cable, I normally don't have a problem with the 1/8 connector coming loose.

Don't be tempted to just run a long 1/8 extension cable from the mic or mixer to the camera. Those cables are too fragile, unbalanced and will add a lot of noise. The longer the 1/8 cable the more noise it will pick up.

[1.6 oz (45.3 g)] Would by another as backup.

[0.08 lb] If you're shooting with RED and need to send scratch audio into the camera via XLR, this is the box to get.

Conveniently packaged with all the hardware needed to mount to a camera cage/rig, the A-Box is ready to go with mic-level signal inputs.

I mix from a Sound Devices 888, and when there's no need for wireless camera hops, or the client doesn't want to pay for it, cabled is still a viable alternative. So many cameras these days do not have XLR inputs, so a breakout cable or box is needed. The A-Box provides an easy and clean connection.

[0.08 lb] Nice and sturdy but much cheaper than the RED version.