Trident Audio Tr88 Analog 8-bus Recording Console 16ch
- Product Code: eq32981
-
Based on the Series 80 mixing desks, the 16-channel Trident TR88 is an 8-bus analog inline mixing console with an integrated LED meter bridge. The 88 is designed for ease of use and workhorse reliability—each channel strip is situated on an individual module, which may be removed for repair without dismantling the entire console.
The input section features separate mic and line gain controls that allow you to set levels independently, while the Input Reverse switch flips the channel input and the monitor section. Additionally, the Meter Select switch allows you to choose metering from the Direct Out or Monitor Return. Each Class-A mic preamp offers a full-bypass, post-fader insert point that allows you to bypass the onboard preamp to incorporate any external preamp.
At the heart of the TR88 lies the 4-band Trident EQ with high- and low-shelving EQs and sweepable mid-high and mid-low peak filters. Every channel is fitted with a full 4-band EQ and a Tilt EQ on the monitor section. Additionally, an EQ switch is provided to swap the Tilt and full EQ for the monitor and input path, allowing you use the full EQ on the monitor path. An EQ insert allows you to bypass the console's full EQ when using outboard EQ.
The master section features 8 Aux Masters, each with solo and ALF/PLF Master with level adjustment. In addition to the main speaker outputs, there are two separate ALT Monitors, each with level control and on/off switches. Simple studio playback is also possible through mono Auxes 1/2, as well as Aux 7/8. The integrated talkback microphone sends the mic signal to the Auxes in pairs, to the groups, or directly to the studio. An external microphone can also be utilized for talkback functions.
There are a number of optional features available such as Lundahl transformers for each I/O, VU metering, automation, short loading, and channel configurations exceeding 40 channels. Features found throughout the TR88 make for a straightforward and powerful package, but paramount to all else is the sound. Carrying on in the tradition of the Series 80 consoles, the TR88 consoles deliver a big, warm sound when pushed hard. The TR88 ships with a rackmount power supply.
16x Class-A Discrete Mic Preamps Split Inline Console Separate Channel and Monitor Controls Direct Outputs for Each Input 4-Band EQ and Tilt EQ for Each Channel 8 Busses/Groups Integrated Talkback Microphone 8 Aux Sends Inserts for Channel, Mic, Bus, and Main Optional Automation and I/O Transformers
Key Specs | |
---|---|
Number of Analog Input Channels | 16 |
Number of Mic Preamps | 16 |
Built-In Effects | No |
Rack Mountable | No |
Mixer | |
Number of Analog Input Channels | 16 |
Number of Mic Preamps | 16 |
Signal Processing | |
Built-In Effects | No |
Performance | |
Frequency Response | Mic Input to Main Output: 20 Hz to 80 kHz +0/-0.3 dB (6 to 40 dB Gain) Line Input to Main Output: 20 Hz to 60 kHz +0/-0.3 dB (Unity Gain) |
Max Input Level | XLR Mic Input: +17 dBu at Min Gain 1/4" Mic Input: +42 dBu at Min Gain Line Input: +42 dBu at Min Gain Channel Insert Return: +22 dBu Output Insert Return: +28 dBu |
Output Level | Mix/Group/Aux/Monitor Output: +26.5 dBu at Max Gain (into 600 Ohms) Insert/Control Room/Alt Output: +22 dBu at Max Gain (into 2 Kilohms) |
I/O Impedance | Mic Input: > 2 Kilohms (Balanced) Line Input: > 10 Kilohms (Balanced) Output: < 60 Ohms < 100 Ohms |
Crosstalk | Adjacent Channels: < -90 dB at 20 kHz < -110 dB at 1 kHz Channel Fader Off: < -95 dB (20 Hz to 20 kHz) Mix/Bus Assign: < -80 dB (20 Hz to 20 kHz) Aux to Aux: < -80 dB (20 Hz to 20 kHz) |
EIN | Mic Input: < -128.5 dBu at +60 dB Gain (20 Hz to 20 kHz, 150-Ohm Source) |
Noise Floor | < -95 dBu (Master Level at -∞) < -81 dBu (40 Inputs Continually Assigned) < -77 dBu (24 Inputs Routed equivalent to 64 Inputs) |
THD+N | Mic Input to Output: < 0.005% (+15 dBu) Line Input to Output: < 0.003% (+15 dBu) |
Physical | |
Rack Mountable | No |
Dimensions | 33.4 x 36.2 x 13" / 84.8 x 91.9 x 33 cm |
- Faders, channels, groups, and master section are individually removable
- All rear connections are also removable
- Dual input to the channels – line and monitor
- Four-band, sweepable channel EQ is switchable with monitor Tilt EQ
- Discrete Class-A
- 60 dB of gain
- Electronically balanced input, with optional transformer-balancing via Lundahl LL1538
- Full bypass insert
- High and low shelving
- Low/high mid-peaking
- 4 sweepable bands boost/cut to +/-15 dB
- 50 Hz high-pass filter
- Insert pre/post EQ
- Monitor In: Tilt
- Group FX Returns: 12 kHz and 80 Hz shelving
- Group Monitor Returns: 12 kHz and 80 Hz shelving
- 8 subgroups
- Monitor returns with high and low EQ
- FX returns with high and low EQ
- 1/8" TRS input onboard
- Talkback to Auxes in pairs, groups, or studio
- Built-in oscillator is selectable at 1 kHz or 10 kHz
Related Questions and Answers
Q: 1. Does this mixer have green led input indicator?
A: It does not have in indicator for input, it does have indicator LED for peak on each input channel.
Q: 2. Does this have USB Type PC Connectivity ?
A: The Yamaha MGP32X will not interface with a computer. The USB connector is to record to a flash drive or playback from an iPhone iPad.
Q: 3. Where I can find it made from USA or Japan?
A: The Yamaha MGP24X is manufactured in INDONESIA.
Q: 4. why do you recommend this particular mixer?
A: The question would be better posed as why would you recommend this particular mixer ? This is a desk made for live work and is well suited for the job. With 32 in's and 8 sends these can be especially useful when dealing with multiple cue mixes and several EFX sends. Most of the dynamic parts of the desk such as the one knob compressor and auto ducking, will save you a lot of set up time which is very valuable in a live situation. There is a Stereo Image function that will help narrow the stereo spread which can be useful for live work. Along with both a standard type (Comp) and a 3-band divided (Multi-band) compressor across the 2 mix output bus. I would recommend this desk for the numerous options it has along with a very straight ahead design.
Q: 5. Can this unit be rack mounted? I can't tell the width from their spec sheet. If not, what model would you recommend? I need 16 channels in a rack mount that can be at the top of a rack made for a mixer and would like to stick with Soundcraft. Thanks...
A: The Soundcraft GB4 is not able to be rack mounted. Currently Soundcraft offers the GB2R-16 which is a 16 input rack mountable mixer.
Q: 6. I see componant video plugs. Where does the audio plug in?
A: The MuxLab Component Video & Analog Audio Balun has an RCA input for audio connections. https://muxlab.com/product/videoease-component-videoanalog-audio-balun
Q: 7. Mine was stolen. Need new one! Where can I get a new charger?
A: Unfortunately we do not carry a replacement charger for the Geneinno Battery for Trident Underwater Scooter.
Q: 8. Does this have DAW control from the USB?
A: You can archive performances with the record function that allows direct recording to a conventional USB storage device, but this mixer does not offer DAW control through USB.
Q: 9. Does this come with a charger? If not what charger does it need?
A: The Geneinno Battery for Trident Underwater Scooter does not come with a charger. There is no dedicated charger for the battery so to charge the battery you must put it in the scooter and then use the charger that came included with the scooter to charge the battery. Once one battery is full swap it out with the next and repeat the process.
Q: 10. Does the USB in this mixer allow for recording direct digital to a DAW, or is the output purely analog?
A: thank you for your question. You are able to use the USB output as a direct recording out to a DAW and also as an audio input into the console. The USB output will only be a 2 channel mix and not multitrack.
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