Trident Audio Tr88 8-bus Recording Console 24 Channels
- Product Code: eq32982
-
Based on the Series 80 mixing desks, the 24-channel Trident TR88 is an 8-bus analog inline mixing console with an integrated LED meter bridge. The 88 is designed for ease of use and workhorse reliability—each channel strip is situated on an individual module, which may be removed for repair without dismantling the entire console.
The input section features separate mic and line gain controls that allow you to set levels independently, while the Input Reverse switch flips the channel input and the monitor section. Additionally, the Meter Select switch allows you to choose metering from the Direct Out or Monitor Return. Each Class-A mic preamp offers a full-bypass, post-fader insert point that allows you to bypass the onboard preamp to incorporate any external preamp.
At the heart of the TR88 lies the 4-band Trident EQ with high- and low-shelving EQs and sweepable mid-high and mid-low peak filters. Every channel is fitted with a full 4-band EQ and a Tilt EQ on the monitor section. Additionally, an EQ switch is provided to swap the Tilt and full EQ for the monitor and input path, allowing you use the full EQ on the monitor path. An EQ insert allows you to bypass the console's full EQ when using outboard EQ.
The master section features 8 Aux Masters, each with solo and ALF/PLF Master with level adjustment. In addition to the main speaker outputs, there are two separate ALT Monitors, each with level control and on/off switches. Simple studio playback is also possible through mono Auxes 1/2, as well as Aux 7/8. The integrated talkback microphone sends the mic signal to the Auxes in pairs, to the groups, or directly to the studio. An external microphone can also be utilized for talkback functions.
There are a number of optional features available such as Lundahl transformers for each I/O, VU metering, automation, short loading, and channel configurations exceeding 40 channels. Features found throughout the TR88 make for a straightforward and powerful package, but paramount to all else is the sound. Carrying on in the tradition of the Series 80 consoles, the TR88 consoles deliver a big, warm sound when pushed hard. The TR88 ships with a rackmount power supply.
24x Class-A Discrete Mic Preamps Split Inline Console Separate Channel and Monitor Controls Direct Outputs for Each Input 4-Band EQ and Tilt EQ for Each Channel 8 Busses/Groups Integrated Talkback Microphone 8 Aux Sends Inserts for Channel, Mic, Bus, and Main Optional Automation and I/O Transformers
Key Specs | |
---|---|
Number of Analog Input Channels | 24 |
Number of Mic Preamps | 24 |
Built-In Effects | No |
Rack Mountable | No |
Mixer | |
Number of Analog Input Channels | 24 |
Number of Mic Preamps | 24 |
Signal Processing | |
Built-In Effects | No |
Performance | |
Frequency Response | Mic Input to Main Output: 20 Hz to 80 kHz +0/-0.3 dB (6 to 40 dB Gain) Line Input to Main Output: 20 Hz to 60 kHz +0/-0.3 dB (Unity Gain) |
Max Input Level | XLR Mic Input: +17 dBu at Min Gain 1/4" Mic Input: +42 dBu at Min Gain Line Input: +42 dBu at Min Gain Channel Insert Return: +22 dBu Output Insert Return: +28 dBu |
Output Level | Mix/Group/Aux/Monitor Output: +26.5 dBu at Max Gain (into 600 Ohms) Insert/Control Room/Alt Output: +22 dBu at Max Gain (into 2 Kilohms) |
I/O Impedance | Mic Input: > 2 Kilohms (Balanced) Line Input: > 10 Kilohms (Balanced) Output: < 60 Ohms < 100 Ohms |
Crosstalk | Adjacent Channels: < -90 dB at 20 kHz < -110 dB at 1 kHz Channel Fader Off: < -95 dB (20 Hz to 20 kHz) Mix/Bus Assign: < -80 dB (20 Hz to 20 kHz) Aux to Aux: < -80 dB (20 Hz to 20 kHz) |
EIN | Mic Input: < -128.5 dBu at +60 dB Gain (20 Hz to 20 kHz, 150-Ohm Source) |
Noise Floor | Bus Output: < -95 dBu (Master Level at -∞) < -81 dBu (40 Inputs Continually Assigned) < -77 dBu (24 Inputs Routed Equiv. to 64 Inputs) |
THD+N | Mic Input to Output: < 0.005% (+15 dBu) Line Input to Output: < 0.003% (+15 dBu) |
Physical | |
Rack Mountable | No |
Dimensions | 43.4 x 36.2 x 13" / 110.2 x 91.9 x 33 cm |
- Faders, channels, groups, and master section are individually removable
- All rear connections are also removable
- Dual input to the channels – line and monitor
- Four-band, sweepable channel EQ is switchable with monitor Tilt EQ
- Discrete Class-A
- 60 dB of gain
- Electronically balanced input, with optional transformer-balancing via Lundahl LL1538
- Full bypass insert
- High and low shelving
- Low/high mid-peaking
- 4 sweepable bands boost/cut to +/-15 dB
- 50 Hz high-pass filter
- Insert pre/post EQ
- Monitor In: Tilt
- Group FX Returns: 12 kHz and 80 Hz shelving
- Group Monitor Returns: 12 kHz and 80 Hz shelving
- 8 subgroups
- Monitor returns with high and low EQ
- FX returns with high and low EQ
- 1/8" TRS input onboard
- Talkback to Auxes in pairs, groups, or studio
- Built-in oscillator is selectable at 1 kHz or 10 kHz
Related Questions and Answers
Q: 1. Does the "Soundcraft EPM6 - 6 " run at 220V? Does this mixer have “AC Input Power = 100 to 240 VAC, 50 / 60 Hz”?
A: Yes, the Soundcraft EPM 6 - 6 Mono + 2 Stereo Audio Console, according to the specifications, is 85-270 V AC, 50/60 Hz universal input.
Q: 2. I want to only use the left side of a stereo channel - does the balance pot act like a normal pan pot in this circumstance?
A: When only using the L channel on one of the EPM 6 - 6 Mono + 2 Stereo Audio Console, the channel will output the Left signal as a Mono signal. The panning will operate identically to the other mono channels.
Q: 3. how many ouylets dose it have?
A: If you mean outputs, it has 2. If you mean inputs, it has 6 mono and 2 stereo.
Q: 4. I plug in wireless mics on the line in input, but nothing happens with the faders?
A: There's no reason why the line inputs should not work normally. Try isolating the problem. Make sure nothing is muted, all gain/volume controls are up, and you have a good signal coming into your mixer. Then check to see if all channel line inputs are inop or just that particular channel. If any or all line inputs do not work, do the xlr inputs work? Check to see if you have a signal from the insert. This is pre-fader, so if you do and there is still no output post fader then the problem is somewhere between your gain circuit and and output .
Q: 5. 110 Volt and 220 Volt?
A: Yes. The Warm Audio BUS-COMP 2-Channel VCA Bus Compressor does have switchable voltage settings. There is a voltage switch on the back that allows you to select either 115 or 230V.
Q: 6. I would need to Connect 3 Avid 16x16 I/O, is this possible?
A: No you can only connect two 16 in 16 out. The desk is 32.
Q: 7. Do I need to buy the Dante card as an extra in this package?
A: Yes, you will need to purchase the Allen & Heath SQ Dante Module for SQ Mixers and AHM-64 Audio Processor (B&H # ALMSQDANTE64) as a separate item. It is not included with the Allen & Heath SQ-6 Digital Mixer.
Q: 8. Where can I watch a tutorial on this Blackmagic Design Fairlight Console Audio Editor?
A: As of today, Blackmagic Design hasn't released any tutorial videos for the Fairlight Console Audio Editor.
Q: 9. IS THERE A MANUAL FOR THE -ETC CS20 ?
A: There is. It can be found on ETCs website.
Q: 10. If I plug a mono source (via TS or TRS) into the left input of a stereo channel, does the balance pot work as a normal pan pot?
A: The Soundcraft EPM 6 - 6 Mono + 2 Stereo Audio Console does not accept stereo signals and exclusively uses balanced inputs which are mono. You will need to use two cables, one for left, one for right, in order to add a stereo source.
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