[Handle] So far these lights have worked awesome. Indoor and and outdoor they produce adequate light for interviews.

[Yellow] I usually rent a large G&E truck package for all my shoots as a DP. However I bought this light because it's so useful and I was requesting it on every job anyway. Need a last minute eyelight? Here you go. Want to arm out a top-light or kicker? This is your guy. It pulls out of the case and is up and running in seconds, and is easy to battery-power for remote shoots. The egg crate is solid and provides focused soft light, or you can remove it for more intensity and spread. With wireless DMX built-in, it's just an all around low-weight useful light that's full RGB with handy FX options. And Kino's color science is among the best. Very happy with it.

[Yes] Ive played around with a few different LED options and this is by far my favorite. Ive always loved kino for the softness of the light and the low power consumption. The Diva-Lite 30 really sells you the moment you turn it on. I do a lot of one man band shooting in hospitals and other corporate offices. the ability to completely control the light to the temperature I need is amazing. and who hasnt had fun with the built in effects?

[34 lb] I don't see any other solution for Kino bulbs. I was excited to see that this case DOES have the dividers between the bulbs like the T12 cases do. The picture doesn't show that it does...but it does. Also the picture doesn't show that the case has a carrying handle, but it does have a carrying handle (not the velcro that is shown) in the middle of the case. The side velcro spots however are there as shown in the picture. I saw other reviews saying how flimsy this is or that it's just piece of cardboard??? I don't know if those people are new to the world of Kino Flo, but this case is plenty durable. The whole point of Kino Flo is the material that the lighting is made of to keep the fixture super lightweight. It may seem flimsy to the eye/touch but I assure you it's VERY durable. With that said, you are carrying bulbs so you wouldn't want to toss a pelican case on top of this case....although they would actually probably be just fine

[34 lb] Spent quite a bit of time looking at Kino Flo lights and other lights in the class. Hands down this is the best lighting available. Spot on with color accuracy. Color does not shift or vary when the amount of power is reduced. Attention to detail is incredible. This is a 'no joke' light and is intended for the serious film or content creator.

[34 lb] I really like this light panel. In fact within a week of receiving it, I ordered a second one. The menu is very intuitive, really no directions needed and Kino Flo has a complete listing of all the filters and numbers available on their website. The light output is very uniform to my eye. Color temperature is pretty much spot on. I've tried other light panels and this one in my opinion is the best value out there right now. Very satisfied!

[Latch] Convenient and organized way to store Diva lamps. Snug and padded slots for each lamp. Very rigged and protective for such a light weight case.

[Yes] Perfect addition to our Kinos! Easy to quickly attach/ detach and comes with a sturdy bag for travel.

[Yellow] This matches the bulb carrier that comes with the standard two diva lite kit. It does a good job holding the extra bulbs and holds them tightly.

[34 lb] I have confidence that while moving gear here and there, my fluorescent bulbs are reasonably safe. Unless a five ton elephant is on the set, then all bets are off. I use colored electricians tape to indicate the bulbs inside (i.e., red for 2900 Kelvin, orange for 3200 Kelvin and blue for 5500 Kelvin bulbs)