GamColor Plus Green Cine Filters are deep dyed polyester color filters that are a superior color medium for use with all types of light.

Plus Green filters are used on additional lights as fill where this is a predominance of fluorescent light that cannot be minimized, such as in a large venue like a department store or market. These filters reduce or try to eliminate the red and blue elements that these supplemental light sources generate. In this way, once this additional green is added to the venue and the color somewhat stabilized at an even green level, the film can be corrected at the lab where all the green can be evenly removed.

Plus Greens have another benefit as well. In scenes where there are plants in the background, these filters can bring out the green-ness of the plants, making them appear richer and more vibrant.

Finally, in scenes where there are large windows, Plus Greens can eliminate the pinkish effect of the UV (ultraviolet) light characteristic in sunlight.

Effective for Green Color Balance

Because it is deep dyed, the color will not scratch off the surface and is optically clear.

The clear polyester base is highly resistant to tears, punctures, cracking, and deterioration in high heat applications.

The dyes used to produce GamColor are the most stable and heat resistant available.

The chemical process ensures that the colors will be clean and clear with excellent transmission and consistency.

GamColor quality control includes constant monitoring, from raw material to finished product.

Related Questions and Answers

Q: 1. How many sheets are included?

A: This listing is for 1 single sheet.

Q: 2. is this compatible with foldio 3?

A: No, the Extra Backdrop Sheet Set for Foldio2 (Black, White, Gray, and Green) is not compatible with the ORANGEMONKIE Foldio3 25" Mini Studio. Foldio 2 is 15 inches wide, the Foldio 3 is 25 inches wide.

Q: 3. What is the filter factor for the orange filter ? What exposure compensation is required because of light loss ?

A: Orange filters usually have a filter factor of 3 or 4, so a 1 2/3 or 2 stop adjustment is called for.

Q: 4. Is this light heat resistant enough to withstand continuous light from a daylight rated fresnel light?

A: No, it will melt.

Q: 5. Could someone tell me how "translucent" it is? I'm looking to use it similarly to a red filter over the lens when shooting B+W

A: This filter is not filter is not optically correct to use in front of the lens.

Q: 6. Could this be cut down and used in the filter stage of a darkroom enlarger to reduce exposure?

A: Yes, the Rosco E-Colour #211 ND .9 Filter (21 x 24" Sheet) could be cut into smaller pieces and used in other contexts, like a darkroom enlarger.

Q: 7. is this soft/flexible or a hard sheet?

A: It is semi rigid.

Q: 8. How can you get it fit to a studio strobe with a 7 Bowens reflector for lower the light?

A: They are trim to fit.

Q: 9. What is the difference between this 105 filter and the Rosco cinegel 3006?

A: The Rosco #105 Filter - Tough Spun - 20x24" is a stronger diffusion and blocks more light then the Rosco cinegel 3006. The 105 is around a stop of light and the 3006 is about a 1/4 stop of light.

Q: 10. What's the transmission on this?

A: According to Rosco the transmission is 64%.