Benchmark Dac3-l Reference Dac Stereo Preamp Black
- Product Code: eq38590
-
The black Benchmark DAC3-L Reference DAC Stereo Preamp Blackfrom Benchmark DAC3-L Reference DAC Stereo Preamp Blackis a two-channel reference preamplifier with a built-in digital to analog converter system. It is capable of converting Direct Stream Digital (DSD) signals as well as Pulse Code Modulation (PCM) files up to 24-bit / 192 kHz. Designed as an output device for computer-based media, the DAC3-L can be used with home media servers, digital audio workstations, desktop audio editing applications, and computer-based radio broadcast systems. The DAC3-L maintains the familiar DAC2 form factor and feature set, but delivers the higher performance available from the ES9028PRO D/A converter chip.
The 8-channel/32-bit ESS Technologies ES9028PRO chip features two distortion compensation systems, which independently remove most of the 2nd and 3rd harmonic distortion in the D/A converter. It also uses 4:1 summing to form each of the two output channels. This results in an enhanced frequency response and a 6 dB signal to noise improvement with low THD and THD+N noise.
The DAC3-L follows sample-rate changes initiated by your computer or software and uses a multimode asynchronous USB system for data transfer. This allows the unit to act as the clock master, reducing jitter by first transferring the audio data from your computer to an internal buffer, and then to the digital to analog subsystem. The dual data transfer uses Benchmark's proprietary UltraLock3 jitter attenuation system, reducing jitter noise and distortion to at least 140 dB below the level of the audio.
The Hybrid Gain Control (HGC) combines the unit's active analog gain control, passive low-impedance attenuators, 32-bit digital gain control, and servo-driven volume control. The HGC provides the dynamic range of an analog system and the accuracy of digital control. All analog inputs are controlled in the analog system and digital inputs in the digital system. The 32-bit Digital Signal Processing (DSP) also provides up to 3.5 dBFS excess digital headroom throughout the entire conversion process.
The DAC3-L features a variety of input and output options including two stereo unbalanced analog RCA inputs, two optical TOSLINK digital inputs, two coaxial digital inputs, one USB digital input, two stereo analog unbalanced RCA outputs, and one stereo analog balanced XLR output. It is compatible with the Benchmark IR remote control (included).
ES9028PRO Converter Chip Quad 32-Bit Balanced D/A Conversion Hybrid Gain Control Technology Native PCM or DSD Conversion UltraLock Jitter Attenuation System Asynchronous USB 1.1 and USB 2.0 System High-Fidelity Preamplifier Distributed Power Supply Regulation Home Theater Bypass Includes Remote Control
Audio Performance Specifications | |
---|---|
Sampling Frequency | Fs = 44.1 to 96 kHz, 20 Hz to 20 kHz BW, 1 kHz test tone, 0 dBFS = +24 dBu (unless noted) |
Signal to Noise Ratio | A-Weighted, 0 dBFS = +27 dBu: 128 dB Unweighted, 0 dBFS = +27 dBu: 126 dB |
Dynamic Range | A-Weighted at Maximum Volume: 128 dB Unweighted at Maximum Volume: 126 dB |
Total Harmonic Distortion/Noise | 1 kHz at 0 dBFS: -113 dBFS, -113 dB, 0.00022% 1 kHz at -1 dBFS: -114 dBFS, -113 dB, 0.00022% 1 kHz at -3 dBFS: -119 dBFS, -116 dB, 0.00016% 20 Hz to 20 kHz Sweep at -3 dBFS: -113 dBFS, -110 dB, 0.00032% |
Frequency Response | Fs= 192 kHz: +0 dB, -0.015 dB (20 Hz to 20 kHz) -0.015 dB at 10 Hz -0.005 dB at 20 kHz -0.031 dB at 40 kHz -0.15 dB at 80 kHz Fs= 48 kHz: |
Crosstalk | -116 dB at 20 kHz -130 dB at 1 kHz -137 dB at 20 Hz |
Max Amplitude | Jitter Induced Sidebands (10 kHz 0 dBFS test tone, 12.75 UI sinusoidal jitter at 1 kHz): < -144 dB Spurious Tones with 0 dBFS Test Signal: < -138 dB Idle Tones: < -147 dB AC Line Related Hum & Noise: < -133 dB |
Inter-Channel Differential Phase | Stereo pair—Any Sample Rate: ±0.25° at 20 kHz Between DAC3 Units Fs <110 kHz—Any Sample Rate: ±0.25° at 20 kHz |
Maximum Lock Time | After Fs change: 6 ms |
Soft Mute | Ramp Up/Down Time: 9.6 ms |
Mute | On Receive Error: Yes On Lock Error: Yes On Idle Channel: No |
De-Emphasis | 50/15 us De-Emphasis Enable: Automatic in Consumer Mode De-Emphasis Method: Digital IIR De-Emphasis Supported at: Fs = 32, 44.1, 48 kHz |
Latency | Digital Input to Analog Output (Function of Sample Rate): 1.36 ms at 44.1 kHz 1.27 ms at 48 kHz 0.90 ms at 88.2 kHz 0.82 ms at 96 kHz 0.51 ms at 176.4 kHz 0.47 ms at 192 kHz |
Unbalanced Analog I/O | |
Inputs | 2 x RCA stereo pairs |
Input Impedance | 20 KOhms |
Analog Input Clip Point | +18.5 dBu (6.5 Vrms) |
Input Sensitivity | +8.2 dBu (2 Vrms) |
Input Bandwidth | >500 kHz, -0.6 dB at 200 kHz |
Input THD+N | Analog to Analog, 2 Vrms In, +24 dBu Out: -110 dB (0.00032%) |
Outputs | 2 x RCA stereo pairs |
Output Impedance | 30 Ohms |
Output Clipping Level | +13.5 dBu (3.7 Vrms) |
Output Level | Factory-Set Home Theater Bypass Output Level (with 0 dBFS digital input): +8.2 dBu (2 Vrms) Output Level Range (with 0 dBFS digital input): Off to +11.7 dBu (3 Vrms) Output Level Variation with Sample Rate: < ±0.006 dB |
Balanced Analog Outputs | |
Balanced Output | 2 x gold-pin Neutrik male XLR |
Output Impedance | 60 Ohms (Attenuator off) 425 Ohms (Attenuator = 10 dB) 135 Ohms (Attenuator = 20 dB) |
Output Clipping Level | +29 dBu |
Bypass Level | Factory-Set (with 0 dBFS digital input): +24 dBu (attenuator = 0 dB) |
Volume Control | With 0 dBFS Digital Input: Off to +27.5 dBu (attenuator off) Off to +17.5 dBu (attenuator = 10 dB) Off to +7.5 dBu (attenuator = 20 dB) |
Output Level Variation | Output Level Variation with Sample Rate: < ±0.006 dB |
Digital Audio I/O | |
Channels | 2 |
Digital Inputs | Switchable between: 1 x USB 1.1 or USB 2.0 2 x TOSLINK optical 2 x Coaxial |
Formats | Supports PCM stereo, AES/EBU, SPDIF digital formats |
Input Sample Frequency Range | Coaxial Inputs: 28 to 210 kHz Optical Inputs: 28 to 96 kHz USB Input: 44.1, 48, 88.2, 96, 176.4, 192 kHz (USB input) |
Word Length | Maximum: 24 bits |
Input Impedance | Coaxial Inputs: 75 Ohms |
Capacitors | DC Blocking: Yes (coaxial inputs) |
Transient/Over-Voltage Protection | Yes (coaxial inputs) |
Minimum Input Level | Coaxial: 250 mVpp |
Jitter | Tolerance (With No Measurable Change in Performance): >12.75 UI sine, 100 Hz to 3 kHz >1.5 UI sine at 20 kHz >1.5 UI sine at 40 kHz >1.5 UI sine at 80 kHz >1.5 UI sine at 90 kHz >0.25 UI sine above 160 kHz Jitter Attenuation Method: |
Status Display | |
Indicators | 16 x LEDs on front panel |
Selection Indication | 1 x Dim/Mute 1 x Polarity 7 x Input 1 x Bypass/Calibrated Output 2 x Word length 4 x Sample Rate |
General | |
System Requirement | USB Audio 1.1 Mode (No Driver Installation Required): Windows XP, Vista, 7, 8, 10 Mac OS X, iPads with 30-pin to USB Camera Kit USB Audio 2.0 Mode |
Remote | Compatible with Benchmark IR remote control (included) |
Operating Voltage | Nominal Operating Range: 100-240 VAC, 50/60 Hz Min/Max Operating Range: 90-260 VAC, 47/63 Hz |
Power | <0.5 W, standby 12 W, typical program 15 W, maximum |
Fuses | 5 x 20 mm (2 required) 0.5 A 250 V, Slo-Blo type |
Compliance | FCC, RoHS |
Rack Size | 1/2-rack wide, 1 RU high |
Dimensions | DxWxH: 8.5 x 9.5 x 1.725" / 215.9 x 241.3 x 43.815 mm Overall depth including connectors: 9.33" / 236.982 mm |
Weight | 3 lb (1.36 kg) |
Packaging Info | |
Package Weight | 5.15 lb |
Box Dimensions (LxWxH) | 14.5 x 11.1 x 3.4" |
2-channel D/A converter designed for maximum transparency—converters are ideal for critical reference-quality professional systems
8-channel/32-bit ESS Technologies ES9028PRO converter chip uses 4:1 summing to form each of the two output channels—achieves a 6 dB signal to noise improvement with low THD and THD+N noise
ES9028PRO features two distortion compensation systems that independently remove most of the 2nd and 3rd harmonic distortion in the D/A converter
High-headroom DSP is designed to handle signals as high as +3.5 dBFS in the entire conversion system and prevents common DSP overloads
All digital inputs support native PCM or DSD conversion
All inputs are fully isolated from interface jitter by Benchmark's UltraLock3 jitter attenuation system
Hybrid Gain Control system combines active analog gain control, passive low-impedance attenuators, 32-bit digital gain control, and a servo-driven volume control—all inputs are controlled by the rotary volume control, which also moves in response to commands from the remote control (included)
Analog inputs are never converted to digital, and digital inputs never pass through an analog potentiometer
Digital inputs are controlled in the 32-bit DSP system to preserve precise L/R balance and precise stereo imaging, while avoiding any source of noise and distortion
USB system supports USB Audio 1.1 for sample rates up to 96 kHz and USB Audio 2.0 for high-resolution 192 kHz and DSD playback—system is frequency agile and will follow sample rate changes initiated by the computer and/or the media playback software
Sample-rate and word-length displays confirm the proper operation of your media player
High-fidelity preamplifier includes input selection, volume control, and output buffering functions—high-current output stage can be programmed to match the input sensitivity of your power amplifier or powered speakers
Programmable Home Theater Bypass function sets the pass-through gain to unity for integration of a home theater audio system via the RCA inputs
Second coaxial input can be reconfigured as a digital output—in output mode, any selected digital input, including USB, will pass through to the coaxial output
12-volt trigger connection can be used as an input, output or both, and is compatible with any common 12-volt trigger input or output—the trigger can be used to turn a power amplifier on or off automatically or respond to a 12-volt trigger and follow the actions of another audio component
Distributed power supply regulation to achieve the lowest possible noise—each critical subsystem has at least one dedicated low-noise voltage regulator
Compatible with Benchmark IR remote control (included)—all functions can be controlled from the front panel or from the remote
Designed, assembled, and tested in the USA using USA and imported components—most major components are made in the USA
DAC3 vs. DAC2
The DAC3 maintains the familiar DAC2 form factor and feature set but adds the higher performance available from the ES9028PRO D/A converter
- Active 2nd Harmonic Compensation
- Active 3rd Harmonic Compensation
- Lower THD+N
- Lower passband ripple
- Improved frequency response
- Faster PLL lock times
- Faster switching between input signals
DAC3 vs. DAC1
The DAC3 and DAC2 added these features not found on the DAC1:
- Asynchronous 192 kHz USB Audio 2.0
- 32-bit D/A conversion system
- Word Length Display
- Sample Rate Display
- Polarity Control
- Direct DSD D/A Conversion
- -20 dB DIM
- Bi-Directional 12V Trigger
- Power Switch with Auto-On Function
- Home Theater Bypass
- Digital Pass-Through
- High-Headroom DSP
- Dual-Domain Hybrid Gain Control
- Additional I/O
Related Questions and Answers
Q: 1. can this cable be used to connect a MP3 player 3.5mm output to a car USB C input?
A: It would be the specific car model that determines whether or not the Moshi Aux to USB-C Cable DAC will be compatible.
Q: 2. Can I connect this to the headphones out of my Allen & Heath ZED-10FX mixer?
A: Absolutely, using this amplifier with a Zedi-10 mixer now.
Q: 3. Made in China or Germany?
A: The Sennheiser HD 650 was manufactured in Romania.
Q: 4. Please explain the mono switch. What I'm looking for his a device that will mix the stereo channels into mono and deliver the mono signal to both headphones channels. Can this unit do that?
A: The stereo/mono switch sums the stereo input to mono. In this mode all headsets connected will be fed a mono signal. (Same signal to both left and right).
Q: 5. Will the mono switch help detect if one of the stereo channels is out of phase? In other words, if the left channel is 180 degrees out of phase from the right, this can be difficult to detect with headphones, but if the channels are summed to mono, the cancellation should be audible in each ear. Is this the case with this mono switch?
A: THE ONLY THING THAT IS EFFECTED IS THE LOW FREQ. SIGNALS. ONE IN THE RT. EAR & ONE IN THE LEFT. TELLING THE DIFF. IS HARD ENOUGH WHEN THE SOUND IS COMING FROM SPEAKERS. MAKE SURE OF THE SOURCES ARE CORRECT BEFORE YOU START. AS MY DAD ALWAYS TOLD ME WAS KISSKEEP IT SIMPLE STUPID WITH LOVE DR PETE
Q: 6. How do you plug this into your MacBook Pro for listening to music? My late-2013 MBP does not have a "mini-USB" port. Thank you for your help!
A: The connection to your Macbook would be USB-A, the Micro-USB 2.0 connector is on the Grace Design m900 DAC. 2 USB 2.0 Type A Male to Micro Type B Male Cables are include in the box.
Q: 7. Are these $100 better than the HD600s?
A: I will address some of these questions I see here. Some posters would have you waiting forever for a price drop. I haven't listened to the HD600s. I find the HD650S well worth the money. I find them comfortable to wear and I have a big head.The sound is superior to the HD598s which I do own. The one drawback to the 650's is that the cord is long and bulky. You will also need an adapter to use them on a phone or tablet. This would also apply to the HD600s as well. To me either these headphones are in your price range or they are not. If not look elsewhere for cheaper.
Q: 8. Must i use it only with amplifier or it good works with directly PC soundcard?
A: Most PC sound cards will not drive these 300 Ohm headphones. Use a headphone amplifier.
Q: 9. How is the comfort level for eyeglass wearers?
A: The headphones are very comfortable on their own and can wear them for hours. But I do find them pressing on my plastic frame glasses annoying. You will feel the eyeglass stems pressing against you. If you adjust the headphones on your head if will also adjust your glasses on your nose at the same time. I do without the glasses and just enjoy the music.
Q: 10. Are the cables removable/replaceable?
A: Yes."Specially modulated connecting cable (detachable) made from highly conductive OFC copper, with very-low handling noise"
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