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Arri 50mm T1.9 Master Anamorphic Lens Pl Feet

Arri 50mm T1.9 Master Anamorphic Lens Pl Feet
  • Product Code: eq39025
  • Availability: In Stock

$78,030.00 $102,219.30

The ARRI 50mm T1.9 Master Anamorphic Lens PL Feetis one of a set from ARRI 50mm T1.9 Master Anamorphic Lens PL Feetfeaturing low distortion and a fast T1.9 aperture for achieving shallow depth of field. This anamorphic prime offers the skin tones and color rendition for which Zeiss is noted, and color-matches other ARRI/Zeiss primes and ARRI/Fujinon zoom lenses. Its 15-blade iris produces cinematic-looking, oval bokeh with distinct focus fall-off. There is minimal breathing when focusing and no "fat face/anamorphic mumps" effect on your talent. With there being no visible drop-off at the corner of your images, the full 2.39-format image is usable.

Designed from scratch for use with digital cinema cameras, the ARRI/Zeiss Master Anamorphic primes will provide optimal image quality when used with an ARRI ALEXA 4:3-format camera. They will work with film cameras as well. Color fringing and shading in image corners is reduced thanks to the near telecentric design of these multi-coated lenses.

This anamorphic lens provides a 2.39:1 aspect ratio to your image when used with a Super-35 sensor. The 50mm Master Anamorphic Prime Lens features a 30" minimum focus distance, focus marks in feet, a relatively light weight of 5.7 pounds, and a compact length of 7.2". The lens is constructed with geared focus and iris rings for use with follow focus, zoom control, and F/I/Z wireless systems. The PL LDS mount on the 50mm Master Anamorphic Prime Lens will transfer lens data to compatible cameras.

Covers Super-35 Sensor Size    Suitable for 2.39-Format Image Capture    Fast T1.9 Aperture for Shallow D.O.F.    Virtually No Lens Breathing    30" Minimum Focus Distance    95mm Front Diameter    No Anamorphic Mumps-Like Effect    Weighs 5.7 Pounds    PL LDS Mount

Parameters
Focal Length50mm
Lens MountPL LDS
Aperture RangeT1.9-22
Number of Aperture Blades15
Close Focus Distance29.5" (0.75 m)
Magnification RatioH: 1:22.2, V: 1: 11.1
Front Diameter3.7" (95 mm)
Maximum Diameter4.5" (114 mm)
Entrance Pupil-6.73" (-171 mm)
Angle of View (HxV)Super 35 Cinemascope:
48-21°
Maximum Image Circle1.15" (29.26 mm)
Length7.2" (183 mm)
Length Plus Flange Focal Distance9.3" (235 mm)
Weight5.7 lb (2.6 kg)
Packaging Info
Package Weight9.75 lb
Box Dimensions (LxWxH)14.5 x 12.6 x 12.3"

Low distortion and no "fat face/anamorphic mumps" effect on your talent

Provides a 2.39:1 aspect ratio on Super-35 sensors

Fast, maximum T1.9 aperture produces shallow depth of field

Color-matches with other ARRI/Zeiss primes and ARRI/Fujinon zooms

Relatively lightweight, compact form factor with 95mm front diameter

PL LDS mount will transfer lens data when used with compatible cameras

Related Questions and Answers

Q: 1. What options are available and recognized by NISI to convert this from PL to EF-mount? Can it be converted to EF-mount?

A: The NiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens (PL Mount) cannot be converted to EF-mount. This lens is designed for PL and Mirrorless systems.

Q: 2. Is there a version with lens data? /I compatible?

A: No, the ARRI Ultra Prime 100mm T1.9 Lens (PL, Feet) does not come in another model that supports the Cooke /i Lens Data System.

Q: 3. Does this include a PL back cap?

A: Yes, the BLAZAR LENS Remus 1.5x Anamorphic Lens Mount Adapter (ARRI PL) does included a PL lens back Cap with the adapter.

Q: 4. Does the anamorphic squeeze affect the lens focal length on full frame?

A: No, the anamorphic squeeze does not affect the lens' focal length on a full frame sensor.

Q: 5. will this work with the original alexa mini?

A: Yes. Will also accommodate up to ALEXA LF 8K sensor.

Q: 6. I have a zcam f6 with PL or EF mount. Do I understand correctly that the zcam f6 is compatible with a PL mount? Only with the zcam with the EF mount is not compatible. the zcam f6 has a changeable mount. It's not entirely clear to me because the zcam is listed in the incompatible list

A: Correct depending on which unit a end-user can be using due to the protruding rear elements, certain ZCAM EF cameras may not work with the Vazen 50mm lens. PL units should be fine but would double check with manufacture.

Q: 7. Is there a version with /i lens data possible?

A: Currently, there is no version of the BLAZAR LENS Remus 35mm T1.6 S35 1.5x Anamorphic Lens (ARRI PL, Silver Flare) that will provide /i lens data.

Q: 8. what size mattebox can be used for this? looking to pair it with Red Epic Helium and adding ND and diffusion filter.

A: Yes, Please review what Matte boxes are available for the following unit we highly suggest 6x6 units to future proof your system. https://bhpho.to/40IB8zF

Q: 9. What case options are there? Anything that fits a wide Atlas lens and the 200 in a black case with wheels?

A: You could consider getting the Pelican 1535AirWD Wheeled Carry-On Hard Case with Padded Divider Insert (Black), which is black, has wheels, and can fit the Atlas Lens Co. Orion 200mm T3.2 2x Anamorphic Prime Lens (ARRI PL, Feet) and a wider Atlas Lens Co. Orion lens inside it. See: https://bhpho.to/49o4LtW

Q: 10. Will it be possible to change from PL mount to E mount if desired?

A: Yes, through a PL to E adapter like the DZOFilm Octopus Lens Adapter - PL to Sony E (BH #DZOADPLEBLK).

22/09/2024

[4.5" (114 mm)] Blazar nailed this and no its not a perfect lens... but for under a grand ITS INSANE that a TINY and LIght-weight anamorphic getting you that old panavision c-d series aesthetic but you can actually own these. Are they 2x no obviously not - My Gemini is 30x18mm (rounded) and on 4 perf S35 ie larger S35 chips like my Red Gemini this Lens is a DREAM... Its definitely soft wide open as most vintage anamorphics are and has some CA and flaws but they are very organic... and although the squeeze isnt 2x the Bokeh are CLEARLY oval and the blue streaks (got the blue streak PL ) are great... I always think you need to see how SMALL they are to believe it I dont need a support on My Gemini or when using the FF on my Eos r5. I cant wait for rest have 100 and Hoping the 85 comes soon and then the 33mm FF But this one is a must if you can only buy one.

5
01/09/2024

[3.7" (95 mm)] A lot of bokeh at 65mm, but one of the lightest ones in the Orion set (besides the 32mm). Lighter than 40mm

5
07/08/2024

[7.2" (183 mm)] Awesome lens with tons of character. Great close focus abilities too.

5
15/07/2024

[29.5" (0.75 m)] True 2x anamorphic with Panavision C style look.
T2 a little soft, but truly unique character. High build quality.

Wish there was a way to add lens data via the mount. /i data.

5
09/06/2024

[50mm] Heavier than the rest, but gorgeous

5
08/06/2024

[50mm] Awesome lens with amazing close focus abilities. Very happy with the purchase.

5
14/05/2024

[9.75 lb] I bought a set of Viltrox anamorphic lenses, which are amazing, but I wanted something smaller and lighter for my FX6/Ronin 4D. These Blazar lenses are a lot of fun. I only have the 65 so far, which I find wide enough for most situations without having the issues in the corners that the 45 had. Waiting to try out their new ones, I just need something slightly wider and another slightly tighter. Waiting to hear what they say about the new additions.

5
23/04/2024

[29.5" (0.75 m)] This lens looks great, has interesting flares and has character up the wazoo. I love the distortion of this lens. It may be my PL mount, but the lens is a bit too soft at the moment at distances past 10 meters, and I'll have it checked out soon at a rental house with focus charts. Besides that, so amazing!

5
01/04/2024

[9.75 lb] I am not really able to compare it to the others in the set yet… but it’s a safe bet this is the weakest of the 4 or 3if FF only. Partially just from to the focal length not conveying the look as strong as the wider lenses but also it really works best stopped down a tad…as it’s rather soft wide open. However I am def still very impressed by the overall quality and quality of these… they don’t feel cheap just small … shockingly small. The 100mm in PL is smaller than my RF 50mm f1.2! Impressed by this but it comes at the cost of some obvious chromatic aberrations… still for the money this is great and 1.5x may seem to enough squeeze the bokeh and flares look very anamorphic to my eyes shockingly so.
If you order just one maybe the 45mm 65mm or if your on smaller than 17mm high S35 sensors… get the 35mm . This lens great but don’t make it your only option.

5

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