The Wall - Brickwall Mastering Limiter Plug-in By Boz Digital
- Product Code: eq39154
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The Wall - Brickwall Mastering Limiter Plug-In by BOZ Digitalfrom The Wall - Brickwall Mastering Limiter Plug-In by BOZ Digitalis a brickwall limiter plug-in designed to maximize the loudness of your tracks, without sacrificing the sonic quality of your mix. Optimized for mastering applications, it adds a final level of transparent control, using two limiting algorithms that prevent your program from clipping, while keeping the punch in your drums and the tonality of your master free from distortion or "pumping" artifacts.
The controls are very simple to use, but quite powerful. To reduce the complexity of setting up a limiter while dialing in your sound, 30 parameters such as release/attack times, look-ahead times, window shapes or multi-band crossover frequencies were combined into a single, intuitive "Flavor" control. Just set your level and adjust the Flavor fader until it sounds good with your song.
Other options include a stereo link that lets you apply the same amount of compression to your left and right channels, Sanity Check to match the output level to the input level so that you can quickly A/B your results, and MFiT, which optimizes the software when mastering your tracks to a lossy format such as MP3, AAC, and others.
Mastering Limiter Boosts Mix Loudness Preserves Sonic Quality of Mix Smooth & Aggressive Limiter Modes Flavor Fader Sanity Check Button Simple User Interface VST2, VST3, AU, RTAS, AAX Native Mac OS X, Windows
Parameters | |
---|---|
Delivery Format | Download |
License Type | Standard: Perpetual License |
User Support | 1 User |
System Compatibility/Requirements | Operating System: Windows/macOS Plug In Formats: VST3 / VST2 / AAX (Native) / AU / RTAS |
- Brickwall mastering limiter allows for making your track sound louder, without sacrificing the quality of your mix
- Large variety of styles, with simple user interface
- Smooth limiter mode — favors compression and minimizes distortion, for music styles that are not percussive
- Aggressive limiter mode — more aggressive on percussion, letting transients come through, without causing pumping
- Flavor — moving the fader to the left will favor heavier compression and slower release, while moving the fader to the right will favor faster release times and higher distortion
- Sanity Check normalizes your level so you can compare your original sound with the compressed sound, without introducing a level change
- Up to 8x oversampling to prevent intersample clipping
- Stereo Link applies the same amount of compression to your left and right channels
- Dithering helps improve the dynamic range when converting your sound from a high bit-depth to a lower bit-depth
- MFiT button — optimizes software set up when mastering to a lossy format such as MP3, AAC, and others
- Crafted to be as light as possible on your CPU — can be used on many tracks without eating up your processing power
Related Questions and Answers
Q: 1. So would I be able to use this to limit the volume on my home receiver, so that once the speakers reach a certain volume they won't get any louder past the set point?
A: I use it for headphones in a live band setup but it will work for a home stereo. If you want to limit an single source say a TV just connect inline. To limit multiple sources use a preamp in/out or tape in/out.
Q: 2. Is the headphone amplifier RF protected? Time ago I bought a ROLLS PM-55 and I had problems with cellular phones interferences
A: No RF issues, but I did have grounding issues with one I bought recently.
Q: 3. Is the AC adapter included?
A: It is powered by a 9 Volt battery or the included power supply.
Q: 4. Hi just wondering why the rolls pm355 is priced the same as the pm55 as the 355 is 3 channel does the 55p have any benefits over the 355
A: The Rolls PM55 Personal Monitor Amp is discontinued and no longer for sale. The PM55 did not perform any better than the current Rolls offerings.
Q: 5. What are the dimensions of the mount bracket? I'm trying to find a solution for attaching to a mullion since only glass windows are nearby.
A: The base height is 6.25".
Q: 6. What specifically is this unit used for, How does it work. Then maybe I can try it out for what I need?
A: The Atlas Sound TSD-ALC2 - Audio Level Controller and Limiter is an automatic 2-channel audio level controller and limiter designed to allow designers and installers to set predetermined maximum source levels. The device is useful for installations with multiple program sources of varying output levels such as satellite receivers, MP3 players, and more.The unit is inserted in line with these sources so that the audience will not be distracted during high-volume commercial breaks or when different inputs are selected. The device is useful in retail stores, restaurants, sports bars, hotels, event centers, and other similar facilities.The device features unbalanced stereo RCA input and output connectors, a threshold level control, a ramp speed selector, and output gain adjustment controls. The unit also works well when used in conjunction with Atlas Strategy Series Mixer Amplifiers.The device is designed to be energy efficient and meets most energy standards. One 24 VDC power supply (sold separately) can power multiple units, depending on overall current requirements. The front-panel controls can be locked to prevent unauthorized changes using the included front panel security covers. ---------------------------------------------------------------------OWNER S MANUAL: https://a href= http://www.cie-group.com/files/tsdalc2_manl.pdf target= _blank www.cie-group.com/files/tsdalc2_manl.pdf/a
Q: 7. Will this item work with a condenser boom mic (provide phantom power)?
A: I don't think it provides phantom power but it does allow it to pass through? So send phantom power from the recorder (or TX if going wireless) and you should be good.
Q: 8. Can we use this with sennheiser G3/G4 receivers ?
A: The Shure SLXD3 Digital Plug-On XLR Transmitter (H55: 514 to 558 MHz), BH # SHSLXD3H55, is not compatible with Sennheiser receivers. Consider: Sennheiser SKP 100 G4 Plug-On Transmitter for Dynamic Microphones A: (516 to 558 MHz), B&H # SESKP100G4A: Key Features: 1680 Tunable Frequencies Across 42 MHz Pilot Tone Squelch 20 Banks with 12 Channel Presets Each Compander for Clearer Sound Auto-Lock Prevents Accidental Adjustment Plugs-On to Your Handheld Dynamic Mic Use with G4 Series Wireless Receivers
Q: 9. Would this work with the Shure MX412D?
A: Yes, the Shure SLXD3 Digital Plug-On XLR Transmitter is compatible with the Shure MX412D.
Q: 10. Does this provide 48V phantom power?
A: It does not.
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