The Lynx Aurora 16 DNT AD/DA Converter with LT-DANTE Cardfrom Lynx Aurora 16 DNT AD/DA Converter with LT-DANTE Cardis a mastering-grade 16-channel AD/DA converter which supports up to 24-bit/192 kHz conversion and comes with a preinstalled LT-DANTE Dante interface. It offers significant performance and flexibility improvements over the company's well-regarded line of Aurora converters, providing an even greater level of wide-open, uncompressed, and unequalized audio for studios, mastering facilities, remote recording, broadcast, live performance, or production installations.

The Aurora(ⁿ) 16 DNT combines Hilo-like technology with the latest FPGA processors, to achieve greater transparency and reduction of both noise and distortion. One word clock input and three outputs let you use the unit as a master clock or slave it to an external clock. In addition, the Aurora(ⁿ) is equipped with an LSlot expansion bay which allows for a wide array of current connectivity options such as Thunderbolt, Dante, Pro Tools | HD, and USB, but can also be used to add more channels and additional hardware, as your production needs evolve.

Other features include an on-board microSD player/recorder capable of up to 32 channels of direct recording and playback, ideal when working in the field. Two headphone outputs with independent volume control let you monitor your sound with audiophile-grade precision, while a bright LCD display gives you immediate access to all levels and functions, right from the front panel.

16 Channels AD/DA, 24-Bit/192 kHz    LT-DANTE Dante Interface    SynchroLock-2 Sample Clock Technology    1 x In / 3 x Out Word Clock I/O    LSlot expansion bay    On-Board microSD Player/Recorder    Two Audiophile-Grade Headphone Outputs    LCD Display for Access to All Functions    Universal Power Supply    Made in the USA

Upgraded version of the company's well-regarded Aurora 16 model

Redesigned to use technology borrowed from the company's Hilo Converter Technology (HCT) combined with the latest FPGA technology, for significant improvements in transparency and reductions of both noise and distortion

Supports sixteen channels of mastering-quality AD/DA conversion at up to 24-bit/192 kHz

Preinstalled LT-DANTE Dante interface

LSlot expansion bay allows for a wide array of current connectivity options to include Thunderbolt, Dante, Pro Tools | HD, USB, and future formats

Two audiophile-grade headphone outputs with independent volume control

On-board microSD player/recorder capable of up to 32 channels of direct recording and playback

SynchroLock-2 high-performance sample clock technology provides 300,000:1 reduction in jitter, 5 second lock time, extremely low jitter, and excellent absolute accuracy

Word clock I/O provides one input and three outputs on BNC connectors

480 X 128 TFT LCD display provides immediate access to all levels and functions and ensures that you see every piece of critical data, from just about any viewing angle

Universal power supply - built in, no wall-warts

1 RU rack-space design with no fan - silent operation so you can keep unit in the recording room, with no need for isolation from distracting fan noise

Designed and built in the USA

Related Questions and Answers

Q: 1. I'm planning use same speakers for HTPC and turntable. Can I use that device as some kind of pre / pro with turntable when my HTPC will be switch off? And if answer is yes then how can I set up volume?

A: The The Aurora 16 USB from Lynx Studio Technology will not operate in standalone mode. A more appropriate device for your HTPC setup would be the RME Fireface UFX II USB Audio Interface; B&H# RMUFX2.

Q: 2. Can I play an analog source and have it digital out via coaxial in real time?

A: Yes, the RME ADI-2 Pro FSR BE Reference AD/DA Converter with Extreme Power Headphone Amplifiers and Remote is able to route an analog audio source to its digital outputs in this manner.

Q: 3. Will it work with the Yamaha LS9

A: Unfortunately not, compatible with TF-series mixers only. LS9 mixer requires the DANTE-MY16-AUD2 card, we are not authorized to sell that card, you need to contact Yamaha directly for more assistance.

Q: 4. Can the adi-2 pro FS be used as an audio interface to record analog input to Adobe audition and other DAW?

A: Yes this will act as an interface for direct input into your computer.

Q: 5. Will this unit work with a Mac using the M1 chip? Thanks.

A: The RME ADI-2 Pro FSR BE Reference AD/DA Converter with Extreme Power Headphone Amplifiers and Remote is a Class Compliant device and is compatible for use with M1 Apple computers.

Q: 6. How to get the front panel display out to a larger video display?

A: There is no way to connect the front panel display from the RME ADI-2/4 Pro SE High-Performance Converter to a larger video display, but you can run the free RME Digicheck app on a Mac or Windows computer to be able to view the same metering from the spectral analyzer, as well as more options, on a large monitor connected to the computer. Additionally, an ADI 2 Remote app will be available soon that will enable full control from a computer.

Q: 7. Will this model play back FLAC files?

A: No, the RME ADI-2 Pro FSR BE Reference AD/DA Converter with Extreme Power Headphone Amplifiers and Remote does not have the ability play back FLAC files directly.

Q: 8. Is this compatible with 01V96 mixers?

A: Unfortunately it will not work with the 01V96 mixer. That expansion is only made for the TF series.

Q: 9. What is the DSD sampling rate?

A: The RME ADI-2/4 Pro SE 2-AD/4-DA 768 kHz, High-Performance Converter supports sample rates between 44.1 kHz and 768 kHz and DSD will not become active at sample rates below 176.4 kHz. The DSD rate changes with the chosen sample rate. Sample rates higher than 192 kHz and DSD128/256 are only available in 2-channel mode. At a sample rate of 768 kHz, which is the highest available sample rate, the DSD rate is 256.

Q: 10. What are the differences between the pro and the non-pro version?

A: New Shark chipset, Black Face, extended remote better audio specs that match the ADI2 DAC FS.