[Latch] I was considering purchasing 1x1 LED lights from another manufacturer, but after months of comparisons, I decided to pay a little more for the LED Diva. I received the light a day earlier than promised from B&H. The build is sturdy, very similar to the original fluorescent Divas. My old Floziers work perfectly, although I may never need them. This light looks very bright yet soft. The menu is easy to navigate, and dialing in the color temperature and brightness level is quick and simple. Love the many built-in gels to match any look that you are used to. You can dial in any RGB color, although I am not sure I will ever use that feature. I can't wait to use this light on an interview shoot, which is mostly what I need it for. My colleague has 2 Kino-Flo Celebs, but he said he likes this light better, and plans to buy a couple for himself. The soft case is basic but well made and suited for local use. I plan to buy another light soon, along with the hard 2-light case for air travel. As long as I get years of worry free use like I did with other Kino-Flo lights, I think they are well worth the price. I have some older fluorescent studio Kinos for sale if anyone needs them :-)

[14 lb] There is a reason to spend this much on a light, it does what other lights fail to do well. �Precise color temperature, magenta/green hue adjustment, RGB colors. �Also, there is little to no change in output while making color adjustments. �I find it provides plenty of well-diffused output, and it's great at matching with other lights or lighting situations.

[Latch] I really like this light panel. In fact within a week of receiving it, I ordered a second one. The menu is very intuitive, really no directions needed and Kino Flo has a complete listing of all the filters and numbers available on their website. The light output is very uniform to my eye. Color temperature is pretty much spot on. I've tried other light panels and this one in my opinion is the best value out there right now. Very satisfied!

[Handle] Spent quite a bit of time looking at Kino Flo lights and other lights in the class. Hands down this is the best lighting available. Spot on with color accuracy. Color does not shift or vary when the amount of power is reduced. Attention to detail is incredible. This is a 'no joke' light and is intended for the serious film or content creator.

[Latch] It holds your lamps. Well. What more can you ask for?

[Yellow] I manage multiple sound systems belonging to the same organization and I use these wraps to color code our cables. That way it's easy to tell which cables belong to which system. They are nice and long so you can wrap larger cables without having to link them together like with other wraps. The velcro also has very short hooks which prevents these from picking up lint and other debris. Easy to wrap and unwrap.

[14 lb] I have a 4 bank, ballast, c-stand, extra bulbs, cable, and extras all within one shoulder bag.

[Latch] Made the switch to this from the gaffer case. Much better if you're carrying by yourself!

[Latch] Use to carry 1 4ft 2 bank kino and it works great with room to spare.

[Yellow] seems to be good build quality - I can easily fit 2x 4x4 Kinos plus a space bulb case comfortable in there. Some have complained its hard to get the kinos out of the bag but I disagree. It would have been nice to have a place to put the ballast but oh well. Kino makes a nice crate to throw header cable and ballasts into.