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Studiologic Sledge Black Edition Synthesizer

Studiologic Sledge Black Edition Synthesizer
  • Product Code: eq40470
  • Availability: In Stock

$3,299.85 $5,015.77

The StudioLogic Sledge Black Edition Synthesizerfrom StudioLogic Sledge Black Edition Synthesizeris a 61-key synthesizer with a TP/9S semiweighted balanced spring-action keybed with a dual-switch detection system and aftertouch. The instrument offers an auto dual mode, sampler player, pitch & hold controls, simultaneous reverb and delay effects, 24-voice polyphony, and Spectre sample-editor software.

The Sledge Black Edition is powered by Waldorf with the latest modeling technology, delivering a wide range of classic analog synthesizer waveforms plus a complete set of wavetables derived directly from the mother of all digital synthesizers, the PPG Wave. The sample player is accessed through Osc 1, allowing for new sounds and waveforms to be loaded into 60MB of Flash memory and fully integrated into the sound shaping generators such as filters, envelopes, effects, and more.

Three oscillators plus a noise generator are fed into the powerful Sledge multimode filter, which produces sounds from smooth and soft to fat and harsh. The fast envelope generators pack some serious punch, while two onboard LFOs and the Mod-Wheel offer huge modulation capabilities. Additionally, two built-in effect units deliver synthesizer effects such as Chorus, Phaser and Flanger, as well as a rich Reverb and analog-style Delay.

The Sledge Synthesizer offers dedicated controls for all parameters, which have been clearly and ergonomically arranged and placed directly at your fingertips. There are no double or multiple functions on any of the knobs or push buttons, which makes sound design fun and easy.

61-Key, Semiweighted Fatar Keyboard    24-Voice Polyphony / Up to 999 Sounds    Waldorf DSP Modeling Technology    Auto Dual Mode for Layers and Splits    Sample Player with 60MB of Flash Memory    Three Oscillators Per Voice    Powerful Multimode Filter    Two Fast LFOs and Envelopes Per Voice    Two Built-in Effects Engines    Spectre Sample Editing Software Included

Parameters
Keyboard61 keys, TP/9S semi-weighted action
Balanced spring action
Dual-switch detection system
Aftertouch
 
TouchSoft, medium, hard fixed (programmable) on MIDI output
Controls35 pots
3 chicken head rotary switches (7 positions)
1 rotary encoder with push function
Master volume (with panic and anti-thump circuit)
Numeric keypad
Power
Display2 x 16 digits backlit LCD
WheelsPitch and modulation
Sounds999 user programs (+13 categories)
Fast sound selection via numeric keypad or encoder
Auto Dual Mode - Split/Layer - programmable Split for each program
GlobalMaster tune - Transposer - Pitch/Bend range - Pedal functions (volume, mod wheel, cutoff) - Pot mode (snap/direct) - Display time - Pitch wheel, hold pedal assign
Polyphony24 voices
ModesMonophonic with single or multiple trigger
Modulation RoutingLFO1, LFO2 (phase synchronized), WHEEL (for Mod wheel and Aftertouch)
Adjustable LFOs speed and depth
LFO Shapes: Sawtooth, square, triangle, sine, sample & hold, ramp
Destinations: OSC1, OSC2, OSC3, PWM / Wave / FM, Volume, Filter Cutoff
OscillatorsRange: From 64 to 1' with semitone and detune
Shapes: Sawtooth, Square, Triangle, Sine, Pulse (with Pulse Width Modulation)
Oscillator 1 with 66 original PPG Wavetables and sample player (60 MB internal memory)
FM (Tone generation): OSC2, OSC3 amount control - Oscillator hard sync (OSC2 to OSC3)
MixerVolume and On/Off switch for each oscillator
Noise Generator: White/Pink - Volume control
Multimode FilterFilter & Amplifier
Slope (24/12 dB): Low-pass, high-pass, band-pass
Resonance up to self-oscillation
Adjustable key track and drive
Filter Envelope: ADSR with amount control
Amplifier Envelope: ADSR with velocity control
Proportional velocity control on Filter and Amplifier sections
ArpeggiatorLatch mode
Syncable to MIDI Clock
Direction Up, Down, Alternate
Range up to 10 octaves
Effects2 simultaneous effects:
Effect 1: Chorus / Phaser / Flanger
Effect 2: Reverb / Delay / Reverb+Delay
OtherFrequency Modulation of sine and triangle
Oscillator Hardsync (Osc 2 to Osc 3)
Noise Generator with selectable white and pink noise
Mixer with Volume and On/Off switch for each Oscillator and Noise
2 fast envelopes per voice (filter / amplifier)
Auto Dual Mode: Split or Layer mode - programmable split point for each Program
MIDIIn and out
MIDI Channel
Local On/Off
Clock control
Send/Receive controls
InputExpression pedal
Hold pedal
OutputLine Out: 2 x 1/4" / 6.35 mm
Headphone: 1 x stereo 1/4" / 6.35 mm
USBUSB connector for MIDI In/ Out, firmware update, samples loading (with Spectre)
Uses standard USB MIDI driver provided by host computer OS
Windows ME minimum, Windows XP or newer recommended
macOS 10.2 minimum, macOS 10.3 or newer recommended
Power Supply Built-In: 110 to 240 VAC
Dimensions38.2 x 16.0 x 4.5" / 97.0 x 40.6 x 11.4 cm
Weight20.5 lb / 9.3 kg
Packaging Info
Package Weight27.1 lb
Box Dimensions (LxWxH)42.8 x 22.5 x 9.8"

  • Black Edition: The exclusive dark look includes a black case and a semiweighted keyboard with reverse black and gray keys
  • Semiweighted Keys: The reverse-color keyboard perfectly matches the black look, and thanks to semiweighted keys and new balanced springs, gives an unbeatable feeling for a more satisfying musical experience
  • Bigger Sound: The audio output level is enhanced, for a stronger, cleaner, and fatter sound
  • LFO2 Sync: Keeps the same modulation phase on all notes
  • Auto Dual Mode: Allows for the playing of two sounds simultaneously in Split or Layer mode. The Dual Sound combinations can be permanently stored in any of the 1000 available presets
  • Sample Player: Sound samples and new waves can be loaded in the internal 60MB of Flash memory, played by Osc 1 and modified by all parameters of the control panel, including the addition of other oscillators, setting filters, envelopes, and effects
  • Pitch & Hold Controls: Pitch and Hold can work in tandem with the Dual Mode Split function, allowing the use of the Pitch bend on the Upper sound (i.e. for solo parts) and the Hold pedal to control only the Lower (to keep playing a drum groove or as a damper for a piano sound) and vice versa. The function can be used when Layering sounds to enable Pitch Bend and Hold on both Upper and Lower sounds
  • Reverb+Delay: A new effect algorithm that mixes Reverb and Delay
  • Enhanced Polyphony: The total maximum number or notes that can be played at the same time has been expanded to 24, allowing for better real-time control over new sound possibilities obtained from synthesis and sampling together
  • Spectre Sample Editing Software: Samples can be edited (keyboard range, tuning, and other parameters) and transmitted to Sledge 2.0 by the USB port. With this easy-to-use software, samples can be loaded and played from the computer and then downloaded into the instrument's memory

  • 61-key, analog-modeling synthesizer with the latest Waldorf DSP plus classic sounds and wavetables
  • Features 999 inspiring sounds and 24-voice polyphony
  • Offers three oscillators, two fast LFOs, and two envelopes per voice
  • Oscillator shapes include Sawtooth, Square, Triangle, Sine, and Pulse
  • Multimode filter includes low-pass, high-pass, band-pass, and more
  • Built-in noise generator with selectable white and pink noise
  • Built-in arpeggiator features latch mode, direction up, direction down, alternate, and more
  • Two built-in effect units deliver Chorus, Phaser, Flanger, Reverb, and analog-style Delay
  • User-friendly interface with an easy-to-read layout

Related Questions and Answers

Q: 1. Is the RPU-3 pedal compatible with this keyboard?

A: The JUNO-DS88 has basic hold (damper) and control inputs. You would not be able to take full advantage of the RPU-3 functionality.

Q: 2. Does this have a footswitch input? only expression pedal input is listed in the description. If there is a footswitch, can it be routed to sustain, portamento on/off or ?

A: The Sledge 2.0 Synthesizer features 2 pedal inputs, one labeled HOLD that would support Sustain. The other port EXPRESSION, can be assigned to control Volume, Filter Cutoff or Modulation.

Q: 3. How snugly does this fit the Numa. I have an arturia Keylab essential that is 126.0 x 26.1 x 6.3 cm. Do you think that will fit? It's very close.

A: The internal dimensions for the StudioLogic Soft Case for Numa Compact 88-Key Digital Pianos (Black) are 127 x 22.86 x 10.16 cm. It appears that this case will not fit your Keylab Essential in the width measurement.

Q: 4. What country was this product made in?

A: According to Waldorf all manufacturing of their products is done in Germany.

Q: 5. can this module be powered solely on USB? if possible

A: The Waldorf Blofeld - Desktop Synthesizer requires the included AC power supply and cannot be powered by USB.

Q: 6. Will the vfp 1/15 work with a Casio Keyboard ?

A: As well as being a quality pedal for Studiologic keyboards, the VFP1/15 is also suitable for Casio, Ensoniq, Fatar and Korg products.

Q: 7. Will this work with Kawai vpc1?

A: Referring to the user manual for the VPC-1, it appears that this pedal does provide the connection types that the keyboard is expecting. The VFP3/10 pedal provides a single stereo TRS jack and a single mono TS jack for its pedal connectivity, with contact open at rest.

Q: 8. WILL IT ALSO DO STRINGS?

A: It can control any MIDI instrument where a MIDI controller would be used.

Q: 9. Whats the difference in the newer roland g-55 black model vs the blue model?

A: The difference between the Roland GR-55 Guitar Synth Black and the Roland GR-55 GK Blue. Is the black one is newer and has had a few tweaks done to it. In addition the Black ones have a few extra preset patches and the patches are updated. The firmware will be updated from 1.02 to 1.50. With the new and extra patches, and improvements to GK settings for piezo pickups.

Q: 10. can I fit a Yamaha P125 comfortably with the music holder and power supply?

A: No, this case is specifically designed for StudioLogic Numa compact 88-key digital pianos, which have a narrow width and measure 50 x 9 x 4" (127 x 23 x 10 cm). It is too small for the Yamaha P-125, which is a standard size 88-key digital piano that measures 52.2 x 11.6 x 6.6" (132.6 x 29.5 x 16.8 cm). The P-125 is also approximately 11 lbs heavier than the Numa pianos, so the case does need to be able to support the weight. The Yamaha SC-KB850 Soft Case for P-125 Digital Piano (B&H # YASCKB850).is specifically designed to hold the P-125. For other options, the Gator Cases GKB-88 Keyboard Gig Bag - for 88-Key Keyboards (B&H # GAGKB88) or Gator Cases GK-88 Lightweight Keyboard Case with Wheels - for 88-Key Keyboards (B&H # GAGK88) are also compatible with the P-125. The music holder can be removed from the piano and stored in the front pocket of these cases along with the power supply.

29/09/2024

[24 voices] I typically have used Roland products but a couple of years ago i got a
Korg microKORG S Synthesizer/Vocoder and loved it! Decided to give this a whirl and it is just as awesome ! I've become a fan ! Great product and Great service from B & H !

5
16/09/2024

[27.1 lb] sounds beautiful, like whale
farts – won’t drone
w/o 5V Gate or MIDI ON message (most will use MIDI keyboard or sequencer to play, although Doepfer A-119 can be a great controller/interface as well, for feeding and Gating w/ external audio).
accompanying literature is good.
as other's have said elsewhere, some indication of presets would be nice. Overall, excellent sounding synth.
Oh ya, heads up, this is MONOphonic, so if you want to play chords, send them in the AC input.
peace

5
06/09/2024

[24 voices] Excellent value. I loved it immediately. Get one.

5
16/08/2024

[24 voices] I've used this for a long time and its hooked up to my xk-3 now. I seldom use any of the program features. The hammond recognizes it with no problem. 17 pedals is enough to do decent bass parts. I don't think I'd be happy with 13. No issues with this product ever.

5
02/06/2024

[24 voices] I connect this to a Moog Minitaur for adding low end to church praise music, and it works flawlessly for that. Super simple and, for me, was plug and play. Good feel under the feet. This is my first set of bass pedals, and I am extremely happy with the purchase.

5
16/05/2024

[24 voices] Super duper! Thanks

5
14/05/2024

[27.1 lb] Exceeds expectations.

5
14/05/2024

[24 voices] The VFP1 Pedal is quite sturdy. I'm Pretty sure It would give me years of use, the VFP1 is made in Italy so that's a breath of fresh air. The black plastic on the actual pedal like shown on the photo is actually a removable cover and its clear in color not black.

5
19/04/2024

[24 voices] The DSI Prophet 6 is probably the most compelling Analog Polyphonic Synthesizer on the market at the moment. Having learned synthesis on a Moog Modular in the 70's it is clear to me that this little beast is the real deal. A modern Analog Poly Synth wrapped in a very modern feature set. If you're looking for the classic Prophet 5 sound but did not want to deal with the unstable tuning headaches of the original then your ship just came in. The design and layout is superb, with every knob and control right there in front of you for instant changes in modulation with no menu diving. In fact, there are no menus, just like the Prophet 5, however I did not find that limiting once I got used to it. The included sound set is excellent and much better that the sound set that DSI shipped with the Prophet 8 IMHO. If you are lucky enough to find a store that actually has the Prophet 6 on display you can use the 'Play' function in the sequencer section to preview the sounds. For me, the warm analog sound of this machine is what made it stand out from the other DSI offerings, however it was the outstanding Arp/Sequencer and Digital Effects engine that convinced me that it was worth the heavenly price point. The ability to use the Poly-Chain feature to link two Prophet 6's together would create a 12 Voice, Analog tone monster to contend with. Add in a full size keyboard and integrated power supply and there not much to be desired here. The available third party software really helps to round out the potential for using this in the studio and integrating it into a DAW setup. The nicely weighted keyboard is both velocity sensitive and has after-touch but for some reason the P6 ships with a 49 note, four octave keyboard while its namesake and other DSI offerings like the P8 came with a 61 note keyboard. Not a show stopper for me but it is a curious omission on an otherwise brilliant, modern analog synthesizer. Highly Recommended.

5
16/04/2024

[27.1 lb] Completely satisfied with the pedal board.Easy to configure and worked right out of the box. No problems with shipping and the 17 (pedals) is better than the 13 (pedals). Am using with a 3 manual Hauptwerk virtual organ configuration. (plus a MidiSport 4x4) Works great. Arrived with no problems and the purchase was easy. I looked all around (17 pedal models are scarce); B&H came through with 5 stars.

5

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