Cooke 18Mm T2.0 S7/I Full Frame Prime Lens Pl Mount

Cooke 18mm T2.0 S7/i Full Frame Prime Lens Pl Mount

Product Code: eq41168
Availability: In Stock

$84,600.00 $110,826.00

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Description
Reviews (7)

The Cooke 18mm T2.0 S7/i Full Frame Prime Lens PL Mountis designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism with a large lens barrel diameter and 270° of rotation from end-stop to end-stop allows for precision focus markings, especially at close focus.

The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.

Covers Full Frame Format Sensor T2.0 Maximum Aperture Color-Matches All Cooke Lenses Focus Markings on Both Sides of the Lens Cam-Style Focus with 270° Rotation PL Mount with /i Technology Contacts Linear Iris

Parameters
Mount	PL
Focal Length	18mm
Aperture	T2.0 to T22
Maximum Format Size	1.8" (46.31 mm) diameter
Minimum Object Distance (M.O.D.)	16" (400 mm)
Close Focus	From Lens Front: 6" (158 mm)
Scales	Iris: 2 opposing linear T-stop scales (whole and third stops marked) Focus: 2 opposing focus scales (metric and feet) Scales marked from infinity to M.O.D.
Drive Gear	Iris: 134 teeth 0.8 MOD 4 mm wide x 81 mm from the image plane Focus: 140 teeth 0.8 MOD 6 mm wide x 103 mm from the image plane
Rotation	Angular Rotation between End Stops: Focus Drive Gear: 270° Iris Drive Gear: 90°
Angle of View	For Super 35mm Format: 78° (maximum diagonal) For 24 x 36mm Format: 100° (maximum diagonal)
Length	From Front of Lens to Lens Mount: 7.87" (200 mm)
Front Diameter	4.33" (110 mm)
Weight	7.7 lb (3.5 kg)
Packaging Info
Package Weight	9.39 lb
Box Dimensions (LxWxH)	14.2 x 8.3 x 8.3"

Comes with the Cooke hardened PL mount with /i Technology contact for lens metadata capture

Optics are designed to give maximum performance at full aperture with control of flare, distortion, and spherical aberrations

Well-balanced for astigmatism and correct for lateral and longitudinal aberrations over the entire image area

Electronics are accessible via cable connector near the lens mount and contacts in the mount sync with /i compatible cameras and accessories

Color-balanced, color-matched, and compatible with Cooke S4/i, miniS4/i, Anamorphic/i and PANCHRO/i classic lenses

Designed for all shooting applications, including handheld and Steadicam, providing comfortable balance ratio with compact cameras

Offers an aperture range of T2.0 to T22

Covers 35mm / Super 35mm formats, full frame, and VistaVision

Every index mark is labeled for detailed focus control

Cam-style focus mechanism for smooth focus adjustments

Large, clear numerals on both sides of the focus barrel allow the focus puller to work from either side of the lens

Fixed front diameter of 110mm, with industry standard 0.8 MOD focus and iris gears.

Scratch-resistant PTFE hard anodized finish, providing a durable, hard-wearing surface for extreme environmental conditions

Features a nine-leaf linear module iris assembly

Modular construction increases ease of maintenance and serviceability

Related Questions and Answers

Q: 1. What options are available and recognized by NISI to convert this from PL to EF-mount? Can it be converted to EF-mount?

A: The NiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens (PL Mount) cannot be converted to EF-mount. This lens is designed for PL and Mirrorless systems.

Q: 2. Does the design of this 18mm come with floating elements to optimize the close focus? Thanks.

A: The Leitz Cine 18mm T2.0 Summicron-C Lens (PL Mount, Marked in Feet) has a minimum focus distance of 1 foot or 0.3 meters.

Q: 3. Is the L mount drop-in filter version weather sealed?

A: The NiSi ATHENA PRIME T2.4/1.9 Full-Frame 5-Lens Kit (L Mount, Drop-In Filter) has weather sealing for the drop-in filter.

Q: 4. What’s the magnification factor on the macro?

A: Cooke says the magnification of the Cooke 85mm T2.8 Anamorphic/i 1.8x Full Frame SF Macro Prime Lens 1:4.

Q: 5. The Red Weapon Helium s35 8K FF has a 33.8mm image circle. If the Leica Summicron C 18mm has a 36mm image circle do we loose any of the image when using this lens on this camera?

A: You are correct on the numbers of both image circles. Since all that is needed is a lens image circle that is bigger than the sensor image circle, you are good to go in this instance.

Q: 6. Will it be possible to change from PL mount to E mount if desired?

A: Yes, through a PL to E adapter like the DZOFilm Octopus Lens Adapter - PL to Sony E (BH #DZOADPLEBLK).

Q: 7. What is the length of the lens in the PL and E configuration?

A: As the NISI ATHENA Prime T2.4/1.9 Full-Frame 5-Lens Kit (PL Mount) lenses are new items, that are not yet available, not all data has been confirmed at this time. We should have data about the sizes in the near future.

Q: 8. What is the focus throw of this lens in degrees?

A: The NiSi ATHENA PRIME 50mm T1.9 Full-Frame Lens (PL Mount) focus throw is 300 degrees, as listed in the key features section of the listings overview.

Q: 9. Is there just no way to use these lenses on an EF mount?

A: That is correct, the NiSi ATHENA PRIME T2.4/1.9 Full-Frame 5-Lens Kit is not made in Canon EF mount at all.

Q: 10. Does the lens data contain lens distortion information?

A: The Cooke 21mm T2.2 Panchro/i Classic Prime Lens uses /i Technology which is a metadata protocol that enables film and digital cameras to automatically record key lens data for every frame shot. /i Technology data includes focal length, focus distance, zoom position, near and far focus, hyper focal distance, T-stop, horizontal field of view, entrance pupil position, distortion and shading data.

anyonymous	29/09/2024
[4.33" (110 mm)] I recently purchased the 7artisans Photoelectric 35mm T2.0 Spectrum Prime Cine Lens for my L Mount camera, and I couldn't be more impressed. This lens truly delivers exceptional quality at an unbeatable price point. First and foremost, the image quality is outstanding. The sharpness and clarity it provides are remarkable, capturing every detail with precision. Whether I'm shooting landscapes, portraits, or close-up shots, the results are consistently stunning. The T2.0 aperture also allows for beautiful bokeh, adding a professional touch to my videos. What sets this lens apart is its cine lens design. The focus and aperture rings are smooth and well-damped, offering precise control for cinematic effects. The build quality is impressive, with a robust construction that feels durable yet lightweight, perfect for long shooting sessions. Another highlight is its versatility. The 35mm focal length is ideal for a wide range of shooting scenarios, making it a go-to lens for both beginners and experienced videographers alike. Whether I'm shooting in low light conditions or bright outdoor settings, this lens performs admirably every time. Moreover, the L Mount compatibility ensures seamless integration with my camera system, allowing for effortless use and quick setup. It's evident that 7artisans has crafted a lens that not only meets but exceeds the expectations of filmmakers. In conclusion, the 7artisans Photoelectric 35mm T2.0 Spectrum Prime Cine Lens is a fantastic investment for anyone looking to elevate their videography game without breaking the bank. With its exceptional quality, cine lens design, and unbeatable value for money, it's a must-have addition to any gear bag. Highly recommended! 5

Evan	26/09/2024
[9.39 lb] Bought this for my Sony FX3, and it looks amazing for the price. I plan on buying the entire set of Spectrums. Solid lens, looks great and feels quality in build as well. 5

Thomas	09/09/2024
[9.39 lb] This lens was a pleasant surprise. Really good sharpness & color. Amazing build quality. And the gears turn very smooth & with the perfect rotation amount. Yes, there's some breathing, but with some post work that can be corrected. And they do flare with a strong light source when wide open, but not overdone. Just the right amount of character & sharpness I feel between modern & vintage glass. 5

Henry	11/08/2024
[9.39 lb] I bought the 35 and 50mm Spectrum full frame primes and I'll likely be rounding out the set after seeing them in action on my Lumix S5. They're sharp but not clinical, and they intercut almost perfectly with my go-to run and gun lens, the Contax Zeiss 28-85 zoom. Soft, natural flares when shooting directly into a light source. They're cheap from a price perspective, but certainly not in build quality -- they're built like tanks. 5

leonard	04/08/2024
[18mm] I bought a set of Viltrox anamorphic lenses, which are amazing, but I wanted something smaller and lighter for my FX6/Ronin 4D. These Blazar lenses are a lot of fun. I only have the 65 so far, which I find wide enough for most situations without having the issues in the corners that the 45 had. Waiting to try out their new ones, I just need something slightly wider and another slightly tighter. Waiting to hear what they say about the new additions. 5

Bryan	15/06/2024
[4.33" (110 mm)] Love this lens! But I have it setup with the DJI Lidar RS as well and haven't used it on it's own outside of basic testing. The lens itself is very nice - solid construction with a decent front loaded weight, and an easy enough to balance shimming system for mount swapping. The glass offers a lot of character with minor fringing and fairly low distortion, get it for that classic softer cine look and don't expect it to be the cleanest/sharpest lens around. I personally love how it rolls off the highlights and still gives details in the skin but also a bit of softness, when paired with my c70. All that said, I bought this lens as part of a whole setup to solve a specifc problem, and for that purpose I couldn't be happier! I shoot mainly with a c70 in solo operating conditions as a b-cam op. This lens not only solves most of my focusing issues, but it also serves as the fastest setup with it's auto calibration feature when paired with DJI's Lidar RS. Now I get a decent jump in hitting focus while in auto via the Lidar mod, and I have the added benefit of more unique cine lens look vs my native Canon DSLR glass. It's awesome, and has performed perfectly for me so far! I only wish that they'd release a wider 21mm Cyber or maybe a 16 or 18 instead. 5

chen	15/06/2024
[T2.0 to T22] shot with lens and totally surprised with the bokeh as good as it's from the still leica M camera lenses and S lenses even it's a wide angle the bokeh still shows blued well in the background I can't imaging how good is the 1.4 version of summilux c .... 5