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Cooke 40mm T2.0 S7/i Full Frame Prime Lens Pl Mount

Cooke 40mm T2.0 S7/i Full Frame Prime Lens Pl Mount
  • Product Code: eq41169
  • Availability: In Stock

$75,600.00 $90,720.00

The Cooke 40mm T2.0 S7/i Full Frame Prime Lens PL Mountis designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism and a large lens barrel diameter with 270° of rotation from end-stop to end-stop allows for precision focus pulls, especially at close focus.


The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.

Covers Full Frame Format Sensor    T2.0 Maximum Aperture    Color-Matches All Cooke Lenses    Focus Markings on Both Sides of the Lens    Cam-Style Focus with 270° Rotation    PL Mount with /i Technology Contacts    Linear Iris

Parameters
MountPL
Focal Length40mm
ApertureT2.0 to T22
Maximum Format Size1.8" (46.31 mm) diameter
Minimum Object Distance (M.O.D.)18" (450 mm)
Close FocusFrom Lens Front: 8" (209 mm)
ScalesIris:
2 opposing linear T scales (whole and third stops marked)

Focus:
2 opposing focus scales (metric and footage)
Scales marked from infinity to M.O.D.
Drive GearIris:
134 teeth 0.8 MOD
4 mm wide x 81 mm from the image plane

Focus:
140 teeth 0.8 MOD
6 mm wide x 103 mm from the image plane
RotationAngular Rotation between End Stops:
Focus Drive Gear: 270°
Iris Drive Gear: 90°
Angle of ViewFor Super35mm Format: 41° (maximum diagonal)
For 24 x 36mm Format: 57° (maximum diagonal)
LengthFrom Front of Lens to Lens Mount: 7.44" (189 mm)
Front Diameter4.33" (110 mm)
Weight7.72 lb (3.5 kg)
Packaging Info
Package Weight8.07 lb
Box Dimensions (LxWxH)14.2 x 8.3 x 8.3"

Comes with the Cooke hardened PL mount with /i Technology contact for lens metadata capture

Optics are designed to give maximum performance at full aperture with control of flare, distortion, and spherical aberrations

Well-balanced for astigmatism and correct for lateral and longitudinal aberrations over the entire image area

Electronics are accessible via cable connector near the lens mount and contacts in the mount sync with /i compatible cameras and accessories

Color-balanced, color-matched, and compatible with Cooke S4/i, miniS4/i, Anamorphic/i and PANCHRO/i classic lenses

Designed for all shooting applications, including handheld and Steadicam, providing comfortable balance ratio with compact cameras

Offers an aperture range of T2.0 to T22

Covers 35mm / Super35mm formats, full frame, and VistaVision

Every index mark is labeled for detailed focus control

Cam-style focus mechanism for smooth focus adjustments

Large, clear numerals on both sides of the focus barrel allow the focus puller to work from either side of the lens

Fixed front diameter of 110mm, with industry standard 0.8 MOD focus and iris gears.

Scratch-resistant PTFE hard anodized finish, providing a durable, hard-wearing surface for extreme environmental conditions

Features a nine-leaf linear module iris assembly

Modular construction increases ease of maintenance and serviceability

Related Questions and Answers

Q: 1. Does these lenses fit into the ARRI Alexa XT?

A: Yes, the NiSi ATHENA Prime T2.4/1.9 Full-Frame 5-Lens Kit (PL Mount) would be able to mount onto the standard PL mount of the ARRI ALEXA XT; however we always recommend testing your lenses with your chosen camera for best results.

Q: 2. Will these lenses fit into the NiSi Cinema C5 Matte Box Filmmaker Kit, #NICC5FILM?

A: Yes, when using an added part the NiSi Cinema C5 Matte Box Filmmaker Kit will be able to attach to the NiSi ATHENA PRIME T2.4/1.9 Full-Frame 5-Lens Kit . Please add the following Clamp on adapter. NiSi Cinema 95-80mm Clamp-On Adapter for C5 Matte Box BH #NICC580CLAMP

Q: 3. what is the flange clearance?

A: The flange distance for all PL-mount NiSi Athena prime lenses would be the standard 52 mm. However, the rear protrusion is slightly different for each lens in the NiSi ATHENA Prime T2.4/1.9 Full-Frame 5-Lens Kit: 14mm PL rear protrusion = 23.19mm 25mm PL rear protrusion = 20.62mm 35mm PL rear protrusion = 24.74mm 50mm PL rear protrusion = 24.78mm 85mm PL rear protrusion = 24.85mm

Q: 4. Any way to convert the PL to EF mount to fit onto the 0.71x canon speed booster?

A: The conversion is not possible, as the flange distance would not allow for this to focus more than a few inches at best.

Q: 5. Refurbished in what way? Also, what serial number is it? I have a 6 lens set and I need a 180mm to complete it on the long end.

A: This lens right here is not refurbished. We do not have the serial number to give out but you will receive it in the box when you order. Our items come directly from the manufacturer, even the refurbished models.

Q: 6. What is the length of the lens in the PL and E configuration?

A: As the NISI ATHENA Prime T2.4/1.9 Full-Frame 5-Lens Kit (PL Mount) lenses are new items, that are not yet available, not all data has been confirmed at this time. We should have data about the sizes in the near future.

Q: 7. Will an 80mm - 95mm clamp fit on the 14mm for adding a matte box? Thanks.

A: Yes, the outer diameter of the lens is 80mm, so the clamp will fit.

Q: 8. Is it possible to change the mount on an E mount lens to a PL mount? I have a Sony camera now, but in case I change cameras late

A: It is not possible. I would get the PL version and use an E-mount adapter if you want the most flexibility in the future.

Q: 9. What size is the rear filter thread?

A: The NiSi ATHENA Prime T2.4/1.9 Full-Frame 5-Lens Kit lenses do not have front filter threads.

Q: 10. Will it be possible to change from PL mount to E mount if desired?

A: Yes, through a PL to E adapter like the DZOFilm Octopus Lens Adapter - PL to Sony E (BH #DZOADPLEBLK).

15/09/2024

[8.07 lb] Love this lens! But I have it setup with the DJI Lidar RS as well and haven't used it on it's own outside of basic testing.


The lens itself is very nice - solid construction with a decent front loaded weight, and an easy enough to balance shimming system for mount swapping. The glass offers a lot of character with minor fringing and fairly low distortion, get it for that classic softer cine look and don't expect it to be the cleanest/sharpest lens around. I personally love how it rolls off the highlights and still gives details in the skin but also a bit of softness, when paired with my c70.


All that said, I bought this lens as part of a whole setup to solve a specifc problem, and for that purpose I couldn't be happier! I shoot mainly with a c70 in solo operating conditions as a b-cam op. This lens not only solves most of my focusing issues, but it also serves as the fastest setup with it's auto calibration feature when paired with DJI's Lidar RS. Now I get a decent jump in hitting focus while in auto via the Lidar mod, and I have the added benefit of more unique cine lens look vs my native Canon DSLR glass. It's awesome, and has performed perfectly for me so far! I only wish that they'd release a wider 21mm Cyber or maybe a 16 or 18 instead.

5
08/09/2024

[4.33" (110 mm)] I’ve had many of the affordable anamorphics that are out. They were all disappointing with their pinstripe flares. Pincushion distortion, and otherwise forgettable image.

These are not that! These have the character that one looks for in more expensive lenses like the Atlas Mercury’s. And in my experience with both, the Mercury’s and now owning the Remus’ I cannot imagine spending 10x the amount for the Atlas Mercury lenses when these exist.

These were one of the best and most surprising purchases I’ve ever made.

It’s clear that China is not messing around and are coming for blood, because these are killer!

5
05/09/2024

[8.07 lb] I recently purchased the 7artisans Photoelectric 35mm T2.0 Spectrum Prime Cine Lens for my L Mount camera, and I couldn't be more impressed. This lens truly delivers exceptional quality at an unbeatable price point.

First and foremost, the image quality is outstanding. The sharpness and clarity it provides are remarkable, capturing every detail with precision. Whether I'm shooting landscapes, portraits, or close-up shots, the results are consistently stunning. The T2.0 aperture also allows for beautiful bokeh, adding a professional touch to my videos.

What sets this lens apart is its cine lens design. The focus and aperture rings are smooth and well-damped, offering precise control for cinematic effects. The build quality is impressive, with a robust construction that feels durable yet lightweight, perfect for long shooting sessions.

Another highlight is its versatility. The 35mm focal length is ideal for a wide range of shooting scenarios, making it a go-to lens for both beginners and experienced videographers alike. Whether I'm shooting in low light conditions or bright outdoor settings, this lens performs admirably every time.

Moreover, the L Mount compatibility ensures seamless integration with my camera system, allowing for effortless use and quick setup. It's evident that 7artisans has crafted a lens that not only meets but exceeds the expectations of filmmakers.

In conclusion, the 7artisans Photoelectric 35mm T2.0 Spectrum Prime Cine Lens is a fantastic investment for anyone looking to elevate their videography game without breaking the bank. With its exceptional quality, cine lens design, and unbeatable value for money, it's a must-have addition to any gear bag. Highly recommended!

5
12/08/2024

[40mm] I had some hesitation in purchasing this lens. In this case you get more than what you paid for. The build quality and optics are fantastic at this price point. Sharp wide open and tack sharp at 2.8. Nearly zero focus breathing. A good long, smooth throw on the focus. Smooth aperture adjustment. The lens was smaller than expected, which is perfect for mounting on my Sigma FP L rig.

5
01/08/2024

[T2.0 to T22] The lens came on time. Price is unbeatable for starting out cine lens. Fits my BMCC 6K FF perfectly. Packaging was very nice, the quality of the lens is nice and heavy. I will be using this a lot. Very happy and satisfied!

5
07/07/2024

[8.07 lb] I bought the 35 and 50mm Spectrum full frame primes and I'll likely be rounding out the set after seeing them in action on my Lumix S5. They're sharp but not clinical, and they intercut almost perfectly with my go-to run and gun lens, the Contax Zeiss 28-85 zoom. Soft, natural flares when shooting directly into a light source. They're cheap from a price perspective, but certainly not in build quality -- they're built like tanks.

5
24/06/2024

[T2.0 to T22] I bought a set of Viltrox anamorphic lenses, which are amazing, but I wanted something smaller and lighter for my FX6/Ronin 4D. These Blazar lenses are a lot of fun. I only have the 65 so far, which I find wide enough for most situations without having the issues in the corners that the 45 had. Waiting to try out their new ones, I just need something slightly wider and another slightly tighter. Waiting to hear what they say about the new additions.

5
11/06/2024

[18" (450 mm)] Love these lenses and the price

5
04/06/2024

[18" (450 mm)] very nice, clean image. full coverage on the new BMCC full frame sensor

5
01/06/2024

[8.07 lb] This lens was a pleasant surprise. Really good sharpness & color. Amazing build quality. And the gears turn very smooth & with the perfect rotation amount. Yes, there's some breathing, but with some post work that can be corrected. And they do flare with a strong light source when wide open, but not overdone. Just the right amount of character & sharpness I feel between modern & vintage glass.

5

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