Countryman B6 Omni Lavalier Mic For Sennheiser Wireless Transmitters
- Product Code: eq42163
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The tan Countryman B6 Omni Lavalier Mic for Sennheiser Wireless Transmittersfrom Countryman B6 Omni Lavalier Mic for Sennheiser Wireless Transmittersis a very small lav microphone measuring one tenth of an inch in diameter with changeable protective caps, which provide moisture resistance and color options. The mic can be used to capture audio for theater, broadcast, churches, and general lavalier applications.
Built with a low handling noise and rugged construction, the B6 lavalier microphone can be easily hidden in hair or on costumes, or taped to a performer's face. The aramid cable and ultra-thin diaphragm deliver a natural sound while its tiny size makes the B6 easy to position for ambient noise and feedback rejection. The B6's cable terminates to a Microdot connector for direct connection to a Sennheiser SK 2012 wireless bodypack transmitter.
Additionally, swappable protective caps let you shape the frequency response for different situations or match other microphones. The B6 microphone is resistant to makeup, sweat, and moisture when used with the supplied protective caps. These caps can be quickly removed for cleaning or replacement.
For Theater, Live, & Studio Use Detachable Connector Microdot (SE), See Description 20 Hz to 20 kHz Frequency Response Includes 3 Capsule Protection Grids Headroom for Strong Vocals Windscreen Cable Clips Carrying Case
Key Specs | |
---|---|
Compatible Transmitters | Electro-Voice: BP-300, BPU-2 (RE2 Bodypack), BPU-2Pro (RE2 Pro Bodypack), BPU-2Pro-REF (RE2 Pro Referee Bodypack), BPU-R, CSB-1000, NBPU, NBPU-G, RE3-BPT (RE3 Bodypack), WTU-2 |
Polar Pattern | Omnidirectional |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 120 dB |
Sensitivity | 4 for Standard/Most Uses (B6, B3, B2D) |
Analog Output | 1x Microdot |
Environmental Resistance | Water-Resistant (Unrated) |
Microphone | |
Compatible Transmitters | Electro-Voice: BP-300, BPU-2 (RE2 Bodypack), BPU-2Pro (RE2 Pro Bodypack), BPU-2Pro-REF (RE2 Pro Referee Bodypack), BPU-R, CSB-1000, NBPU, NBPU-G, RE3-BPT (RE3 Bodypack), WTU-2 |
Polar Pattern | Omnidirectional |
Included Tone/Pattern Caps | +4 dB Bright, +0 dB Flat, +8 dB Very Bright |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 120 dB |
Sensitivity | 16 mV/Pa |
Sensitivity | 4 for Standard/Most Uses (B6, B3, B2D) |
Equivalent Noise Level | 24 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x Microdot |
Cable Length | 5' / 1.52 m |
Power | |
Power Sources | Plug-In Power |
Operating Voltage | 1 to 2 V |
Physical | |
Color | Tan |
Environmental Resistance | Water-Resistant (Unrated) |
Weight | 0.07 oz / 2 g |
Looks great when you want to see it, virtually disappears when you don't. The B6 is easily hidden in hair or on costumes, with five colors to match clothing, hair, and skin tones. Use a felt tip marker to color the white caps for near-perfect concealability. Never suffer the hassle and degraded sound quality of under-clothing miking again.
The B6 is resistant to makeup, sweat, and moisture when used with the supplied protective caps, and works well in hair or on the body. The protective caps are easily removed for cleaning or replacement, and the aramid-reinforced cable gives it world-class survivability.
The B6 provides high-quality audio with low distortion at SPL up to 140 dB on 48V phantom power. The aramid cable and thin diaphragm combine to offer low handling noise. The flat frequency response accurately captures voice or instruments, and the small size makes the B6 easy to position for ambient noise and feedback rejection.
Changeable protective caps let you shape the frequency response for different situations or to match other microphones. Versions are available for different speaking or singing styles, with high overload capability for recording instruments.
Standard, for most uses.
Related Questions and Answers
Q: 1. Where is this made? Asia or Germany?
A: Made in Romania
Q: 2. Can I use a dongle and use with my Iphone 12?
A: Yes, you can connect the Sennheiser XSW-D Portable Lavalier Set Digital Camera-Mount Wireless Microphone System to the iPhone 12. There are a few options for connection using adapters or a dedicated Lightning cable. You can use a cable like the Sennheiser CL 35 TRRS Locking 3.5mm TRS to 3.5mm TRRS Coiled Cable (B&H # SECL35TRRS) combined with the Apple Lightning to 3.5mm Headphone Jack Adapter (B&H # APLAADAP) or as a single-cable option, you can use the Comica Audio Locking 3.5mm TRS Male to Lightning Adapter Cable for Wireless Receiver to iPhone (B&H # COCVMDLSPXMI), or the Saramonic LC-C35 Locking 3.5mm Connector to Apple-Certified Lightning Output Cable (B&H # SALCC35).
Q: 3. Can I use this model with Canon XA40 Professional UHD 4K Camcorder?
A: Yes your camera has a 3.5mm mic input where you can connect the Sennheiser XSW into with the 3.5mm cable included with this wireless mic system. yes can use this model with your Canon any question fell free to Video Chat Pro Audio Thank you.
Q: 4. does the xlr transmitter work with the rode-NTG 2 ?
A: No, the XLR is the receiver.
Q: 5. Is it possible to get an additional hot shoe attachment?
A: The XSW-D hot shoe mount for the receiver is available as a separate part through Sennheiser. You can reach Sennheiser by phone at (877) 736-6434.
Q: 6. The default sensitivity is -30. Is it recommended to put it higher to -15 or is -30 good? I am recording educational lectures in a studio space.
A: I would recommend doing a test recording with the mic starting off with the default sensitivity setting. Experiment with the settings as well as the positioning of the mic to find the combination that works best for you. When you do the test recordings, you can say which setting you are using for the sensitivity level and where the mic is placed. Just speak and record, and that way you can easily listen back and compare the audio clips without having to remember how everything was set up.
Q: 7. Does this microphone come with an XLR cable? If no, what cable will I need to connect it to Canon XA40 Professional UHD 4K Camcorder?
A: It does not come with an XLR cable. You can either go into the 3.5mm mic input on the Canon XA40 Professional UHD 4K or use get this cable to use the XLR input. https://www.bhphotovideo.com/c/product/1145659-REG/kopul_rsmxm_01_stereo_1_8_mini_male.html
Q: 8. Will this work with the Fuji X-H1 camera?
A: It will, however, the camera has a 2.5mm sub-mini mic input, which is not usual, so you will need to use a different output cable than is supplied with the kit: https://www.bhphotovideo.com/c/product/851851-REG/Beachtek_SC25_SC25_3_5mm_to_2_5mm.html
Q: 9. Can you charge the transmitter or receiver while using it?
A: You can run this unit on USB power while in use. This will charger the battery during operation.
Q: 10. How does one judge the quality of audio relayed from transmitter to receiver? Wondering in context of wanting to connect a field recorder (using stereo mini jack) to TX unit
A: Usually the first thing we look at is frequency response, which is how low (bass) and high (treble) it can produce. Typically 20 Hz to 20 kHz is considered full frequency response. The frequency response on this system is 80 Hz to 18 kHz, which is really not bad considering that the human voice is not going to get down any where near 20 Hz, and when you experience background noise it manifests in the lower frequencies, and you would engage a HPF (High Pass Filter) to eliminate the lower frequencies. We'll also take into consideration the SPL (Sound Pressure Level) that the microphone can handle before distorting. The mic that comes with this system can handle 120 dB SPL, which is very good. Another consideration is latency, which is how long it takes for the signal to travel from transmitter to receiver, and this system has less than 4 millisecond latency, which is imperceptible.
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