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Zeiss Cp.3 25mm T2.1 Compact Prime Lens Pl Mount

Zeiss Cp.3 25mm T2.1 Compact Prime Lens Pl Mount
  • Product Code: eq42225
  • Availability: In Stock

$13,170.00 $18,174.60

Building on the success of the well-regarded CP.2 lenses, ZEISS CP.3 25mm T2.1 Compact Prime Lens PL Mountoffer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings. This 25mm Compact Prime lens is derived from the same classic optical formula as the preceding CP.2 variant and shares the same physical length as the 15, 18, 21, 28, 35, 50, and 85mm CP.3 lenses while maintaining identical focus and iris gear positioning with the entire set of CP.3 lenses, relative to the mount. All CP.3 lenses also share the same 95mm front diameter. Similar physical attributes across the lens line makes fitting lens accessories such as matte boxes, follow focuses, lens supports, and lens control motors easier and less time consuming.

Another feature handed down from the preceding CP.2 lenses is the interchangeable mounts. This lens comes with an PL mount installed. Though, if you wish to fit your CP.3 lens to a different camera, the lens mount can be swapped by the user for a separately available mount of a different kind. If you like the bokeh in your images to be round, even after stopping down, you will be pleased to know that the 14-bladed iris, made famous by the CP.2 lenses, has been retained.

ZEISS CP.3 25mm T2.1 Compact Prime Lens PL MountWhile the CP.3 lenses are designed for a degree of user-serviceability regarding the mount, for ideal performance and calibration, B&H recommends that mount swaps and other lens adjustments be done by a trained lens technician at a service center.

Covers Full-Frame Format    PL Mount    T2.1 to T22 Aperture Range    Geared Focus and Iris Control Rings    Clickless Iris Ring    14-Blade Iris    Classic ZEISS Image Rendering    Improved Ergonomics Over Last-Gen CP.2    New Lens Coatings for Enhanced Contrast    Lens Scale Marked in Feet

Key Specs
Focal Length25mm
Maximum ApertureT2.1
Lens MountARRI PL
Lens Format CoverageFull Frame
Filter ThreadNo
Image StabilizationNo
Electronic CommunicationNo
Parameters
Maximum ApertureT2.1
Minimum ApertureT22
Lens MountARRI PL
Interchangeable MountYes
Lens Format CoverageFull Frame
Image Circle46.3 mm
Angle of ViewFull Frame
Horizontal: 72°
MFT
Horizontal: 38°
Super 35
Horizontal: 53°
Focus ScalesImperial
Filter ThreadNo
Minimum Focus DistanceFrom Unspecified Point in Lens: 10" / 26 cm
Maximum Magnification RatioNot Specified by Manufacturer
Diaphragm Blades15
Image StabilizationNo
Lens Mounting1x 3/8"-16 (via Included Support Foot)
Gear Standard0.8 MOD / 32 Pitch
Gear RotationFocus: 300°
Electronic CommunicationNo
Environmental ResistanceNo
DiameterFront: 3.7" / 95 mm
Length3.3" / 83.7 mm
Weight1.8 lb / 0.82 kg
Packaging Info
Package Weight3.81 lb
Box Dimensions (LxWxH)10.3 x 9.15 x 9.15"

Zeiss lenses are known for their clean and crisp image rendering. The CP.3 series of lenses is no different. This CP.3 lens will accurately color-match to other Zeiss cinema lenses inside and out of the CP.3 range. The CP.3 lenses feature improved lens coatings and anti-reflection masking over the CP.2 range for increased contrast and reduced flare, important for capturing content with the intent of an HDR-format release.

For enhanced ergonomics over the previous-generation CP.2 lenses, the CP.3 lens barrel has been reshaped to be more similar to the renowned Zeiss Ultra Prime lenses. This new shape is easier to handle, and takes up less physical space than the original Compact Prime design. An even weight distribution ensures that these lenses will be at home handheld, locked down on a tripod, or flown on a Steadicam or motorized gimbal.

Related Questions and Answers

Q: 1. How many degrees is the focus throw?

A: 300 degrees

Q: 2. What is the closest focusing distance?

A: 0.26M | 10''

Q: 3. do these have a front thread?

A: Zeiss CP.3 Lenses do not have a front thread.

Q: 4. can fixed uv filter?

A: It is not possible to fit a UV filter to the ZEISS Compact Prime CP.3 lenses. Like most cine lenses, they are designed for use with a matte box and cut filters.

Q: 5. Excuse me, which uv protecting glass can be usd with ZEISS Cp.3?

A: Like any cinema lens, the ZEISS Compact Prime CP.3 do not accept screw-in filters. Instead, filtration is provided via matte boxes and cut filters.

Q: 6. What’s the image stabilization like on these lenses? Is it harder to maintain a smooth shot in comparison to some other 35’s?

A: The Carl Zeiss CP.3 cinema lenses have no stabilization whatsoever.

Q: 7. Would this lens work seamlessly on an Aaton XTR Prod?

A: the is a Standard PL mount lens, it will function properly on any PL mount camera with the correct PL mount FFD

Q: 8. Will this crop in if I use the red Komodo? What is the super 35 equivalent?

A: The RED Komodo's sensor will crop the ZEISS CP.3 25mm T2.1 Compact Prime Lens' image circle. The Super35 equivalent focal length of this lens on the RED Komodo is 38mm.

Q: 9. If using a super 35mm sensor with this full frame lens, would one need to use the crop factor of 1.5 to determine the equivalent field of view?

A: Yes you would. To take it a step further all lenses are listed by their physical focal length and from there the crop factor needs to be taken in to account. Even lenses that only cover a Super 35mm sensor will be subject to a crop factor. Any lens, regardless of it is covers Super 35mm or Full Frame, will need to have the 1.5x crop factor added.

Q: 10. With the Zeiss CP.2 Super Speeds being discontinued, does Zeiss intend on releasing a CP.3 Super Speed line to take their place?

A: there has been no official statement from Zeiss about a Cp.3 line of super speeds

15/07/2024

[T22] Has a nice weight to it, solid and smooth focus etc. Paired with a 50mm Meike and another BMCC 6k camera for a tighter second shot. Works really well, didn't need to use the provided shims

5
15/07/2024

[Full Frame] This lens has served well through the last 4 months. This lens produces a fantastic image quality. I am very picky when it comes to glass and the biggest thing I am looking for in a lens is little to no breathing. This lens produced no noticeable breathing when focused. Produces smooth, easy and precise focus pulls. Gears are smooth and easy to turn. Nucleus Nano had zero issues working with this lens and with such a large end to end pitch, it makes grabbing focus easy as pie.

5
29/05/2024

[T2.1] This lens is my bread and butter. For all of my client work I need something with a consistent look across the entire aperture range. Up until purchasing this lens my primary client glass was a sigma 24-70 2.8, which although beautiful, got soft when zoomed in to 50mm and under performed in other areas.


Aside from the performance of this lens, there are two things I adore: It's construction and color consistency. Despite being incredibly light, this lens is built like a tank. I travel frequently and it holds up very well. Because Zeiss improved the color rendition in the CP.3 line, I often rent the 85 or 100mm for my b-cam and have a easy time matching up cameras.



Much of my client work requires cropping in substantially (thanks Instagram) and I can comfortably shoot this at it's minimum aperture of T2.1 for a tack sharp image that can be scaled up in post.


I think this lens' greatest competition is the Canon CN-E line, which shoots warm and renders terrible onion skinning on the bokeh. For me this is unforgivable, and I'm happy to see a neutral, clean image coming from the CP.3 line. Assuming this is the look you need, I'm not sure you can get a better lens in this price bracket.

5
12/05/2024

[Imperial] Love the look of it. Just completed a set of it.

5
26/04/2024

[Full Frame] I absolutely love the CP.3 lenses. The 85mm is an absolute Beauty. Having a compact, lightweight, well designed, and optically beautiful lens is a huge selling factor for me. I don't buy lenses that aren't build well and these are tanks. Zeiss did an incredible jobs redesigning these. I highly recommend. I use them on the Red Komodo and will soon try them out on the Red Raptor, although I know they will work great with it. Definitely a must buy or rent depending on your job or project. Worth every penny

5
19/04/2024

[Imperial] I started using Meike MFTs with the BMPCC 4k and loved having more control over focus and iris. Although I think the MFTs are good I think the S35's are even better. My favorite is the 35mm but having the 25mm is great for tighter spaces or gimbal work. Gears feel great and line up with the 35 and 50.

5
08/04/2024

[25mm] These lenses were a dream of ours to own, quite expensive but after having them for a few weeks......wow. We really want to go back and re shoot everything cool we have ever done! The look they have is absolutely awesome......so happy with them. Super easy to work with...and the quality is second to none.

5
03/04/2024

[Yes] The Rokinon/Samyang cine lenses in this price range are basically their photo lenses with cine gears. Nice for starters--I have two of them--but these Meikes are bonafide cine lenses and not much more money. Main differences are less focus breathing and longer focus ring throw. Much easier to nail focus pulls.

5

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