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Zeiss Cp.3 18mm T2.9 Lens Mft Mount Feet

Zeiss Cp.3 18mm T2.9 Lens Mft Mount Feet
  • Product Code: eq42229
  • Availability: In Stock

$15,870.00 $22,218.00

Building on the success of the well-regarded CP.2 lenses, ZEISS CP.3 18mm T2.9 Lens MFT Mount Feetoffer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings. This 18mm Compact Prime lens features an all-new optical design over the CP.2 variant and shares the same physical length as the 15, 21, 25, 28, 35, 50, and 85mm CP.3 lenses while maintaining identical focus and iris gear positioning with the entire set of CP.3 lenses, relative to the mount. All CP.3 lenses also share the same 95mm front diameter. Similar physical attributes across the lens line makes fitting lens accessories such as matte boxes, follow focuses, lens supports, and lens control motors easier and less time consuming.

Another feature handed down from the preceding CP.2 lenses is the interchangeable mounts. This lens comes with a MFT mount installed. Though, if you wish to fit your CP.3 lens to a different camera, the lens mount can be swapped by the user for a separately available mount of a different kind. If you like the bokeh in your images to be round, even after stopping down, you will be pleased to know that the 14-bladed iris, made famous by the CP.2 lenses, has been retained.

ZEISS CP.3 18mm T2.9 Lens MFT Mount FeetWhile the CP.3 lenses are designed for a degree of user-serviceability regarding the mount, for ideal performance and calibration, B&H recommends that mount swaps and other lens adjustments be done by a trained lens technician at a service center.

Covers Full-Frame Format    MFT Mount    T2.9 to T22 Aperture Range    Geared Focus and Iris Control Rings    Clickless Iris Ring    14-Blade Iris    Classic ZEISS Image Rendering    Improved Ergonomics Over Last-Gen CP.2    New Lens Coatings for Enhanced Contrast    Lens Scale Marked in Feet

Key Specs
Focal Length18mm
Maximum ApertureT2.9
Lens MountMicro Four Thirds
Lens Format CoverageFull Frame
Filter ThreadNo
Image StabilizationNo
Electronic CommunicationNo
Parameters
Maximum ApertureT2.9
Minimum ApertureT22
Lens MountMicro Four Thirds
Interchangeable MountYes
Lens Format CoverageFull Frame
Image Circle46.3 mm
Angle of ViewFull Frame
Horizontal: 89°
MFT
Horizontal: 51°
Super 35
Horizontal: 69°
Focus ScalesImperial
Filter ThreadNo
Minimum Focus DistanceFrom Unspecified Point in Lens: 12" / 30 cm
Maximum Magnification RatioNot Specified by Manufacturer
Diaphragm Blades15
Image StabilizationNo
Lens Mounting1x 3/8"-16 (via Included Support Foot)
Gear Standard0.8 MOD / 32 Pitch
Gear RotationFocus: 300°
Electronic CommunicationNo
Environmental ResistanceNo
DiameterFront: 3.7" / 95 mm
Length3.3" / 83.7 mm
Weight1.9 lb / 0.86 kg
Packaging Info
Package Weight3.95 lb
Box Dimensions (LxWxH)10.3 x 9.3 x 9"

Zeiss lenses are known for their clean and crisp image rendering. The CP.3 series of lenses is no different. This CP.3 lens will accurately color-match to other Zeiss cinema lenses inside and out of the CP.3 range. The CP.3 lenses feature improved lens coatings and anti-reflection masking over the CP.2 range for increased contrast and reduced flare, important for capturing content with the intent of an HDR-format release.

For enhanced ergonomics over the previous-generation CP.2 lenses, the CP.3 lens barrel has been reshaped to be more similar to the renowned Zeiss Ultra Prime lenses. This new shape is easier to handle, and takes up less physical space than the original Compact Prime design. An even weight distribution ensures that these lenses will be at home handheld, locked down on a tripod, or flown on a Steadicam or motorized gimbal.

Related Questions and Answers

Q: 1. works with blackmagic pocket 4k?

A: Yes, this is an MFT mount lens. It will work well with the Pocket Cinema Camera 4K. https://bhpho.to/2Hjgn8q

Q: 2. Will this work with the FX3?

A: Yes, the ZEISS CP.3 35mm T2.1 Compact Prime Lens (Sony E Mount, Feet) is compatible with the Sony FX3.

Q: 3. What is the hyperfocal distance at t 2.9 and focus set at 6 feet? is there a chart to show hyperfocal distance at various focus and Tstop settings?

A: The DOF tables for the ZEISS Compact Prime CP.3 lenses can be viewed on the ZEISS website: https://www.zeiss.com/content/dam/camera-lenses/files/service/download-center/depth-of-field-tables/depth-of-field-tables-zeiss-compact-prime-cp3-lenses-feet.pdf

Q: 4. Is this lens rectilinear?

A: Yes, the ZEISS CP.3 2.9/15 is a rectilinear design with well controlled geometric distortion.

Q: 5. Can this take a front filter?

A: No, like all cine lenses, the ZEISS CP.3 lenses are not designed to accept screw in filters. You can filter the lens by using cut-filters in a matte box.

Q: 6. Do CP.3's allow for a protective filter to be screwed on?

A: No, for any filters you will have to use a matte box.

Q: 7. Does this lens have a filter thread so that don't need a matte box?

A: Like all cine style lenses, the ZEISS CP.3 lenses do not incorporate filter threads. A matte box and cut filters are the most common accessories used.

Q: 8. Will this lens transmit information required for auto-focus, auto iris, stabilization and distance/f-stop info in viewfinder?

A: This mount version has no electronic communication.

Q: 9. where is the specs of this lens? weight...

A: The specs for any ZEISS lens can be found on the ZEISS website. Here is the link for the CP.3 2.9/15 lens: https://www.zeiss.com/consumer-products/int/cinematography/compact-prime-cp-3-lenses.html#data

Q: 10. If using a super 35mm sensor with this full frame lens, would one need to use the crop factor of 1.5 to determine the equivalent field of view?

A: Yes you would. To take it a step further all lenses are listed by their physical focal length and from there the crop factor needs to be taken in to account. Even lenses that only cover a Super 35mm sensor will be subject to a crop factor. Any lens, regardless of it is covers Super 35mm or Full Frame, will need to have the 1.5x crop factor added.

19/09/2024

[Yes] I needed a lightweight, cinema style macro lens for my motion control rig. This works perfectly. At the right price. Very happy

5
19/08/2024

[18mm] Love everything about this lens; build quality, weight (light weight) and the optics are perfection. Elevates everything. Fantastic lens.

5
14/08/2024

[T22] Extremely lightweight and completely another type of beast if comparing with either Nikon or Canon plastic lenses. Interchangeable mount makes it a really cool lens for many situations. In PL version, you can also add a 2x Extender and get a 140-400mm with still a extremely good quality and very useful for wildlife as well as other appplications. Mount is very solid and weight helps to move quickly as well. Wether you want to shoot a film, a comercial, a concert or music video, having this lens will open you to a whole new world of possibilities due to its characteristics. The quality of this lens surpassed my expectations honestly but since it is not a rehoused still lens, but a whole new cinema lens design it makes sense. Many grumpy cinematographers would still say this is neither a DSLR lens nor a High End cinema lens, but I can tell you this lens is up to compete with bigger and more expensive lenses anytime for a much lower price, which still is not low but worth each penny.

5
15/07/2024

[T2.9] This lens is my bread and butter. For all of my client work I need something with a consistent look across the entire aperture range. Up until purchasing this lens my primary client glass was a sigma 24-70 2.8, which although beautiful, got soft when zoomed in to 50mm and under performed in other areas.


Aside from the performance of this lens, there are two things I adore: It's construction and color consistency. Despite being incredibly light, this lens is built like a tank. I travel frequently and it holds up very well. Because Zeiss improved the color rendition in the CP.3 line, I often rent the 85 or 100mm for my b-cam and have a easy time matching up cameras.



Much of my client work requires cropping in substantially (thanks Instagram) and I can comfortably shoot this at it's minimum aperture of T2.1 for a tack sharp image that can be scaled up in post.


I think this lens' greatest competition is the Canon CN-E line, which shoots warm and renders terrible onion skinning on the bokeh. For me this is unforgivable, and I'm happy to see a neutral, clean image coming from the CP.3 line. Assuming this is the look you need, I'm not sure you can get a better lens in this price bracket.

5
11/07/2024

[3.95 lb] These lenses were a dream of ours to own, quite expensive but after having them for a few weeks......wow. We really want to go back and re shoot everything cool we have ever done! The look they have is absolutely awesome......so happy with them. Super easy to work with...and the quality is second to none.

5
08/07/2024

[46.3 mm] muy buena calidad enfoque manual no falla lo recomiendo al 100

5
26/05/2024

[Full Frame] Beautiful image and solid construction, looks great on set of a production

5
13/05/2024

[10.3 x 9.3 x 9"] I've been shooting with this lens on my RED Helium, but I also use it for stills with my A7III. The focus throw is smooth and long, and there is little breathing between short distances or between long distances (although, as expected, if you pull from a couple inches away to infinity, there is a transition where it breathes heavily). It feels well made and the images are very sharp.

5
09/05/2024

[10.3 x 9.3 x 9"] Perfect zoom range starting at 70mm. Will be perfect for 4k applications as well. Excellent image quality and color balance. But you expect that from a Zeiss lens

5
13/04/2024

[46.3 mm] I've had this lens for a little over one year now and it's basically lived on my Sony FX9 and FX6 since the moment it arrived to my door. The Zeiss CP.3 35mm lens is the perfect size and weight to fit in my backpack for when I need to pack light but packs the same punch as any top of the line cinema lens.


The optics on this lens are just outstanding. Beautiful color renditions matched with a tack sharp image really help get any job done.


I couldn't recommend this lens, or any of the other CP.3 lenses, more. It will definitely always have its place in my kit.

5

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