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Zeiss Cp.3 28mm T2.1 Lens Sony E Mount Feet

Zeiss Cp.3 28mm T2.1 Lens Sony E Mount Feet
  • Product Code: eq42357
  • Availability: In Stock

$13,170.00 $17,911.20

Building on the success of the well-regarded CP.2 lenses, ZEISS CP.3 28mm T2.1 Lens Sony E Mount Feetoffer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings. This 28mm Compact Prime lens is derived from the same classic optical formula as the preceding CP.2 variant and shares the same physical length as the 15, 18, 21, 25, 35, 50, and 85mm CP.3 lenses while maintaining identical focus and iris gear positioning with the entire set of CP.3 lenses, relative to the mount. All CP.3 lenses also share the same 95mm front diameter. Similar physical attributes across the lens line makes fitting lens accessories such as matte boxes, follow focuses, lens supports, and lens control motors easier and less time consuming.

Another feature handed down from the preceding CP.2 lenses is the interchangeable mounts. This lens comes with a Sony E mount installed. Though, if you wish to fit your CP.3 lens to a different camera, the lens mount can be swapped by the user for a separately available mount of a different kind. If you like the bokeh in your images to be round, even after stopping down, you will be pleased to know that the 14-bladed iris, made famous by the CP.2 lenses, has been retained.

ZEISS CP.3 28mm T2.1 Lens Sony E Mount FeetWhile the CP.3 lenses are designed for a degree of user-serviceability regarding the mount, for ideal performance and calibration, B&H recommends that mount swaps and other lens adjustments be done by a trained lens technician at a service center.

Covers Full-Frame Format    Sony E Mount    T2.1 to T22 Aperture Range    Geared Focus and Iris Control Rings    Clickless Iris Ring    14-Blade Iris    Classic ZEISS Image Rendering    Improved Ergonomics Over Last-Gen CP.2    New Lens Coatings for Enhanced Contrast    Lens Scale Marked in Feet

Key Specs
Focal Length28mm
Maximum ApertureT2.1
Lens MountSony E
Lens Format CoverageFull Frame
Filter ThreadNo
Image StabilizationNo
Electronic CommunicationNo
Parameters
Maximum ApertureT2.1
Minimum ApertureT22
Lens MountSony E
Interchangeable MountYes
Lens Format CoverageFull Frame
Image Circle46.3 mm
Angle of ViewFull Frame
Horizontal: 65°
MFT
Horizontal: 34°
Super 35
Horizontal: 48°
Focus ScalesImperial
Filter ThreadNo
Minimum Focus DistanceFrom Unspecified Point in Lens: 10" / 24 cm
Maximum Magnification RatioNot Specified by Manufacturer
Diaphragm Blades15
Image StabilizationNo
Lens Mounting1x 3/8"-16 (via Included Support Foot)
Gear Standard0.8 MOD / 32 Pitch
Gear RotationFocus: 300°
Electronic CommunicationNo
Environmental ResistanceNo
DiameterFront: 3.7" / 95 mm
Length3.3" / 83.7 mm
Weight1.9 lb / 0.84 kg
Packaging Info
Package Weight4.12 lb
Box Dimensions (LxWxH)10.1 x 9.2 x 9"

Zeiss lenses are known for their clean and crisp image rendering. The CP.3 series of lenses is no different. This CP.3 lens will accurately color-match to other Zeiss cinema lenses inside and out of the CP.3 range. The CP.3 lenses feature improved lens coatings and anti-reflection masking over the CP.2 range for increased contrast and reduced flare, important for capturing content with the intent of an HDR-format release.

For enhanced ergonomics over the previous-generation CP.2 lenses, the CP.3 lens barrel has been reshaped to be more similar to the renowned Zeiss Ultra Prime lenses. This new shape is easier to handle, and takes up less physical space than the original Compact Prime design. An even weight distribution ensures that these lenses will be at home handheld, locked down on a tripod, or flown on a Steadicam or motorized gimbal.

Related Questions and Answers

Q: 1. will the autofocus on FX3 / a7s III / FX6 work with this lense ?

A: The ZEISS CP.3 lenses are manual focus only

Q: 2. Do CP.3's allow for a protective filter to be screwed on?

A: No, for any filters you will have to use a matte box.

Q: 3. How does this perform in terms of CA levels and purple fringing at all aperture settings?

A: It is our understanding that the optical properties of the CP.2 and CP.3 lenses are very similar. There were reports of some CA with the CP.2 lenses. Being that these are Zeiss, we doubt that this really is something that the cinematographer will be concerned about let alone his audience. CA is dependent on lighting, focus and aperture as well. We would encourage you to rent and test before you buy to make sure these lenses are for you.

Q: 4. Will this provide lens data such as iris t-stop/f-stop to any camera with an electronic EF mount?

A: The ZEISS CP.3 lens you are referencing has a PL mount and the meta data can be read by any PL type camera using the Cooke i/technology interface. The meta data is also accessible via the side port and can be read by such devices like the Ambient Master Lockit Plus. This would be the option when the CP.3 is fixed with an EF mount.

Q: 5. If I use this lens on a c300 Mark II there will be some crop correct? This lens is made for full frame camera?

A: The ZEISS CP.3 lenses - like the previous version CP.2 - are designed for full-frame cameras using 24x36mm sensor sizes. Since the camera in question uses an APS-C sensor of 13.8x24.6mm, it has an effective crop factor of 1.46x when using FF lenses.

Q: 6. With the Zeiss CP.2 Super Speeds being discontinued, does Zeiss intend on releasing a CP.3 Super Speed line to take their place?

A: there has been no official statement from Zeiss about a Cp.3 line of super speeds

Q: 7. Will this work with the FX3?

A: Yes, the ZEISS CP.3 35mm T2.1 Compact Prime Lens (Sony E Mount, Feet) is compatible with the Sony FX3.

Q: 8. can fixed uv filter?

A: It is not possible to fit a UV filter to the ZEISS Compact Prime CP.3 lenses. Like most cine lenses, they are designed for use with a matte box and cut filters.

Q: 9. Does this lens send metadata to bmpcc 4k?

A: The ZEISS CP.3 XD lenses transfer meta data using the Cooke /i Technology protocol. This is available only on select cameras using a PL mount. The BMPCC with MFT mount does not support the /i Technology protocol and neither does the standard ZEISS CP.3 EF mount lens. You could use the BM Ursa Mini Pro with PL mount along with the ZEISS CP.3 XD PL and then there would be a meta data exchange.

Q: 10. do these have a front thread?

A: Zeiss CP.3 Lenses do not have a front thread.

17/08/2024

[4.12 lb] I've had this lens for a little over one year now and it's basically lived on my Sony FX9 and FX6 since the moment it arrived to my door. The Zeiss CP.3 35mm lens is the perfect size and weight to fit in my backpack for when I need to pack light but packs the same punch as any top of the line cinema lens.


The optics on this lens are just outstanding. Beautiful color renditions matched with a tack sharp image really help get any job done.


I couldn't recommend this lens, or any of the other CP.3 lenses, more. It will definitely always have its place in my kit.

5
09/06/2024

[15] These lenses were a dream of ours to own, quite expensive but after having them for a few weeks......wow. We really want to go back and re shoot everything cool we have ever done! The look they have is absolutely awesome......so happy with them. Super easy to work with...and the quality is second to none.

5
21/04/2024

[Imperial] This lens is my bread and butter. For all of my client work I need something with a consistent look across the entire aperture range. Up until purchasing this lens my primary client glass was a sigma 24-70 2.8, which although beautiful, got soft when zoomed in to 50mm and under performed in other areas.


Aside from the performance of this lens, there are two things I adore: It's construction and color consistency. Despite being incredibly light, this lens is built like a tank. I travel frequently and it holds up very well. Because Zeiss improved the color rendition in the CP.3 line, I often rent the 85 or 100mm for my b-cam and have a easy time matching up cameras.



Much of my client work requires cropping in substantially (thanks Instagram) and I can comfortably shoot this at it's minimum aperture of T2.1 for a tack sharp image that can be scaled up in post.


I think this lens' greatest competition is the Canon CN-E line, which shoots warm and renders terrible onion skinning on the bokeh. For me this is unforgivable, and I'm happy to see a neutral, clean image coming from the CP.3 line. Assuming this is the look you need, I'm not sure you can get a better lens in this price bracket.

5
05/04/2024

[Yes] Love everything about this lens; build quality, weight (light weight) and the optics are perfection. Elevates everything. Fantastic lens.

5

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