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Tokina 35mm T1.5 Cinema Lens Pl Mount Feet

Tokina 35mm T1.5 Cinema Lens Pl Mount Feet
  • Product Code: eq42746
  • Availability: In Stock

$17,997.00 $23,756.04

For a striking yet beautiful image, the Tokina 35mm T1.5 Cinema Lens PL Mount Feetwith a PL mount has the same look and feel as other lenses in the Cinema Prime lineup, for a consistent look when cutting between lenses. The lens produces an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This is a 35mm focal length lens, and it shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses, so it will easily fit into your workflow when working with other Cinema Vista primes. It features a maximum T stop of 1.5, useful when shooting in low-light situations or when you want to capture that exceedingly shallow depth of field look.

The 9-bladed iris provides round out-of-focus highlights for a natural-looking bokeh. The lens barrel features approximately 300° of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimize focus breathing and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera.

Covers Full-Frame Sensor Size    46.7mm Image Circle    Suitable for 8K Image Capture    Internal Focus Design    Virtually No Lens Breathing    300° Focus Barrel Rotation    T1.5 Aperture, Clickless 9-Bladed Iris    Weighs 4.3 Pounds    114mm Front Lens Diameter, PL Mount    Integrated Lens Support Foot

Key Specs
Focal Length35mm
Maximum ApertureT1.5
Lens MountARRI PL
Lens Format CoverageLarge Format
Filter Thread112 mm
Image StabilizationNo
Electronic CommunicationNo
Parameters
Maximum ApertureT1.5
Minimum ApertureT22
Lens MountARRI PL
Interchangeable MountNo
Lens Format CoverageLarge Format
Image Circle46.7 mm
Focus ScalesImperial
Optical Design14 Elements in 13 Groups
Filter Thread112 mm
Minimum Focus DistanceFrom Unspecified Point in Lens: 16" / 40.6 cm
Maximum Magnification RatioNot Specified by Manufacturer
Diaphragm Blades9
Image StabilizationNo
Lens Mounting1x 1/4"-20 (via Included Support Foot)
Gear Standard0.8 MOD / 32 Pitch
Gear RotationFocus: 300°
Electronic CommunicationNo
DiameterFront: 4.5" / 114 mm
LengthNot Specified by Manufacturer
Weight4.3 lb / 1.95 kg
Packaging Info
Package Weight6.05 lb
Box Dimensions (LxWxH)9.3 x 8 x 7"

The 35mm T1.5 PL mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7 mm image circle, which easily covers standard-sized full-frame sensors.

The use of a 9-blade iris produces a smooth round appearance to out-of-focus specular highlights. The iris also produces a pleasing bokeh, referring to natural-looking out-of-focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.

The lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.

The lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300º of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.

Designed to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.

The lens features threading on the front to accommodate 112mm screw-on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.

Related Questions and Answers

Q: 1. Are there contacts for lens data?

A: The Canon 20mm Sumire Prime T1.5 (PL Mount, Feet) does not have contacts that would provide lens data to the connected camera.

Q: 2. Will these workon the MAVO LF? It is full frame but 6k not 8k

A: At this time we do not carry Kinefinty cameras at this time, you will want to check with them regarding exact compatibility. That being said we can tell you that this lens covers a full frame sensor at up to an 8K image. If the camera has an EF mount we believe that it should work.

Q: 3. Does this have a front thread? Is so what size?

A: This has a 105mm filter thread.

Q: 4. Do these lenses transmit exif data or metadata to camera?

A: No, the Canon 35 mm Sumire Prime T1.5 (PL Mount, Feet) does not support sending EXIF Metadata to the connected camera.

Q: 5. What is the difference between this "Vista Cinema Prime" versus the "Vista One" versions of the same lens?

A: Vista prime are involved in a more sophisticated quality control standard Vista Prime lenses will have the front element, and mechanical parts changed to Vista One single-coated elements and premium space grey mechanical parts. The lenses are calibrated to factory specifications and checked for optimal performance.

Q: 6. Is the mount on this lens interchangeable? From PL to Sony E for example

A: yes but the only available mounts are EF or PL mount. the E-mount flange depth is too shallow for amount change you will need and E mount to PL mount adapter on any E mount camera

Q: 7. Has anyone compared the Sigma Cine Primes vs Canon Cine Primes? Would love to hear if the canon is a better choice or the sigma

A: Both Canon and Sigma Prime lenses will offer fantastic images.

Q: 8. Can I use a speedbooster with these lenses if they are mft?

A: Yes, the Tokina 85mm T1.5 Cinema Vista Prime Lens with MFT mount could be used with a speed booster.

Q: 9. Is there lens data /I support?

A: The Tokina T1.5 Cinema Vista 5-Lens Kit B (ARRI PL) lenses do not have any communication with the camera body.

Q: 10. Is the 35mm a full frame measurement of for the super35 sensor?

A: It will work on a super35 or full frame sensor. True 35mm on a full frame. Will look like a 52mm on a super35.

19/09/2024

[6.05 lb] I had the original set of these cine lenses...then cometed my set with this 35mm. What a fantastic lens. The quality and build is superb. I picked these over the Ziess set...and I'll never look back!

5
04/08/2024

[112 mm] I am in production now, using this lens and it's amazing, solid, sharp, yet naturally soft. I'm using it with the EOS C300 Mark II so in combination with the camera, it produces such a beautiful aesthetic straight out of the box. The lens is so well crafted. No breathing at all. It has a great weight to it. My first Canon Cine Prime Lens purchase and thus far, am totally satisfied. I will definitely be investing in more. The 35mm is a great choice for a first purchase as you can use this prime for so many applications. You could shoot an entire feature with just a 35mm if need be. I don't scoff at the price either. Artist's tools do cost. I'm a firm believer that you truly do get what you pay for.

5
01/08/2024

[ARRI PL] This is my prime go-to lens on my Canon C-300. On the set of my short film, Jupiter's Legacy, my DP and I came back to this lens again and again. Coupled with the C-300's low light capabilities, the 1.5 allowed me to shoot primarily in lovely candlelight and torchlight. We successfully lit one scene with a single 15 watt Christmas Tree bulb. This lens is tack sharp and has great contrast. I love it. The first AC loved working with the smooth focus mechanism.

5
13/07/2024

[35mm] Second to none, will take your production to next level

5
28/06/2024

[ARRI PL] This lens is a beast! Shooting wide open is tack sharp, the size is huge - and night shots are unlike anything Ive ever seen. We shot with it on a C100 Mk II, C300 Mk II, and RED Dragon and when comparing the footage it was hard to tell the difference from the 100 vs 300. This lens will make your camera shine, especially if its a Canon Cinema series. That and on-set our clients have noticed it and are very impressed. This will elevate your productions to another level.

5
25/06/2024

[Imperial] When I moved over into the Canon Cinema camera line, due to costs, I decided to go with the Rokinon cinema lenses. Initially, I thought they worked great and it was a definite upgrade from my previous setup. However after shooting with these lenses I can't even believe the difference. The color and clarity are unmatched – I even rented other lenses to compare (Zeiss, Xeen) and IMHO these Canon lenses blew them all away. They make skin tones just come to life and are sharp but not overly harsh. Worth every penny!

5
18/05/2024

[35mm] This is part of a kit i bought. This is probably my favorite lens of sigma cine line. Super sharp. Good color and contrast, as they all the cine line does. The numbers even glow in the dark if they are exposed to enough light. Nice little touch. Could not be happier with this lens.

5
01/05/2024

[ARRI PL] This is the gold standard for 35mm on a Red Komodo

5
09/04/2024

[112 mm] Think Canon cinema lenses are hype? Think again. This lens is a game changer. I have the 50mm L series f1.2 and this lens blows it away in sharpness, accuracy of focus and several other areas. Best purchase I've made for a while.

5
03/04/2024

[T22] One the most-used lenses on a super 35mm sensor, the 35mm CN-E from canon has been long in coming. I think it was worth the wait. This lens ads the mechanics and housing of a true cinema lens, and improves noticeably in terms of contrast, sharpness and chromatic aberration compared it's still-camera-L-series cousin. Contrast is excellent wide open, and corner sharpness is exceptional throughout the range. The small amount of CA is largely limited to the extreme corners on a full frame camera, and is essentially negligible on super35 or other cropped sensors. I only wish the 50mm was this good.

5

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