Rollei Rpx 100 Black And White 35mm Film Roll
- Product Code: eq47553
-
Rollei RPX 100 Black and White 35mm Film Rollis a medium speed black and white negative film for producing prints using a traditional black and white printing process. The film exhibits a nominal sensitivity of ISO 100/21° and standard development in black and white chemistry yields a fine grain texture with high sharpness and a wide tonal range. The film also features a broad exposure latitude, making it well-suited to push and pull development. This film is well-suited to use in general indoor and outdoor conditions and is panchromatic sensitized from 380-660nm at 2850K.
This item is a 100' roll of 35mm film.
Panchromatic B&W Negative Film ISO 100/21° in Standard Process Fine Grain and High Sharpness Broad Tonal Range and Contrast Wide Exposure Latitude
Parameters | |
---|---|
Film Format | 35mm |
Film Type | Panchromatic B&W Negative |
ISO/ASA Film Speed | 100 |
Film Processing | Standard Black and White Chemistry |
Film Base | Acetate |
Number of Rolls | 1 |
Layer Thickness | 102.0 µm |
Packaging Info | |
Package Weight | 0.535 lb |
Box Dimensions (LxWxH) | 15.4 x 10.8 x 1.75" |
Related Questions and Answers
Q: 1. Would anyone care to comment on how this compares to the late Agfapan 25 (APX 25)?
A: Essentially the same, if not entirely.
Q: 2. Can Rollei RPX 25 film be processed in Kodak XTOL developer? If not, do you have information on compatible developers?
A: Rollei recommends the RPD-X Film Developer for the RPX 25: http://bhpho.to/1itKirc
Q: 3. Would anyone compare this with the late Agfapan 25 (APX 25)? Also, how well does this film do when processed with Rodinal/Adinal?
A: The film is very much like the old Agfapan 25. The film reacts about the same way to developers like Agfapan did.
Q: 4. retro 80 suitable for reversal processing?
A: I have not reverse-processed this film, but the process can be done with virtually any traditional B&W emulsion. I would think that this film would be a very good choice for reversal processing as it is fine grained, has a clear base, and tends to have relatively high contrast.
Q: 5. How would the camera's exposure / auto-metering be affected by using a fill-flash covered with a 720nm filter (as primary light source)?
A: The exposure would be cut down by quite a bit. It doesn't make sense to shoot in auto. You will have to shoot in manual mode and test by trial and error.
Q: 6. My camera does not have ISO 80 as an option. I'm shooting with the Minolta XE-5 which goes right from 60 to 125. Whats an ideal way to handle this situation if I want to experiment with this film?
A: Your camera does have the option of selecting ISO 80. You are looking at the shutter-speed dial. Consult your user's manual to find how to select the ISO.
Q: 7. Is this batch still made in the Belgium factory or some where else?
A: Country of origin is still Germany, has not changed for many years.
Q: 8. how does one get the the whited out foliage appearance and darkened sky appearance on this film? is it random? or is it more of an exposure trick?
A: You need an IR720 filter . That filter helps this film pick up that infrared wave length of light that will give the effects you asked about.
Q: 9. What are the differences between this, the Retro 400s, vs the RPX 400?
A: The main difference is, Rollei Retro 400S Black and White Negative Film (35mm Roll Film, 36 Exposures) is more sensitive to Infrared light. But in most uses you will not see the difference.
Q: 10. Would this film work for IR flash photography at night with an infrared flash?
A: Rollei Infrared 400 Black and White Negative Film (35mm Roll Film, 36 Exposures) is suitable for night photography with an infrared flash.
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