Vienna Symphonic Library Synchron Bells I - Virtual Instrumentfrom Vienna Symphonic Library Synchron Bells I - Virtual Instrumentis a virtual instrument with a library that captures the sound and character of tubular bells, masterfully played in Synchron Stage Vienna. The instruments were recorded with every nuanced detail using four, phase-controlled multi-microphone setups which can be mixed to create stereo mixes, each with different levels of ambience and stereo panorama.

Synchron Bells I is powered by the included Vienna Instruments and Vienna Instruments Pro players, or using the company's mixing hosts Vienna Ensemble and Vienna Ensemble Pro (available separately). This 17.5GB library comprises more than 7,020 samples with a wide variety of timbres and articulations. The Bergerault C25 tubular bells are arranged chromatically and cover a range of two octaves. Single notes were sampled open and muted, in eight dynamic layers with two different hammers. Triangle beaters, rods, brushes, and sticks were also used to create original sounds and textures. In addition, the library offers a wide selection of glissandos including fast/slow, up/down, as well as full, low, mid, and high range.

Set of Tubular Bells    Stereo Library    Eight Dynamic Layers    Soft & Hard Hammers, Open & Muted    Glissandos    4 x Microphone Arrays    Recorded at Synchron Stage Vienna    Vienna Instruments Player Included    Mac/Windows, AU/VST/AAX/RTAS

• 17.5GB library with more than 7,020 samples of a set of tubular bells
• Recorded using 12 microphones – select from four different microphone setups including Decca tree
• Includes presets of well-balanced microphone setups
• Outstanding acoustics – recorded at Stage A, Synchron Stage Vienna
• Samples with 1.6 to 1.8 seconds of natural reverb time
• Runs in standalone mode, or operates within VST, AU, RTAS, AAX formats
• Includes Vienna Ensemble mixing host and Vienna Instruments player – fully compatible with Vienna Ensemble Pro and Vienna Instruments Pro (available separately)

Related Questions and Answers

Q: 1. does this give you suggestion on what gel to use to match the color?

A: Yes.

Q: 2. Is there a sensitivity rating for this mic?

A: Yes it does. Sensitivity in free field, no load (1kHz)1,8 mV/Pa. Also keep in mind there is Low sensitivity to impact and handling noise. This is due to the very high sound pressure handling capability.

Q: 3. my IM 100 was fine with ?iPhone 6, unfortunately it is not working with iPhone X. where is problem ?

A: I m sad but I m using with iPhone8 plus and it's perfect !!!

Q: 4. Is this machine compatible with Logic Pro X?

A: Yes, it features USB MIDI control for use with plugins and you can record directly into Logic Pro X from the audio outputs, going into your interface. System requirements for Mac are OS X 10.7, 10.8, 10.9.

Q: 5. Can the IM150 be used to record data samples automatically throughout the day?

A: This meter does not have the ability to continuously save measurement data.

Q: 6. Can I use 1 software token on multiple computers?

A: The Audinate DVS-TK-RES may be activated on one computer only.

Q: 7. What type of cord-connector is needed at IM150 "Sync Port" for Flash Triggering via cable? [ PC-Male plug? 1/8" mini-Male plug?

A: The Illuminati Instrument IM150 Light and Color Meter has a 3.5mm jack for the sync cord.

Q: 8. is a 604 mic good enough for a alto sax ?

A: The e604 can be used for miking instruments like a sax in addition to drums and would be able to handle the SPL. For an alternative that can also be mounted a condenser will offer better capture tonally. The e908 or Shure Beta-98 are common alternatives.

Q: 9. Is the MXL 606 compatible with the Leica Monochrom camera? If so, what accessories may be needed to connect to the Leica?

A: This microphone cannot be directly connected to this camera. Microphones like these are designed for connection to mixers and interfaces. Please let us know your application or project details.Please contact us via e-mail if you have additional questions: askbh@bandh.com

Q: 10. What is the difference between Shure WB98H/C and PGA98H-TQG?

A: the WB98/C has a frequency response of 20Hz to 20kHz, while the PGA is just 60Hz to 20kHz. The WB98H/C also can handle louder situations, with a max input level of 143.5dB, while the PGA's max is 130 dB. The WB98/C also has much higher output, which means that you do not have to turn up the input gain as high, which will keep it quieter.