[0.9 oz / 26.5 g] I'm a big fan of the simplicity, reliability, range, tiny size, and battery life of these units. My only complaint is that the connectors don't lock into place, so it takes relatively little pressure on the cable to pop it off accidentally. As long as you make sure to dress your cables safely so there's no danger of snagging them, the UltraSync works great.

[0.9 oz / 26.5 g] I did an 8 camera stream earlier this year and due to distances audio sync wasn't possible. I got the 3 kit of these and they connect wirelessly to my Ninja-V's, GoPro Hero 7's, Zoom F2's, wired connection to my Shogun's, FS7ii, and F8. They simplified my kit, would gladly buy again. Since purchasing I have used them on multiple Multicam streams as well as day to day with sync from mixers I work with.

2 issues I've had are when a sound mixer doesn't have a BNC output for TC, I just need to get the other cables, and when using the Blue to connect to the F2 takes a few takes to get connected, I wish I could get them to input the TC through the USB-C port.

[0.9 oz / 26.5 g] This is the solution I was looking for to synchronize my zoom F8 recorder with my Atomos Ninja V recorders the range is at least 250 m or better.

[0.9 oz / 26.5 g] Very happy to have this in my arsenal. Operates flawlessly with the Atomos X & Zoom F6.

[0.1 lb] Great little timecode box. The menu is easy to figure out and you can sync multiple units together in an instant. Highly recommend !

[0.1 lb] I've been using a Ninja V as a timecode server to bridge my bluetooth-only Tascam with my other BNC timecode cameras. That worked fine, but I don't want the Ninja for every shoot. It's working as advertised and I can't complain... but I'm going to anyway:


I want an UltraSync Ultra or something. Something that's a combination of this and the UltraSync One. Something that can connect via cable, bluetooth or RF from the same box.

[0.1 lb] Nothing like OEM cables to connect my gear. It is a perfect fit and the length is just right for my purposes!

[0.1 lb] With the recently released 5.10 firmware, it is now possible to
jam-synch the Fuji XH2/S cameras to the Atomos Ultrasynch Blue Time Code generator. Bluetooth pairing between XH2/S with the Atomos is tricky - turn on the camera, go to TC SettingsTime Code Synch Setting Pairing Registration, and start the search. Turn on the UltraSynch Blue, go to Bluetooth settings, and start the search. The camera will appear on the Atomos display after a few seconds, select it. On the camera, a message will appear indicating a connection to the Atomos. Now the Atomos is registered with the camera and will appear in the registered devices section of the Bluetooth menu. Going forward turn on the Atomos, on the camera go toTC settingsTime Code Synch Settingsturn on the Connect to Atomos AirGlu BT for each session. To get time of day TC into the Atomos install the Ultra Synch Blue app' on your phone and jam the phone time to the Atomos. According to Fuji and Atomos documentation, it is possible to synch six cameras to the Ultra Synch Blue. I am shooting a documentary with multiple XH2S' and having frame-accurate matching time code is a huge benefit in editing. Thank you Fujifilm!!!!!!!

[0.9 oz / 26.5 g] This cable is the cable I use to sync timecode to our array of BMPCC 6k's. The cable is the perfect length to attach to the UltraSync to the camera rig providing timecode lock all day.

[0.1 lb] Davinci Resolve will natively sync time code recorded on an audio track with a couple of quick steps. First make sure the devices are set with one as master and the others as slaves. On the master set the frame rate to match your camera, this will automatically update the slaves to be on the same frame rate (if you don't match the frame rate the audio will be off a few frames when you sync). Plug a time code device into each device - cameras (through the audio jack if using an DSLR/Mirrorless camera), audio recorder (most audio recorders will accept the timecode from the ultrasync and save it to the audio recording as timecode - see instructions for your device). Dump all the files into the media page on Davinci Resolve. To update timecode on videos, select all of the video files and right click then choose update timecode from audio track. You will then see the Start TC and End TC get updated to the timecode from the audio track. To sync external audio select all the video and audio tracks and right click and select: auto sync audioBased on Timecode. This will automatically sync the audio to your video and replace the video audio track with the audio from your external recorder. If you used a splitter and recorded time code on one stereo track and scratch audio on the other then you can choose Based on Timecode and Append Tracks. Once set up correctly it works perfectly and a huge time saver.
A couple cons about the device is that it doesn't come with a LTC to 3.5mm cable, and the cables are very expensive. Also, there is not a good way to mount unless you buy the silicone case and the case is thick so it makes it difficult to press the buttons. Also, the menu system is very difficult to use, and nonintuitive so I have to carry around a hard copy print out for some functions.