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Rokinon 16mm T2.6 Cine Lens Sony E Mount

Rokinon 16mm T2.6 Cine Lens Sony E Mount
  • Product Code: eq49673
  • Availability: In Stock

$1,437.00 $2,083.65

Designed to overcome the challenges in assembling a set of lenses over time, the Rokinon 16mm T2.6 Cine Lens Sony E Mountfeatures a multilayer coating process for consistently-rendered color from lens to lens. The industry standard geared focus and iris rings share a common position with other Cine DS lenses, eliminating the time it would take to reposition a matte box, follow focus, or other accessory when switching lenses. When used with a full-frame sensor camera, this 16mm lens produces a 106.9°, super-wide angle of view.

The Cine DS primes' hybrid aspherical elements render sharply-defined images with a minimum of distortion and chromatic aberrations, and the minimum focus distance is 11.8" from the lens. For ease of use when working with an assistant, the Cine DS primes feature focus and T-stop scales on both sides of the lens barrel. An integrated petal-type lens hood reduces flare without the use of a matte box.

Super Wide-Angle 16mm Lens    Full-Frame Coverage    Multi-Layer Coating Reduces Flare    Standard Focus and Iris Gearing    Color Matches Cine DS Lenses    Smooth, Clickless Aperture Ring    Dual-Sided Focus and T-Stop Marks    Hybrid Aspherical Lens Elements    Manual Focus and Aperture    Built-In Petal-Type Lens Hood

Key Specs
Focal Length16mm
Image StabilizationNo
Parameters
Interchangeable MountNo
Image CircleNot Specified by Manufacturer
Image StabilizationNo
Gear StandardNot Specified by Manufacturer
Packaging Info
Package Weight1.72 lb
Box Dimensions (LxWxH)7.2 x 5.15 x 5.15"

16mm lens with approximately 106.9° angle of view on full-frame cameras

Ultra Multi-Coated (UMC) lenses minimize flare and ghosting

Lenses are matched to a color standard, eliminating the need to acquire an entire set of lenses at the same time

Industry standard focus and aperture gear rings; common gear ring positions for speedy lens changes, as accessories don't have to be repositioned

Clickless aperture ring for smooth iris pulls

Dual-sided focus and T-stop marks for easy viewing from both sides of the lens

A minimum-focus distance of 11.8" allows for close-up views of your subject

The built-in, petal-type lens hood provides flare protection without a matte box

Related Questions and Answers

Q: 1. What is the difference between this lens and the Rokinon 16mm T2.6 Full Frame Cine DS Lens (MFT Mount)?

A: This lens is the Rokinon 16mm T2.6 Full Frame Cine DS Lens (MFT Mount) and the only model made of this kind of lens for MFT mount at T2.6.

Q: 2. How can I put a Circular Polarizer on this lens?

A: Its easier to use a map box with that lens.

Q: 3. There is almost nothing on the internet about this lens. Id really love to use this lens wide open but typically Rokinon Cine lenses need a stop down to get sharp. Anyone know any really good comparisons with this lens at different Tstops from T2.6 down to its minimum aperture? I know its a Cine lens but would be great to see some high res photos for comparison.

A: We are not aware of any specific locations showcasing examples of this lens at different apertures. You could however check on websites like Youtube and Vimeo to see if anyone has posted examples.

Q: 4. Will this lens work with Sony a7R IV? Will I need an adapter?

A: This Rokinon 16mm T2.6 Full Frame Cine DS Lens will work with all Sony E Mount cameras

Q: 5. can this be used for canon c100 and canon 650d ?

A: This lens can be used with any camera regardless of brand as long as the camera has an EF mount.

Q: 6. What benefits does the Rokinon Cine DS 16mm have over the 14mm of the same brand, other than a faster T-stop?

A: Rokinon 16mm T2.2 Cine DS Lens will have less distortion compared to the Rokinon 14mm T3.1 Cine DS Lens.

Q: 7. Do the cutaways at the front of the lens interfere with a mattebox?

A: The design on the front of the lens will not interfere with the use of a mattebox.

Q: 8. Why is the Canon EOS c200 not listed as compatible?

A: Not every camera it is compatible with is listed. The C200 has an EF mount. It will work well with this lens.

Q: 9. is this compatible with Panasonic DMC-GH4 camera body?

A: Not directly with the EF mount which is for Canon. You could mount it with an adapter like the metabones EF to micro four thirds adapter, but the better option is that Rokinon actually makes this same lens in a micro four thirds mount, which is what the GH4 has. Just search up Rokinon 16mm Micro Four Thirds - you can find it right here on B&H.

Q: 10. What focal lenghth equivalent would this give you using a Sony FS7?

A: The Sony FS7 has a Super 35mm Sensor, with a 1.5x Crop Factor. This would give you the equivalent of a 24mm on the FS7.

16/09/2024

[1.72 lb] I got this lens for my GH4. With a focal reducer, shooting at 4k, this lens translates to about 25mm. Its sharp, the bokeh is pleasing.

5
09/09/2024

[1.72 lb] There are two 16mm Rokinon cine lenses - this one which is slower, cannot take screw on filters, and covers full frame sensors, and the other lens with is faster, takes screw on filters, and will not cover full frame sensors. Both 16mm lenses are faster than the Rokinon 14mm, making either a good choice if you need both wide and fast glass.

This lens has a built in hood, good feeling focus wheel, and takes good images. I’ve found it to be plenty sharp fully open and consistent across the frame, though I doubt this lens would come close to a famously sharp lens like a Sigma.

If you don’t care about the sensor coverage, I would go with the faster and filter-compatible of the two - bit of you do need full frame coverage and want something fast and good looking, this is a solid and very reasonably priced cine lens.

5
03/09/2024

[16mm] Very good texture

5
23/08/2024

[16mm] I have a number of the Cine DS lenses and they are not consistent in quality.  This is the best one that I have.  Unlike the 20mm, this one does not get soft at the edges at wide open (but then again, wide open is 2.6, not 1.9 or 1.5).  

Surprisingly it also has less distortion than some.

5
14/08/2024

[1.72 lb] I'm a huge fan of the rokinon cine lens series. The 16mm does not disappoint. Far less wide angle distortion than its 14mm brother. The lens is sharp as a tack and performs well in low light with the T2.2 aperture. Pairs amazingly well with my gh4 and metabones speedbooster.

5
29/07/2024

[16mm] I'm getting sharp video with these lenses

5
25/07/2024

[1.72 lb] My two new cinema lenses are for Sony full frame.
Actually I first chose this for the particular focal length and rectilinear properties. Then I decided to try video making. Why not?
*
I've had good luck with Rok/Sam products. Not tested yet (where is summer?).
These are solid, substantial lenses. Gotta love 'em, and the examples I've tested have not been de-centred.
-

5
13/07/2024

[1.72 lb] Hi - I am tardy with some lens tests, but today my wall and scenic tests with this lens were most satisfactory.
I originally chose the 16mm t2.6 not for cinema, but because it seemed to be rectlinear. And it is!

The lens has the expected vignetting but is good wide open and well resolved at t4. The sharpness is a revelation. Great lens.

5
05/07/2024

[1.72 lb] I use the Rokinon 16mm T2.6 lens on my Panasonic EVA-1 and it creates beautiful images. Has a great wide field of view for the camera. Definitely the best bang for your buck on a budget.

5
03/07/2024

[1.72 lb] I don't think anything else sub 1k competes. If that's your market. This is a really great lens.

5

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