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Schneider Ff Prime Cine-tilt 50mm T2.1 Sony E-mount Lens

Schneider Ff Prime Cine-tilt 50mm T2.1 Sony E-mount Lens
  • Product Code: eq49978
  • Availability: In Stock

$16,794.00 $22,671.90

The Schneider FF Prime Cine-Tilt 50mm T2.1 Sony E-Mount Lensmarked in meters is designed to intercut with the Schneider FF Primes. However, it incorporates ±4° of tilt adjustment enabling you to change the focus plane of the lens. FF stands for full-frame, and every lens in the set covers a full-frame image sensor without vignetting and is designed for 4K image capture. This lens is color matched to a standard at the factory, minimizing color shift when changing lenses. It features a 14-blade iris which provides a natural-looking Bokeh with circular, out-of-focus highlights and 300° of lens barrel rotation. The 50mm shares the same focus and iris gear position, as well as the same 100mm front barrel diameter with the other lenses in the Xenon FF line of lenses.

The lens features a barrel with a large circumference, providing wide spacing for focus marks. Opposing focus scales provide properly oriented focus marks on both sides, so an assistant can pull focus from either side of the lens. The lens features gears for focus, iris, and tilt, which allow you to adjust each using industry standard lens accessories. The 50mm features a removable lens support bracket, so you can use an available lens support if you wish.

Covers Full Frame Sensors    ±4° of Tilt    Supports 4K Recording Quality    Color Matched to Factory Standard    Shares Characteristics Across FF Primes    14-Blade Iris    300° Focus Barrel Rotation    Minimized Focus Breathing    Standard Gears for Focus, Iris, and Tilt    Removable Lens Support Bracket

Key Specs
Focal Length50mm
Maximum ApertureT2.1
Lens MountSony E
Lens Format CoverageFull Frame
Filter ThreadM95
Image StabilizationNo
Electronic CommunicationNo
Parameters
Maximum ApertureT2.1
Minimum ApertureT22
Lens MountSony E
Interchangeable MountNo
Lens Format CoverageFull Frame
Image CircleNot Specified by Manufacturer
Angle of ViewFull Frame
Horizontal: 40°
Super 35
Horizontal: 28°
Focus ScalesMetric
Filter ThreadM95
Minimum Focus DistanceFrom Unspecified Point in Lens: 19.7" / 50 cm
Diaphragm Blades14
Image StabilizationNo
Gear Standard0.8 MOD / 32 Pitch
Gear RotationFocus: 300°
Tilt: 120°
Electronic CommunicationNo
DiameterFront: 3.9" / 100 mm
Length6.35" / 161.29 mm
Weight3.1 lb / 1.41 kg

The lenses are designed to cover a full-sized image sensor and provide 4K resolution for image capture.

Designed to allow ±4° of tilt, which allows you to shift the focus plane of the lens. This enables keeping subjects in focus that are not the same distance from the camera's image plane without having to close down the iris and increase depth of field. When the tilt is set to 0°, the lens functions the same as a standard FF Prime Cine lens.

The lenses are color matched to a standard ensuring consistent color across lenses. This allows you to purchase additional Xenon FF lenses, as you need, without having to search through multiple lenses trying to assemble a matched set.

The lenses share the same physical characteristics across the set, this includes the length, diameter, and focus and iris gear position. This speeds up lens changes in the field, minimizing adjustments to matte boxes and lens accessories.

300° of lens barrel rotation provides for accurate focus adjustments throughout the range.

120° of rotation provides for precise tilt adjustment of the lens throughout the range of -4 to +4°.

Related Questions and Answers

Q: 1. These lenses vs the Rokinin cine lenses? What would the difference be exactly?

A: The Rokinon's have faster apertures The Meike lenses are smaller and have longer focus throws (which makes them more accurate to focus). It is also worth noting that Rokinon has several lines of cinema lenses from their DS series to their Xeen and Xeen CF. The Meike are closest to the Xeen CF in build quality. The Meike are compact sturdy lenses.

Q: 2. Does the lens have a metadata system that sends focus distance and T-stop data back to the camera? (Like Arri LDS)

A: This lens does not have any electronics to send meta data to a camera, like the /i Electronics Technology inside Cooke Cine Lenses.

Q: 3. where are these lenses manufactured?

A: Following unit is made in Germany.

Q: 4. Can this lens kit be used on a C200 effectively even tho it's not a full frame body?

A: Yes it can.

Q: 5. Can the Xenon handle S35 sensors at 8k?

A: Yes... I have a Red Epic-W with 8K Helium SensorPerfect picture

Q: 6. Sirs, will this cover the newest (RED) Dragon 8K sensor? Or will there be vignetting? Thank you in advance.

A: The RED Dragon 8K sensor has an image diameter of 46.1mm. The Schneider Xenon FF 25mm T2.1 Lens is designed to cover a Full Frame image diameter of 43.4mm. There will be vignetting.

Q: 7. Seems I saw close focus distance in this picture for 75mm is 2'6, but offical brochure said that is 38.6 , so which is true?

A: Definitely 2'6 as printed on lens

Q: 8. Can you give me some sense of the problems of using this FF lens on the C70?

A: There will be no issues or problems using the Meike 50mm T2.1 FF-Prime Cine Lens (RF-Mount) full frame lens on the Canon C70. Please note it will crop about 1.5x when used with the C70s S35 sensor. Any RF lens you work with will have this crop ( Zoom) The lens will have a 75mm view when used on the Canon C70 camera.

Q: 9. What is the rear PL flange depth?

A: The flange depth of the Meike 50mm T2.1 FF-Prime Cine Lens (PL Mount) is the standard 52mm depth of most PL lens mounts.

Q: 10. can i use it with zcam e2 m4?

A: yes you can with a MFT to Ef mount adapter on the Z-CAM

22/09/2024

[Metric] It has very very little if any breathing... almost no CA a full 330 rotation on focus covers a huge 45mm image circle and on my Red Gemini Looks fantastic...not over sharp like like my old Sigma art photo glass. - plus its proper metal housing has screw in filter options but I use a MB. You ca NOT go wrong here this punches well above its weight class. And unlike DZO Vespid does force you into a look- they have a very neutral look similar to lenses ive used like the Schnieder Xenon's for PL mount Cine these are a steal all 3 (yes I bought all 3 current avail 35-50-85)

5
18/09/2024

[M95] I have all 3 of the available PL mount versions of these lenses. I used on 2 proffesional shoots and WOW WOW WOW - I still cant get over the IQ for the price but with only 1 gripe---lets get out of way-- (no focus marks on AC side) not a big deal using FF on op side typically or remote FF if I have an AC so its not really an issue) If you are looking here you like consider the DZO Vespid line. TRUE they have a full set. However they have a very vintage look with oval bokeh and bad CA(on a few focal lengths) Those are smaller lighter and MARGNIALLY sharper true) however these lens have very little CA very little if any breathing depending on FL- propper full 330 rotation on focus, they are bigger but still small- However dont look SILLY on my RED like the Vespids do. I cant say this enough MEIKE hit a homerun here and I have ZERO regrets. Just wish the whole set was already available (24mm coming end of NOV 21) ---you cant go wrong here.

5
27/08/2024

[M95] I purchased a trio (24, 35, 85) L mounts, as a test for Lumix full frames before jumping to Red ecosystem. This was really great for moving me into cinema lenses and learning to smoothly focus as a 1 person shooter in most cases. I LOVE the 85mm, and even though we primarily use Canon CNE primes and the 30-105mm, Im not afraid to mix in the 85 mounted on a S1H at 6K for a 3rd shot angle..extremely pleased

5
17/08/2024

[50mm] It does its job. Cool cine lens that you can use on your Canin R Series with an nd adapter. Did a music video with it a couple of days ago and came out great!

5
01/08/2024

[Metric] this is a fantastic lens, wide enought in FF and medium wide in S35, great rendition, very sharp, like it a lot

5
09/07/2024

[M95] I was looking for sharpness and found it. While some of my other lens may be faster, I rarely open them up all the way. Shooting this lens at 2.8 resulted in very sharp images.

5
16/04/2024

[Sony E] I bought the 35mm,50mm and 85mm lens from the Meike Full Frame Line and I have to say I am very impressed. The body has a good build quality, and the image has what I I feel is an appropriate amount sharpness and contrast.

I used these lenses on a feature film in September, and the lenses did everything I needed them too.

I frequently use these lenses on a Red Komodo and a Black Magic Pocket 4k, and occasionally on other camera systems and I have been happy with the image they produce on every camera sensor I have put them on.

5
11/04/2024

[M95] this lens go with my gear all the time, great performance on my FS7 and superb in my A7sII

5

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