Schneider Ff Prime Cine-tilt 50mm T2.1 Sony E-mount Lens
- Product Code: eq49978
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The Schneider FF Prime Cine-Tilt 50mm T2.1 Sony E-Mount Lensmarked in meters is designed to intercut with the Schneider FF Primes. However, it incorporates ±4° of tilt adjustment enabling you to change the focus plane of the lens. FF stands for full-frame, and every lens in the set covers a full-frame image sensor without vignetting and is designed for 4K image capture. This lens is color matched to a standard at the factory, minimizing color shift when changing lenses. It features a 14-blade iris which provides a natural-looking Bokeh with circular, out-of-focus highlights and 300° of lens barrel rotation. The 50mm shares the same focus and iris gear position, as well as the same 100mm front barrel diameter with the other lenses in the Xenon FF line of lenses.
The lens features a barrel with a large circumference, providing wide spacing for focus marks. Opposing focus scales provide properly oriented focus marks on both sides, so an assistant can pull focus from either side of the lens. The lens features gears for focus, iris, and tilt, which allow you to adjust each using industry standard lens accessories. The 50mm features a removable lens support bracket, so you can use an available lens support if you wish.
Covers Full Frame Sensors ±4° of Tilt Supports 4K Recording Quality Color Matched to Factory Standard Shares Characteristics Across FF Primes 14-Blade Iris 300° Focus Barrel Rotation Minimized Focus Breathing Standard Gears for Focus, Iris, and Tilt Removable Lens Support Bracket
Key Specs | |
---|---|
Focal Length | 50mm |
Maximum Aperture | T2.1 |
Lens Mount | Sony E |
Lens Format Coverage | Full Frame |
Filter Thread | M95 |
Image Stabilization | No |
Electronic Communication | No |
Parameters | |
Maximum Aperture | T2.1 |
Minimum Aperture | T22 |
Lens Mount | Sony E |
Interchangeable Mount | No |
Lens Format Coverage | Full Frame |
Image Circle | Not Specified by Manufacturer |
Angle of View | Full Frame Horizontal: 40° Super 35 Horizontal: 28° |
Focus Scales | Metric |
Filter Thread | M95 |
Minimum Focus Distance | From Unspecified Point in Lens: 19.7" / 50 cm |
Diaphragm Blades | 14 |
Image Stabilization | No |
Gear Standard | 0.8 MOD / 32 Pitch |
Gear Rotation | Focus: 300° Tilt: 120° |
Electronic Communication | No |
Diameter | Front: 3.9" / 100 mm |
Length | 6.35" / 161.29 mm |
Weight | 3.1 lb / 1.41 kg |
The lenses are designed to cover a full-sized image sensor and provide 4K resolution for image capture.
Designed to allow ±4° of tilt, which allows you to shift the focus plane of the lens. This enables keeping subjects in focus that are not the same distance from the camera's image plane without having to close down the iris and increase depth of field. When the tilt is set to 0°, the lens functions the same as a standard FF Prime Cine lens.
The lenses are color matched to a standard ensuring consistent color across lenses. This allows you to purchase additional Xenon FF lenses, as you need, without having to search through multiple lenses trying to assemble a matched set.
The lenses share the same physical characteristics across the set, this includes the length, diameter, and focus and iris gear position. This speeds up lens changes in the field, minimizing adjustments to matte boxes and lens accessories.
300° of lens barrel rotation provides for accurate focus adjustments throughout the range.
120° of rotation provides for precise tilt adjustment of the lens throughout the range of -4 to +4°.
Related Questions and Answers
Q: 1. These lenses vs the Rokinin cine lenses? What would the difference be exactly?
A: The Rokinon's have faster apertures The Meike lenses are smaller and have longer focus throws (which makes them more accurate to focus). It is also worth noting that Rokinon has several lines of cinema lenses from their DS series to their Xeen and Xeen CF. The Meike are closest to the Xeen CF in build quality. The Meike are compact sturdy lenses.
Q: 2. Does the lens have a metadata system that sends focus distance and T-stop data back to the camera? (Like Arri LDS)
A: This lens does not have any electronics to send meta data to a camera, like the /i Electronics Technology inside Cooke Cine Lenses.
Q: 3. where are these lenses manufactured?
A: Following unit is made in Germany.
Q: 4. Can this lens kit be used on a C200 effectively even tho it's not a full frame body?
A: Yes it can.
Q: 5. Can the Xenon handle S35 sensors at 8k?
A: Yes... I have a Red Epic-W with 8K Helium SensorPerfect picture
Q: 6. Sirs, will this cover the newest (RED) Dragon 8K sensor? Or will there be vignetting? Thank you in advance.
A: The RED Dragon 8K sensor has an image diameter of 46.1mm. The Schneider Xenon FF 25mm T2.1 Lens is designed to cover a Full Frame image diameter of 43.4mm. There will be vignetting.
Q: 7. Seems I saw close focus distance in this picture for 75mm is 2'6, but offical brochure said that is 38.6 , so which is true?
A: Definitely 2'6 as printed on lens
Q: 8. Can you give me some sense of the problems of using this FF lens on the C70?
A: There will be no issues or problems using the Meike 50mm T2.1 FF-Prime Cine Lens (RF-Mount) full frame lens on the Canon C70. Please note it will crop about 1.5x when used with the C70s S35 sensor. Any RF lens you work with will have this crop ( Zoom) The lens will have a 75mm view when used on the Canon C70 camera.
Q: 9. What is the rear PL flange depth?
A: The flange depth of the Meike 50mm T2.1 FF-Prime Cine Lens (PL Mount) is the standard 52mm depth of most PL lens mounts.
Q: 10. can i use it with zcam e2 m4?
A: yes you can with a MFT to Ef mount adapter on the Z-CAM
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