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Tiffen 6.6" Uv 16 Filter

Tiffen 6.6" Uv 16 Filter
  • Product Code: eq5212
  • Availability: In Stock

$1,455.00 $2,124.30

The Tiffen 6.6" UV 16 Filteris a general use, clear filter that helps to absorb ultraviolet light and reduce the bluish cast of daylight. This filter is especially useful when photographing at high altitudes or around bodies of water. No additional coloration or contrast is provided, allowing you to pair this filter with others. This filter attenuates approximately 89% of UV radiation, slightly less than a UV 17 filter.

The UV filter is also useful as a general protective filter to leave on lenses at all times. Filters help to reduce dust and moisture from reaching your lens element and provide additional protection in case of drops or situations where scratching could occur.

Tiffen filters are made using ColorCore technology; a process that involves laminating the filter substrate between 2 pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch. This filter measures 6.6 x 6.6" / 167.6 x 167.6mm.

Absorbs 89% of Ultraviolet Light    Reduces Bluish Cast of Daylight    General Protective Filter    ColorCore Technology

Parameters
Filter TypeUV-16
Exposure ReductionNo
Size6.6 x 6.6" / 167.6 x 167.6 mm 
Front Accessory Thread / BayonetNo
Filter MaterialGlass

Absorbs 89% of UV light and reduces bluish cast of daylight.

Clear filter provides no additional coloration or contrast, allowing you to pair this filter with others.

General protection filter reduces dust, moisture, and scratches from reaching lens elements.

Related Questions and Answers

Q: 1. Will this work with a canon 10mm macro 2.8 L is lense?

A: cannot answer directly but i did hesitate w/ the wide angel lens. set a straight edge (carefully) across the front of the lens and if the front glass is below the edge w/o touching a filter should be okay, otherwise you will need to stack some rings to gain clearance.

Q: 2. Is this filter compatible with the Fuji X100T?

A: If using the Fuji AR-X100 adapter, this filter can work with the X100T.

Q: 3. will this fit on fuji xf 90mm f/2 r lm wr lens?

A: No, it will only fit on a 62 mm lens, it is too small for a 90 mm lens.

Q: 4. Does this have external or internal threads? I need to screw it into an adapter.

A: Yes, it has front and back 67mm threads.

Q: 5. Is the glass element removable? Is it held in with glue, or a screw-type locking ring or c-clip?

A: No, the glass is not designed to be removed. It is enclosed by the specifically sized aluminum frame.

Q: 6. Does this or any 52mm filter accept a Nikon lens cap to cover it?

A: I have been able to put my Nikon lens caps on every filter I've ever purchased, this one included.

Q: 7. Will this fit on the Sigma 150-600mm sport lens?

A: Yes. I bought it for that same lens.

Q: 8. Will this fit on the Olympus 25 mm f/1.8?

A: Is this the Olympus M.Zuiko Digital 25mm f/1.8 Lens? If so, that lens takes a 46mm filter

Q: 9. Is this compatible for Fujifilm XE3 55mm and 35mm f/2 lens? If not, which one would be?

A: No, this is too large. If you're referring to the XF 56mm F1.2 lens that takes a 62mm filter, and the XF 35mm F2 takes a 43mm filter. The front of most Fujifilm lenses indicate the filter size they'd take, it is the number after the ⌀ symbol, so if you see a ⌀43 it means it is 43mm filter and so on.

Q: 10. Question, could this fit the Sanyo VPC-2100 with a fixed lens that is either 4.5-94.5mm (angle of view equivalent to that of 25-525mm lens in 35mm) or 25mm wide?

A: This filter is designed to fit lenses with a 25mm filter thread.

26/09/2024

[UV-16] I love Tiffen's Glimmerglass 1. A very beautiful filter! Thoroughly pleased with my purchase.

5
18/09/2024

[UV-16] I was looking for a filter that would bloom the highlights and practical light sources without decreasing the overall contrast of the image, and I think this was just the filter I wanted. Compared to Black Pro Mist and especially Cinebloom, the shadow levels and sharpness are maintained with this filter. The diffusion is just enough for me. To me, it seems it blooms the highlights and light sources just enough to look like my image was shot on film, but without being too dramatic or noticeable. I think if I were going for a more dreamy look, I'd go with a higher Glimmerglass strength or use something like Cinebloom.

5
13/09/2024

[UV-16] Use glimmer glass regularly to get halation from light sources/specular highlights.

5
13/09/2024

[UV-16] Great filter for filmmakers , specially for modern photo lenses with over sharpness and 4k resolution

5
17/05/2024

[UV-16] Lots of reviews suggest the 1/8 for a more 'filmic look but I found that I needed the 1/4 strength to get that effect.

Note that focal length and the quality of the light itself will impact the outcome.

A note regarding the GG1: This provides a very noticeable effect in most cases. Maybe a tad too much for everyday use.

Tiffen needs a magical filter that works on the jpeg but leaves the raw alone !

5
03/05/2024

[UV-16] Adds a subtle glow and sheen to the image, really helps breath some organic life into even the most sterile digital cameras.

5
28/04/2024

[UV-16] Love it. Gives a fantastic bloom to the highlights and doesn't lower contrast as much as the Promist. Solid construction. No flare that isn't what the lens is made for.

A+ product!

5
25/04/2024

[UV-16] So I have used the GlimmerGlass series a lot as a large matte-box filter on the cinema cameras. But sometimes I go and shoot inserts on a lighter setup with my FX6 and a Zoom lens. For that purpose this filter is absolutely perfect. If the 1/2, 3/4 and 1/4 become available as 82mm filters I will purchase them.

5
06/04/2024

[UV-16] Any time I decide on diffusion filters, the biggest considerations for me are the strength of halation and the amount of contrast I'm looking for. I usually default to Hollywood Black Magic as my standard diffusion filter. When I want something stronger and a big more vintage feeling I'll reach for Black Pro Mist. When I want something much more subtle, I'll go for Glimmerglass because the halation is under much better control than the other two. I usually aim for a 1 strength when I want to see the effect. Even then, it doesn't feel too strong.

5
30/11/-0001

[UV-16] Works well so far, and is less obscene than even 1/4 black pro mist can be. And price is fair. Now why do these filters cost 500% more in rectangular shape?

5

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