Arri Signature Prime 15mm T1.8 Lens (feet)
- Product Code: eq53483
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Designed as open standard, camera-independent lenses, the versatile LPL-mount ARRI Signature Primes offer easily customizable looks, a wide range of focal lengths, and zoom lenses to match. Like the rest of the series, the ARRI Signature Prime 15mm T1.8 Lens (Feet)covers all image sensors up to and including full-frame, large-format. This wide-angle lens is one of 16 primes featuring organic images, attractive bokeh, subtle flaring, and a fast maximum aperture for achieving shallow depth of field. This prime lens gently softens the large-format look and produces pleasant, natural skin tones and crisp blacks. Focus falls off smoothly, highlighting your subject against its background frame.
Stockings, nets, and voile can be used to create custom diffusion and other effects when mounted in the Signature Prime's magnetic rear net holder. Eleven iris blades produce smooth, rounded bokeh effects, and a telecentric design minimizes breathing. The integrated LDS-2 lens data system is backwards-compatible with ARRI's LDS-1 and communicates with Cooke's /i Technology.
Constructed with magnesium housings and aluminum gear rings, each Signature Prime is lightweight, water-resistant, and features focus marks in feet. Anti-reflective coatings, light baffles, and light traps help to minimize any internal barrel flare. Should a stunt go awry, or your camera rig be otherwise damaged, the lens mechanics are designed for easier access at an ARRI service center.
Covers Large-Format Sensor Size ARRI LPL LDS-2 Mount Magnetic Rear Filter Holder T1.8 to T22 Aperture Range Matches Signature Primes & Zooms 11-Blade Iris, Anti-Reflective Coatings Geared Focus & Aperture Control Rings Magnesium & Aluminum Construction Marked in Feet
Key Specs | |
---|---|
Focal Length | 15mm |
Maximum Aperture | T1.8 |
Lens Mount | ARRI LPL |
Lens Format Coverage | Large Format |
Filter Thread | No |
Image Stabilization | No |
Electronic Communication | Yes |
Parameters | |
Maximum Aperture | T1.8 |
Minimum Aperture | T22 |
Lens Mount | ARRI LPL |
Interchangeable Mount | No |
Lens Format Coverage | Large Format |
Image Circle | 46.0 mm |
Angle of View | ARRI LF Open Gate Horizontal: 101.5° Diagonal: 112.3° |
Focus Scales | Imperial |
Filter Thread | No |
Minimum Focus Distance | From Camera Sensor: 13.78" / 0.35 m |
Diaphragm Blades | 11 |
Image Stabilization | No |
Lens Mounting | 1x 3/8"-16 |
Gear Standard | 0.8 MOD / 32 Pitch |
Electronic Communication | Yes |
Camera Connection | 1 x LEMO 4-Pin (Cooke /i Technology Lens Data / ARRI LDS) Data |
Diameter | Front: 6.1" / 156 mm |
Length | Not Specified by Manufacturer |
Packaging Info | |
Package Weight | 23.89 lb |
Box Dimensions (LxWxH) | 26.7 x 15.7 x 14.8" |
These open standard, camera-independent lenses cover all image sensors up to full-frame, large-format with image circles up to 46mm
Smooth focus fall-off and a fast, maximum T1.8 aperture for shallow depth of field
Related Questions and Answers
Q: 1. Is there a version with lens data? /I compatible?
A: No, the ARRI Ultra Prime 100mm T1.9 Lens (PL, Feet) does not come in another model that supports the Cooke /i Lens Data System.
Q: 2. If I get an LPL adapter for my Nikon Z6, will this lens cover the full frame and work with the camera?
A: yes this lens will cover the sensor on a Z6. it is designed to cover the ARRI LF sensor which is significantly larger than the sensor on the Z6
Q: 3. Can these be converted to PL mount and would they cover a Monstro large format sensor?
A: No, the ZEISS Nano Prime 75mm T1.5 Cine Lens and all other lenses in the Nano Prime set cannot be modified to PL mount.
Q: 4. Looks like you couldn't use a clamp on matte box with this lens because of the lens support?
A: The IRIX 15mm Cine Lens (PL, Feet) has 86mm front filter threads. You can use a step up ring to clamp on a matter box.
Q: 5. Autofocus?
A: The ZEISS Nano Prime 24mm T1.5 Cine Lens (Sony E, Feet) provide eXtended lens data but have no autofocus.
Q: 6. Which is better cooke s/8i ff lens or Arri signature prime lens
A: Cooke and ARRI are two of the finest cinema lens manufacturers in the world. Either would do the job they are call upon to do, and do it with exemplary panache. To decide which one to use, you need to find out what the shot or the entire production requires of its lenses. You then do tests with both lenses to determine which one works. It can be said that Cooke's exhibit a warmth that is very complimentary to people, particularly faces. Arri lenses, like Zeiss, exhibit a cooler, very color accurate tone. These two colors are very subtle and you have to look for them.
Q: 7. Can this be brought in carry-on?
A: Check with your airline's carry-on policy. Most airlines can accommodate a 24-inch carry-on, but not all. Generally, a carry-on suitcase measuring 22 inches x 14 inches x 9 inches, commonly seen as 22 x 14 x 9, would be the most widely accepted size. This case is 24.76 x 19.57 x 13.90" / 62.9 x 49.7 x 35.3 cm, so most likely, it would need to be checked.
Q: 8. Will there be a PL version T1.5? Lower cost and lighter than Supreme Prime. Kind of like Sigma did, but color matched with CP.3
A: No, the ZEISS Nano Prime lenses will never be in PL or LPL mount. These lenses are meant to match the Supreme primes and are not "clinical," like the CP.3's.
Q: 9. Can I use a speedbooster with these lenses if they are mft?
A: Yes, the Tokina 85mm T1.5 Cinema Vista Prime Lens with MFT mount could be used with a speed booster.
Q: 10. Is this lens compatible with the 5D Mark IV?
A: The ZEISS Compact Prime lenses have been used for many years with HDSLR cameras, including this model. You would need to order EF mount version of the lens in order to mount to the camera.
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