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Arri Signature Prime 200mm T2.5 Lens (feet)

Arri Signature Prime 200mm T2.5 Lens (feet)
  • Product Code: eq53487
  • Availability: In Stock

$119,760.00 $179,640.00

Designed as open standard, camera-independent lenses, the versatile LPL-mount ARRI Signature Primes offer easily customizable looks, a wide range of focal lengths, and zoom lenses to match. Like the rest of the series, the ARRI Signature Prime 200mm T2.5 Lens (Feet)covers all image sensors up to and including full-frame, large-format. This telephoto lens is one of 16 primes featuring organic images, attractive bokeh, subtle flaring, and a fast maximum aperture for achieving shallow depth of field. This prime lens gently softens the large-format look and produces pleasant, natural skin tones and crisp blacks. Focus falls off smoothly, highlighting your subject against its background frame.

Stockings, nets, and voile can be used to create custom diffusion and other effects when mounted in the Signature Prime's magnetic rear net holder. Eleven iris blades produce smooth, rounded bokeh effects, and a telecentric design minimizes breathing. The integrated LDS-2 lens data system is backwards-compatible with ARRI's LDS-1 and communicates with Cooke's /i Technology.

Constructed with magnesium housings and aluminum gear rings, each Signature Prime is lightweight, water-resistant, and features focus marks in feet. Anti-reflective coatings, light baffles, and light traps help to minimize any internal barrel flare. Should a stunt go awry, or your camera rig be otherwise damaged, the lens mechanics are designed for easier access at an ARRI service center. The 200mm ARRI Signature Prime focuses down to 60" from the lens front, and features a relatively light weight of 7.9 pounds, and a compact length of 8.6".

Covers Large-Format Sensor Size    ARRI LPL LDS-2 Mount    Magnetic Rear Filter Holder    T2.5 to T22 Aperture Range    Matches Signature Primes & Zooms    11-Blade Iris, Anti-Reflective Coatings    Geared Focus & Aperture Control Rings    Magnesium & Aluminum Construction    Marked in Feet    Relatively Light 7.9-lb Weight

Key Specs
Focal Length200mm
Maximum ApertureT2.5
Lens MountARRI LPL
Lens Format CoverageLarge Format
Filter ThreadNo
Image StabilizationNo
Electronic CommunicationYes
Parameters
Maximum ApertureT2.5
Minimum ApertureT22
Lens MountARRI LPL
Interchangeable MountNo
Lens Format CoverageLarge Format
Image Circle46.0 mm
Angle of ViewARRI LF Open Gate
Horizontal: 10.4°
Diagonal: 12.6°
Focus ScalesImperial
Filter ThreadNo
Minimum Focus DistanceFrom Camera Sensor: 70.9" / 1.8 m
Maximum Magnification Ratio1:8.3
Diaphragm Blades11
Image StabilizationNo
Lens Mounting1x 3/8"-16
Gear Standard0.8 MOD / 32 Pitch
Electronic CommunicationYes
Camera Connection1 x LEMO 4-Pin (Cooke /i Technology Lens Data / ARRI LDS) Data
DiameterMaximum: 5.31" / 134.87 mm
Front: 4.5" / 114 mm
Length8.58" / 217.93 mm
Weight7.94 lb / 3.6 kg

These open standard, camera-independent lenses cover all image sensors up to full-frame, large-format with image circles up to 46mm

Smooth focus fall-off and a fast, maximum T2.5 aperture for shallow depth of field

Related Questions and Answers

Q: 1. How long is the lens?

A: The overall length of the Tokina 35mm T1.5 Cinema Vista Prime Lens is 5.71" / 14.5 cm.

Q: 2. Which is better cooke s/8i ff lens or Arri signature prime lens

A: Cooke and ARRI are two of the finest cinema lens manufacturers in the world. Either would do the job they are call upon to do, and do it with exemplary panache. To decide which one to use, you need to find out what the shot or the entire production requires of its lenses. You then do tests with both lenses to determine which one works. It can be said that Cooke's exhibit a warmth that is very complimentary to people, particularly faces. Arri lenses, like Zeiss, exhibit a cooler, very color accurate tone. These two colors are very subtle and you have to look for them.

Q: 3. Is there a version with lens data? /I compatible?

A: No, the ARRI Ultra Prime 100mm T1.9 Lens (PL, Feet) does not come in another model that supports the Cooke /i Lens Data System.

Q: 4. Is the mount on this lens interchangeable? From PL to Sony E for example

A: yes but the only available mounts are EF or PL mount. the E-mount flange depth is too shallow for amount change you will need and E mount to PL mount adapter on any E mount camera

Q: 5. Will this cover a GFX sensor corner to corner giving sharp star fields wide open?

A: No it will not. This lens has an image circle of 43.3mm This is not large enough to cover the GFX 43.8 x 32.9 mm sensor. The lens will have a heavy vignette when mounted on any of the GFX cameras.

Q: 6. What case options are there? Anything that fits a wide Atlas lens and the 200 in a black case with wheels?

A: You could consider getting the Pelican 1535AirWD Wheeled Carry-On Hard Case with Padded Divider Insert (Black), which is black, has wheels, and can fit the Atlas Lens Co. Orion 200mm T3.2 2x Anamorphic Prime Lens (ARRI PL, Feet) and a wider Atlas Lens Co. Orion lens inside it. See: https://bhpho.to/49o4LtW

Q: 7. Did Zeiss announce whether there will be an adapter for Canon RF Mount for these?

A: No, as of now, Zeiss has only announced the ZEISS Nano Prime 6-Lens Set (Sony E, Feet) in the Sony E-Mount.

Q: 8. Is this an anamorphic lens with what squeeze factor?

A: The Meike FF Prime Cine 24mm T2.1 Lens is not an anamorphic lens.

Q: 9. Autofocus?

A: The ZEISS Nano Prime 24mm T1.5 Cine Lens (Sony E, Feet) provide eXtended lens data but have no autofocus.

Q: 10. Will there be a PL version T1.5? Lower cost and lighter than Supreme Prime. Kind of like Sigma did, but color matched with CP.3

A: No, the ZEISS Nano Prime lenses will never be in PL or LPL mount. These lenses are meant to match the Supreme primes and are not "clinical," like the CP.3's.

04/09/2024

[Imperial] Using them for Smallrig matte box step ring adapters to be always affixed to the lens. Clean look and stay stuck on without too much fight.

5
19/08/2024

[T22] I needed a dust cap for a small telescope that I built. It used a 4.5 tube, which is just about exactly 114mm. These slipped right on, tight fit.

5
19/07/2024

[ARRI LPL] Love how this lens renders colors. It leans more to the warms side which I like a lot. The focus throw is a bit longer than I'm use to, but It will take some time getting use to as solo operator. My first AC is fine with it. It's a very sharp lens wide open. Flares are okay, wish it flare with a circular or onion ring tho. Overall good lens for the price, I will try out the 24mm and 35mm. I hope they matched with the 16mm in terms of colors. I have seen reviews where they say the line up doesn't match. I hope they fixed that issue.

5
13/06/2024

[ARRI LPL] My second Meike MFT lens, possibly even better than the first. Nice solid lens. Bokeh is smooth, but unobtrusive, as seen in the two photos from a Panasonic GH5S, one with focus point @ 2.5 meters, the other at 5 meters. Focus scales seem to be more accurate than the Zeiss CP 2 prime I've had for years.

5
12/04/2024

[ARRI LPL] Lens has little breathing, less vignetting than the Canon 16-35mm, and is pretty sharp. The price is a no brainer. Love that that it works on FF and even RED Raptor and you can switch to PL

5

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