Lewitt Lct 441 Flex Multipattern Condenser Microphone

Product Code: eq53591
Availability: In Stock

$1,197.00 $1,783.53

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Description
Reviews (19)

Building upon the technology found in the LCT 440 PURE, the Lewitt LCT 441 FLEX Multipattern Condenser Microphoneis a highly capable studio microphone with a 1" true condenser capsule and the incredible versatility of eight polar patterns. These polar patterns go beyond the traditional omnidirectional, figure-8, and cardioid offerings to also include a host of cardioid variants—reverse cardioid, wide cardioid, reverse wide cardioid, supercardioid, and reverse supercardioid. The multitude of patterns offered in the LCT 441 FLEX facilitates both technical precision and creative experimentation in the studio environment.

Whether you use these patterns to mitigate the need for physical re-positioning between instruments, to alter the frequency response, to combat/emphasize the proximity effect, or to achieve an unconventional sound, you'll find this microphone useful in recording all sorts of vocals and instruments. The microphone comes with a shockmount to reduce unwanted structure-borne noise, a magnetic pop filter that integrates with the design of the microphone to minimize plosives without noticeable effects on the rest of the frequency response, and a windscreen to subdue rustling noise from light breezes or fans. As with all solid-state true condensers, the LCT 441 FLEX requires 48V phantom power and can be connected to an XLR input on your mixer, audio interface, or mic preamp.

For Vocals, Instruments, Drums & Cabs Eight Polar Patterns High Max SPL Handling Works from the Front or Back Shockmount Inhibits Vibration Noise 1" True Condenser Capsule Windscreen Reduces Breath Noise Pop Filter Prevents Vocal Plosives Gold-Plated XLR 3-Pin Connector 48V Phantom Powered

Key Specs
Polar Pattern	Cardioid / Figure-8 / Omnidirectional / Subcardioid/Wide Cardioid / Supercardioid
Element Type	Condenser
Controls	Polar Pattern
Maximum SPL	144 dB (.5% THD)
Analog Output	1x XLR 3-Pin Male
Power Sources	Phantom Power
Microphone
Polar Pattern	Cardioid / Figure-8 / Omnidirectional / Subcardioid/Wide Cardioid / Supercardioid
Element Type	Condenser
Sound Field	Mono
Diaphragm	1" / 25.4 mm
Orientation	Side Address
Controls	Polar Pattern
Pad	No
Circuitry	Solid-State
Performance
Maximum SPL	144 dB (.5% THD)
Sensitivity	-35.3 dBV/Pa
Dynamic Range	137 dB (A-Weighted)
Equivalent Noise Level	7 dB (A-Weighted)
Connectivity
Analog Output	1x XLR 3-Pin Male
Power
Power Sources	Phantom Power
Operating Voltage	48 V (Phantom Power)
Physical
Color	Black
Dimensions	H: 1.42 x W: 2.04 x L: 5.43" / H: 3.61 x W: 5.18 x L: 13.79 cm
Weight	11.5 oz / 326 g
Packaging Info
Package Weight	3.645 lb
Box Dimensions (LxWxH)	14 x 8.6 x 5.2"

The LCT 441 FLEX is a compact multipattern studio microphone featuring high-spec technology and eight different polar patterns. Since it allows switching between high directivity or more room impression and provides freedom to experiment, you'll be more flexible when it comes to recording different instruments or vocals.

The 1" true condenser capsule of the LCT 441 FLEX captures your instruments or vocals with an impressive amount of depth and clarity. Every single one of Lewitt's capsules is tested according to the highest quality standards. At Lewitt, they completely measure every single microphone before it gets to you, to ensure that you can make every detail of your sound count.

1" large diaphragm made of 3-micron gold-sputtered Mylar
Handles SPLs up to 144 dB for distortion-free capture of drums and loud guitars
Wide dynamic range of 137 dB
Sensitivity of -35.3 dBV yields a strong output signal
Ultralow self-noise of 7 dBA
Operates on 48V phantom power
Gold-plated XLR 3-pin output
Durable die-cast zinc enclosure

True condenser studio microphone
Works from the front or back
For vocals, acoustic instruments, speaker cabinets, and room miking
High-end capsule and circuit design
Truly versatile with eight polar patterns—omnidirectional, wide cardioid, cardioid, supercardioid, figure-8, reverse cardioid, reverse wide cardioid, and reverse supercardioid
Key lock function prevents accidental polar pattern changes
Lewitt logo provides status indication for normal operation, clipping, and key lock status
Random mode triggers a random polar pattern selection
Includes pop filter to impede vocal plosives
Includes foam windscreen to reduce wind noise from fans and AC systems
Includes shockmount and transport bag

Related Questions and Answers

Q: 1. Could this mic be used in it's Figure 8 pattern along with a Senn 416 for M+S recording?

A: Yes absolutely.

Q: 2. Does it come with a fixing frame?

A: The Lewitt LCT-240 Pro Cardioid Condenser Microphone comes with a basic stand mount.

Q: 3. Where is this mic made in ?

A: China

Q: 4. Is a 48V phantom power supply required, or can you simply use the Lewitt LCT-240 Pro mic with the RØDECaster Pro (to record a podcast)?

A: No, the Rodecaster Pro supplies Phantom Power. You just need to go to the settings of each channel and turn it on or off.

Q: 5. Is it possible to buy these as a matched pair?

A: No, unfortunately not. Lewitt does not offer any of their large diaphragm condenser microphones as a matched pair.

Q: 6. Is this mic gain hungry? Or does it have good amount of output? I am going to use Zoom H5 with this, and because it doesnt have the greatest preamps in the world, I need something with good power. (Good reference will be Nt1 or At2020, which I currentoy have. compare to them, is this mic at simiar level or noticably quieter?)

A: No. This Mic is NOT power hungry; its Sensitivity, at 14.6 mV falls in the middle category: Lewitt LCT 140 Performance Maximum SPL 135 dB SPL Peak Sensitivity 14.6 mV/Pa Dynamic Range 115 dB A-Weighted Equivalent Noise Level 20 dB A-Weighted Condenser microphones typically have a higher-than-“normal” sensitivity, at least as they compare to dynamic microphones, which usually have a much lower sensitivity. Depending on the application, For live/stage applications the sensitivity may present a problem. For Studio applications, usually less of an issue. Higher-sensitivity (condenser) microphones can be helpful in lower-SPL applications, such as recording dialogue or vocals. Most small diaphram condenser mics have medium sensitivity. If higher sensitivity (less gain hungry), you may want to consider other mics as shown in links below. Here is another Mic (albeit more expensive) to Consider, has higher gain: https://www.bhphotovideo.com/c/product/1365779-REG/se_electronics_se_8_small_diaphragm_condenser_microphone.html/specs Performance Frequency Range 20 Hz to 20 kHz Maximum SPL Cardioid: 159 dB SPL Peak Impedance Cardioid: 110 Ohms Load Impedance 1 Kilohms Sensitivity Cardioid: 25 mV/Pa Signal-to-Noise Ratio Cardioid: 81 dB Equivalent Noise Level Cardioid: 13 dB A-Weighted

Q: 7. Is the SMR shockmount better?

A: The new SMR offers a new, more advanced design that is easier to set-up and use and will offer superior performance in many applications over the SM6 included in this kit..

Q: 8. What deadcat wind screen fits 440 Pure?

A: The Lewitt LCT 440 PURE Large-Diaphragm Cardioid Condenser Microphone BH #LELCT440PURE is not intended for outdoor use. We do not offer a furry windscreen for it.

Q: 9. How does this sound in an untreated room? Is it something I can correct in post, assuming the ambient noise isn't too great.

A: The Lewitt LCT 440 PURE Large-Diaphragm Cardioid Condenser Microphone can be used in an untreated room, but results can vary depending on what type of audio is being recorded. Since the mic has a cardioid pattern, it will pick up sound from directly in front while rejecting ambient sounds from the back and sides. What you could do to isolate the mic and keep out any potential background noise is use a reflection filter like the Auray RF-5P-R Five-Panel Reflection Filter (B&H # AURF5PR), which has adjustable panels and can be used on a straight stand or placed on a tabletop. This setup should provide very good results.

Q: 10. Does this mice support phantom power? Can I connect the mice to my ZOOM H4n audio recorder? It has to xlr outlets.

A: The Rode NT2-A does require phantom power to operate. It can be connected to a recorder like the Zoom H4n which offers XLR inputs and phantom power.

Nil	21/09/2024
[Side Address] Built-in top boost, incredible build quality at an affordable price. LCT 140 Air, designed principally for recording acoustic instruments and it does this perfectly. If you find the perfect spot to place the mic, you can get brilliant tones out of your acoustic instrument. I have two of LCT140Air microphones and I usually pair one with a large condenser mic , and it gives great results. Switching the Air setting produces a noticeably brighter sound, adds a shimmer to the overall tone. Completely exceeded my expectations from a $159 microphone... 5

Perrone	07/09/2024
[3.645 lb] I bought a pair of these to run in stereo ORTF. I have to say they are performing well beyond my expectations for a $150 microphone. The build quality is superb. They are light so they are easy to put out on the end of a long boom arm without worrying about it toppling. The sound is very clean and natural. They may give up a little to the KM184 but no one is paying me $10k a session! If you're looking for quality on a budget, these are very hard to beat. 5

Timothy	03/09/2024
[Phantom Power] I used it for recording live singer/guitar player and got great off axis rejection...especially when using the figure 8 pattern....Sounds really good so far! 5

Aleksandr	29/07/2024
[Phantom Power] I didn't buy these microphones through B&H but through another store. However, where ever you buy it from as long as it's genuine please get this microphone and hear the sound it produces for yourself. The clarity and sound presence it produces it's like you're there in that room hearing the sound live. Some people say that it produces harsh top end. What it produces is pure clarity throughout it's frequency range, there absolutely no muddiness. It's advertised frequency goes up to 20 kHz, I was able to register 32-35 kHz frequencies when imported files into Adobe Audition. I got 4 of these microphones and I'm in love. 5

Robbie	09/07/2024
[Side Address] Not bad at all. For the price, a great performer for vocals. 5

Phil	03/07/2024
[Mono] I bought these on a whim. I saw the price, had read a couple of reviews and said, What the heck, at this price I'll try them and if I don't like them, I'll have an extra pair of SDCs for scratch tracks - or whatever. So far I've only tried them as a spaced pair on acoustic guitar. I must say I was impressed. Very natural sounding and quite useable. I expect these mics to get a lot of use in the future. Excellent bang for the buck, sounding like much more expensive mics. 5

Joel	23/06/2024
[Solid-State] I've been recording all kinds of concerts for the last few decades, and one super-reliable one-size-will-fit-almost-all approach for orchestras is two small diaphragm condensers, up over the conductor's head, splayed out sideways. (The ORTF style specifies an angle of 110 degrees, the NOS configuration is 90 degrees. Both have their unique strengths.) These Lewitt LCT 140's are spectacular in this application: over the weekend I recorded a tracker organ (which means mechanically operated- other than the electric blower fan, this is the kind of organ Bach knew and loved) concert in an 1800's church, and the results were amazing. The different registers and voices came through distinctly, and the rumbling of the pedals was earthquake-like. The weekend before that, it was a cello-guitar duo, and the mikes were placed on knee-high stands in front of each player. Again, the capture was thrilling, larger than life- the guitar crisp and punchy, the cello sweetly singing. This was all with the "flat" setting, as opposed to the "high end sparkle accentuation" setting, which seems like a wonderfully slick way to heighten the clarity of some instrument meant to have the central focus. The onboard pad and low cut options are also fabulous to have, when you need to contend with the rigors of the real world, which can get noisy and can be unpredictable at times. For many years I was using Oktava MK-012's for these kinds of duties, and later Avant CK-1's, fantastic mikes indeed, but from now on it'll be the Lewitts. Since these are so lightweight, you'll want special shockmounts (I got the Rycotte Inv-6 softies). And if you still need convincing: check out ANY of the multiple Youtube videos where people put these to the test- music, voice, sound effects, whatever. There is just something about the accuracy, the precision, the truthfulness of these things... you will be a believer, I guarantee. 5

Joel	23/06/2024
[Solid-State] I've been recording all kinds of concerts for the last few decades, and one super-reliable one-size-will-fit-almost-all approach for orchestras is two small diaphragm condensers, up over the conductor's head, splayed out sideways. (The ORTF style specifies an angle of 110 degrees, the NOS configuration is 90 degrees. Both have their unique strengths.) These Lewitt LCT 140's are spectacular in this application: over the weekend I recorded a tracker organ (which means mechanically operated- other than the electric blower fan, this is the kind of organ Bach knew and loved) concert in an 1800's church, and the results were amazing. The different registers and voices came through distinctly, and the rumbling of the pedals was earthquake-like. The weekend before that, it was a cello-guitar duo, and the mikes were placed on knee-high stands in front of each player. Again, the capture was thrilling, larger than life- the guitar crisp and punchy, the cello sweetly singing. This was all with the "flat" setting, as opposed to the "high end sparkle accentuation" setting, which seems like a wonderfully slick way to heighten the clarity of some instrument meant to have the central focus. The onboard pad and low cut options are also fabulous to have, when you need to contend with the rigors of the real world, which can get noisy and can be unpredictable at times. For many years I was using Oktava MK-012's for these kinds of duties, and later Avant CK-1's, fantastic mikes indeed, but from now on it'll be the Lewitts. Since these are so lightweight, you'll want special shockmounts (I got the Rycotte Inv-6 softies). And if you still need convincing: check out ANY of the multiple Youtube videos where people put these to the test- music, voice, sound effects, whatever. There is just something about the accuracy, the precision, the truthfulness of these things... you will be a believer, I guarantee. 5

Mitchel	22/06/2024
[14 x 8.6 x 5.2"] This is my first Lewitt mic, but definitely not the last. If you’re reading other raves about this mic, I am not surprized. In only a week, it’s already the favorite mic in my collection. The LCT 140 is well designed and built to be used. The sound is clean, clear and precise, with very little coloring, It hears every detail of the instrument, with a seriously low noise floor. The Pad, Hi-Pass filter, and “Air” switches are large, with white lettering. You don’t have to squint at a tiny switch to know what mode you’re in. Although designed for instruments, this is also a great vocal mic. I would place this mic right next to the small diaphragms of Sennheiser and Neumann. Lewitt has got a gem here. The bang for buck here is huge. It’s simply a great mic. 5

Vasco	22/06/2024
[Polar Pattern] This microphone I choose based on a review from another site and using it to record was amazing as I was expected. 5