Sigma 50mm T1.5 FF Prime Lens Sony E-Mount Feetcombine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 50mm Sony E-mount prime is a mid-range focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Canon EF and PL mounts. Electronic contacts in the mount provide lens data communication between the lens and the camera. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.

The 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180° of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Focus marks are in feet and are fully luminous for easy visibility in low light.

To relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).

Covers Full-Frame Sensor Size    Sony E-Mount    Fully Luminous Marks in Feet    T1.5 to T16 Aperture Range    Mount Transmits Lens Data    Geared Focus and Iris Control Rings    Clickless Iris Ring    Suitable for 8K Image Capture    95mm Front Diameter    9-Blade Iris

Focus marks are in feet and are fully luminous

High image performance covering full frame sensors; suitable for 8K capture

Fast T1.5 maximum aperture aids in shooting with low light levels

Compact, dust- and water-resistant design with a common front diameter of 95mm across the line

Canon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)

Related Questions and Answers

Q: 1. With this lens if I place it on my Red camera in a water housing can i purchase a screw in ND Filter? Or something can be clapped on the front?

A: When using the Sigma 14mm T2 FF High-Speed Prime (EF Mount) you would need to use a dome port. So you would not be able to use a screw in ND Filter or use a clamp.You could get a ND gel filter and place it inside the dome.

Q: 2. Is there a photo version? Sigma Art 65mm EF? With AF etc

A: There is no photography version in EF mount of the Sigma 65mm ART lens.

Q: 3. Does this set come with a case?

A: No, the Sigma T1.5 Cine FF High-Speed Art Prime 5-Lens Set does not come with a case.

Q: 4. Is there a 65mm Sigma Art version with autofocus?

A: No, there is no autofocus version of the Sigma 65mm T1.5 FF High-Speed Cine Prime Lens (Canon EF Mount, Feet) in EF mount.

Q: 5. Can the Xenon handle S35 sensors at 8k?

A: Yes... I have a Red Epic-W with 8K Helium SensorPerfect picture

Q: 6. Does the Sigma /i lenses have a port for Cooke /I or is that information only exchanged over the mount?

A: The information is communicated over the mount, electronically.

Q: 7. What does "fully luminous" mean?

A: For the Sigma 85mm T1.5 Fully Luminous FF High-Speed Prime (EF Mount, Feet), "Fully Luminous" refers to the markers on the lens being glow in the dark so you can view them in low light.

Q: 8. Will this PL Mount lens work with the RED PL mount fixture?

A: Yes it will.

Q: 9. Can the tilt module be removed and the lens be used for other mounts like the normal ff series?

A: No, the tilt ring is not removable but can be locked.

Q: 10. When shooting in the set, have you ever thought that you wish the focus of these lenses had a 300-degree rotation instead of 180? Would you mind describing the situation?

A: Large focus throws are imperative when working with significantly shallow depth of field.