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Sigma 18-35mm T2 High-speed Zoom Lens Sony E

Sigma 18-35mm T2 High-speed Zoom Lens Sony E
  • Product Code: eq54347
  • Availability: In Stock

$11,997.60 $18,836.23

The Sigma 18-35mm T2 High-Speed Zoom Lens Sony Ewith a Sony E-mount and with focus scales marked in feet provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High-Speed Zoom lineup, which makes for rapid lens changes. What sets these lenses apart from the standard Sigma High Speed Zooms is fully luminescent markings. When shooting in dim or dark environments, focus pullers and camera operators will be able to easily discern lens markings without resorting to distracting lamps or other disruptive light sources.

The 9-bladed iris provides round out-of-focus highlights for a natural-looking bokeh. The lens barrel features 180° of rotation from close focus to infinity, the zoom barrel rotates 160°, and the clickless iris ring features 60° of rotation. All three lens control rings are geared with cine-standard 0.8 Mod gears, and the focus scale is marked in feet. The front of the lens is 95mm in diameter with a removable 1/4"-20 support foot that helps support the lens with the aid of a 1/4"-20 rod-mounted lens support (not included).

Covers Super 35mm Sensors    28.4mm Image Circle    Internal Focus Design    180° Focus Barrel Rotation    T2 Max Aperture, Clickless 9-Bladed Iris    Weighs 3.32 Pounds    Luminescent Lens Markings    95mm Front Lens Diameter    Removable Lens Support Foot

Key Specs
Focal Length18 to 35mm
Maximum ApertureT2
f/1.8
Lens MountSony E
Lens Format CoverageSuper35/APS-C
Filter Thread82 mm
Image StabilizationNo
Electronic CommunicationYes
Parameters
Maximum ApertureT2
f/1.8
Minimum ApertureT16
Lens MountSony E
Interchangeable MountNo
Lens Format CoverageSuper35/APS-C
Image Circle28.4 mm
Focus ScalesImperial
Filter Thread82 mm
Zoom Ratio1.94x
Minimum Focus DistanceFrom Unspecified Point in Lens: 11" / 27.9 cm
Diaphragm Blades9
Image StabilizationNo
Lens Mounting1x 1/4"-20
Gear Standard0.8 MOD / 32 Pitch
Gear RotationFocus: 180°
Iris: 60°
Zoom: 160°
Electronic CommunicationYes
DiameterFront: 3.7" / 95 mm
Length6.1" / 15.49 cm
Weight3.3 lb / 1.5 kg
Packaging Info
Package Weight4.2 lb
Box Dimensions (LxWxH)14.2 x 10.7 x 8"

All the lenses in the lineup are designed to comply with SIGMA's CCI standard simplifying when intercutting between lenses.

Sharing the same dustproof and splashproof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM|Sports, each ring and mount is sealed to prevent water and dust from entering.

The lens body is made completely of metal to stand up to the rigors of the production day.

The main lens markings are in luminous paint for easy visibility in low light situations. The intermediate markings are laser-engraved for durability. The focus and zoom markings are readable from either side of the lens.

The lens features a 95mm front diameter for compatibility with a wide variety of matte boxes and incorporates an 82mm front filter thread.

All three lens gears are standard 0.8 Mod and feature a damper that eliminates metallic sounds when you reach the end of the lens travel.

The lens includes a removable support foot.

Related Questions and Answers

Q: 1. Can we shim this lens?

A: Like any lens, this lens has the ability to be shimmed so that it may be properly collimated. Unlike some lenses that are available with user changeable mounts, this lens is not sold with the understanding that the user (and not a qualified technician) will do their own collimating. If you feel confident to do so, it is your lens, go ahead. Just be aware such action will probably void any warranty.

Q: 2. what would be the focal length of the 18-35 on the Red Gemini?

A: The Sigma 18-35mm T2 High-Speed Zoom Lens (PL), this item BH #SI1835T2CZPL • MFR #21096 is designed for Super 35. The Red Gemini is uses a Super 35 sensor. The focal length would be the same, there would be no crop factor of vignetting.

Q: 3. Does this lens have electronic contacts to communicate with the camera? Will it work with the focus assist feature of the Canon cinema cameras like the CN-E primes do? (Not autofocus, but the green box indicator)

A: These lenses have electronic contacts and will communicate. We are unable to test but it is our opinion that focusing aids will work.

Q: 4. What is the difference between this lens and the sigma 18-35 that is much cheaper?

A: This cinema lens is manual focus only, has gears, greater throw, accurate markings and more robust housing made with finer tolerances. This are specifications that come into play on higher level video productions particularly ones that are working day to day with a crew. For one man band personal video it could be overkill.

Q: 5. are these lenses parfocal?

A: This is not a parfocal lens.

Q: 6. Putting this on the BMPCC6K will it be 18-35 or will it be 18(×1.55)-35(×1.55) like the sigma art zoom.

A: The PCC6K has a 1.558X Crop Factor. An 18 to 35mm will be the equivalent of a 28 - 55.5mm lens.

Q: 7. Are support rods crucial if Im mounting to Ursa Mini Pro 4.6? I intend to add that too my rig, but right now building one piece at a time.

A: I use these on my URSA Mini Pro and I don't use any support rods. The lens fits the camera very well.

Q: 8. Will this lens work on the z cam e2 s6?

A: The Z Cam E2-S6 in the Canon EF-mount version will work with the Sigma 18-35mm Cine Lens (Canon EF Mount).

Q: 9. does PL version have /i metadata?

A: No, the PL version does not have /i metadata.

Q: 10. Is there a version with a Cooke/I lens data port?

A: No. The lens would have to be serviced in order to do so. Sigma Burbank supports a lens conversion service that will convert passive PL mount Sigma Cine Primes to a /i PL mount. If you find yourself in need of amplifying your workflow with metadata, then the conversion service will allow that without needing to buy brand new lenses. If you’re interested in the lens conversion service or wish to know pricing then please reach out to: Sigma Burbank Service Department 213-699-0561 | serviceca@sigmaphoto.com

25/09/2024

[82 mm] The best lens for the Canon r7.

5
06/09/2024

[T2
f/1.8] I've used this lens numerous times in the past, borrowing from friends or other photographers and have wanted to get one for myself for quite some time. Glad I finally did!
As expected from Sigma, the pictures come out super crisp and sharp. Focus control and zoom are very smooth and easy to use. The only con I've found with this lens so far is that the auto focus motor is a little slow and noise, but not a huge deal if you shoot manual stills. Definitely makes me want to buy more from Sigma.

5
24/08/2024

[Yes] This lens is really special. The results are spectacular.
The only drawback is the lack of image stablization.

5
15/08/2024

[T16] Perfect combo with BMPCC 6K

5
21/06/2024

[Yes] I always heard great things about this lens and after way too long finally pulled the trigger on one. I was always in love with the colours of the art series lenses especially the reds, and magentas and that's pretty much maintained in this lens. It feels great balance wise so I'm not too fussed about the weight. Handles glare like a champ and I couldn't be more pleased with the contrast.

5
21/06/2024

[9] This 35mm Cine lens has completely changed not only what I use on a shoot-to-shoot basis, but the entire look of everything I shoot. It's the perfect focal length for interviews in 4k and I've also been using it for handheld shoots and B-Roll.
Yeah, it's a prime so you have to walk around or move your tripod to get the close up or wide, but for the quality of the image it's worth it.


The 35mm has created a new cinematic look to my work and I'm saving for more from this family to replace my older Canon photography lenses. Can't recommend enough! Sharp, clean, amazing depth of field and bokeh. Don't hesitate!

5
07/06/2024

[9] Hace pocos meses compr la cmara de cine Ursa mini pro g2 y trat algunos lentes prime, ninguno de ellos me agrad tanto como este de Sigma, porque si tengo que trabajar en un documental que no me permita estar cambiando de lentes constantemente, este 18-35 lo hace todo.

5
07/05/2024

[Imperial] I just started using the Sigma FF lenses and shot in a very humid location. No internal condensation seen. These lenses have a much higher resolution as far as sharpness and critical focus goes as compared to my previous cine style lenses. Robust build to say the least. I haven't noticed any chromatic aberration at all. Looking forward to using these on feature work!

5
04/04/2024

[28.4 mm] Why this lens is $3999, or 4+ times the price of its photo lens equivalent is beyond me - and reason. Sure, the cine-gears and housing comes at a premium - oh - and the glow in the dark paint, too, but come on.... I would of traded up from my Sigma to this had it been more reasonable. Sigh.

5
30/11/-0001

[1x 1/4"-20] I work in documentary and TV, shooting on the FS7. I shoot a lot of b-roll and interviews on the fly, but am always looking for that extra edge to make my imagery look better than the next DP, and this lens (plus the 18-35mm sister lens) help me achieve that goal.


I can say that for interviews, this lens is irreplaceable. In doc scenarios, primes aren't really ideal, as you are stuck with one focal length in an environment where you need to work quickly and often are making changes. In my experience with this lens, I've found that sometimes I'll settle on 77mm or 86mm or 92mm (or whatever) for interviews, a point of flexibility that isn't possible with primes. The fact that it's T/2 throughout the range is a major bonus, as you are getting the best of both of the zoom/prime worlds.


Shooting outdoors in changing light conditions, being able to ride the aperture without the iris-stepping of a stills lens is also an irreplaceable quality.


Some people complain that this is just a stills lens with cine gears but in real world shooting conditions, I don't find that to be the case. For pixel peepers, maybe they are right, but you simply can't replace focus markings, smooth aperture, and cinema grade build quality.


Last note: I rented the PL and E-mount version of this lens. With the PL to E-mount adapter on the PL version, both lenses are the exact same length, so I'd recommend buying the PL version for resale value and general usability.

5

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