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Sigma 50-100mm T2 Zoom Lens Canon Ef High-speed

Sigma 50-100mm T2 Zoom Lens Canon Ef High-speed
  • Product Code: eq54349
  • Availability: In Stock

$11,997.60 $16,316.74

The Sigma 50-100mm T2 Zoom Lens Canon EF High-Speed(Feet) with a Canon EF mount provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes. What sets this lens apart from the standard Sigma High Speed Zooms is fully luminescent markings. When shooting in dim or dark environments, focus pullers and camera operators will be able to easily discern lens markings without resorting to distracting lamps or other disruptive light sources.

The 9-bladed iris provides round out of focus highlights for a natural-looking bokeh. The lens barrel features 180° of rotation from close focus to infinity, and the zoom barrel rotates 160°, and the clickless iris ring features 60° of rotation. All three lens control rings are geared with cine-standard 0.8 Mod gears and the focus scale is marked in feet. The front of the lens is 95mm in diameter with a removable 1/4"-20 support foot that helps support the lens with the aid of a 1/4"-20 rod-mounted lens support (not included).

Covers Super 35mm Sensors    28.4mm Image Circle    Internal Focus Design    180° Focus Barrel Rotation    T2 Max Aperture, Clickless 9-Bladed Iris    Fully Luminous Lens Markings    Lens Scale Marked in Feet    95mm Front Lens Diameter    Removable Lens Support Foot

Key Specs
Focal Length50 to 100mm
Maximum ApertureT2
Lens MountCanon EF
Lens Format CoverageSuper35/APS-C
Filter Thread82 mm
Image StabilizationNo
Electronic CommunicationYes
Parameters
Maximum ApertureT2
Minimum ApertureT16
Lens MountCanon EF
Interchangeable MountNo
Lens Format CoverageSuper35/APS-C
Image Circle28.4 mm
Angle of ViewAPS-C (1.5x)
Horizontal: 26.7 to 13.5°
Super 35
Horizontal: 27.6 to 14°
Focus ScalesImperial
Filter Thread82 mm
Zoom Ratio1.94x
Minimum Focus DistanceFrom Unspecified Point in Lens: 3.2' / 96.5 cm
Diaphragm Blades9
Image StabilizationNo
Lens Mounting1x 1/4"-20
Gear Standard0.8 MOD / 32 Pitch
Gear RotationFocus: 180°
Iris: 60°
Zoom: 160°
Electronic CommunicationYes
DiameterFront: 3.7" / 95 mm
Length6.9" / 175.2 mm
Weight4.15 lb / 1885 g
Packaging Info
Package Weight5.045 lb
Box Dimensions (LxWxH)11.7 x 6.9 x 6.9"

All the lenses in the lineup are designed to comply with SIGMA's CCI standard simplifying when intercutting between lenses.

Sharing the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM|Sports, each ring and mount is sealed to prevent water and dust from entering.

The lens body is made completely of metal to stand up to the rigors of the production day.

The main lens markings are in luminous paint for easy visibility in low light situations. The intermediate markings are laser-engraved for durability. The focus and zoom markings are readable from either side of the lens.

The lens features a 95mm front diameter for compatibility with a wide variety of matte boxes and incorporates an 82mm front filter thread.

All three lens gears are standard 0.8 MOD and feature a damper that eliminates metallic sounds when you reach the end of the lens travel.

The lens includes a removable support foot.

Related Questions and Answers

Q: 1. IF I buy in EF mount, can I change it the PL later on? How much would the switch be?

A: I believe not

Q: 2. What is the difference between the normal lens kit, and the kit that says fully luminous feet?

A: The Sigma 50-100mm T2 Fully Luminous High-Speed Zoom Lens (Canon EF, Feet) (BH# SI50100T2CE) is the version of the lens with markings that glow in the dark. The standard version has non glow-in-the-dark markings only. The only difference is the type of paint that is used for those markings.

Q: 3. Does this communicate focus distance to a Red Epic?

A: Yes, the RED Epic is among the fully compatible models that work with this lens.

Q: 4. Could you mount this on a 5DIV for taking still images?

A: We're afraid not. This lens only covers up to a Super 35mm sensor, it will not cover the Full Frame of the 5D Mark IV.

Q: 5. Putting this on the BMPCC6K will it be 18-35 or will it be 18(×1.55)-35(×1.55) like the sigma art zoom.

A: The PCC6K has a 1.558X Crop Factor. An 18 to 35mm will be the equivalent of a 28 - 55.5mm lens.

Q: 6. will autofocus work properlly with canon c 100 m2?

A: This is a manual focus lens. It does not offer auto focus at all.

Q: 7. What is the flange distance on the PL version of this lens?

A: 52mm

Q: 8. What is the difference between this lens and the sigma 18-35 that is much cheaper?

A: This cinema lens is manual focus only, has gears, greater throw, accurate markings and more robust housing made with finer tolerances. This are specifications that come into play on higher level video productions particularly ones that are working day to day with a crew. For one man band personal video it could be overkill.

Q: 9. Is this lens parfocal or the same as the non cine version?

A: Sigma describes the lens being nearly parfocal since the optics design is based off the non cine version.

Q: 10. Does this lens have auto focus?

A: It does not. This is a Cinema lens, which is manual focus only. You also need to control the zoom and aperture on the lens itself. It is a fully manual lens.

24/09/2024

[5.045 lb] Anyone who uses a lot of cine glass knows that the 18-35mm Sigma Cine is legendary for into film makers. Please ignore the other 2 star review as this person clearly doesn't understand the value of lenses. The lack of LDS makes this lens actually "affordable", and speaking of which, is considered CHEAP for the quality of the optics and build. A lot of people are ordering entire era of primes and zooms for RED cameras (ourselves included) for a reason. Sigma Cine lenses are arguably the best value for the superb quality in the industry right now.

5
21/09/2024

[T16] No photo lenses are designed to be parfocal. There are wide lens variation on how parfocal it is but it will always have some degree of focus shift/breathing. Cine lenses should be used if you are looking for parfocal design.

5
16/09/2024

[28.4 mm] The lens just arrived today, and I've only got some grab shots. This is one solid piece of kit, and the feel is really super. It weighs more than other lenses I've had, but its compact enough that the weight is fairly localized, not ungainly. I did some focus adjustments at infinity and f/1.8 via the dock, but the closer things I'll be using this for seem right on out of the box. Obviously the depth of field at f/1.8 is paper thin. Speaking of paper thin... Here's an image of some money, shot under bad kitchen lighting, with a D7100, hand-held, at f/1.8... (ISO 3200)

5
12/09/2024

[Yes] Why this lens is $3999, or 4+ times the price of its photo lens equivalent is beyond me - and reason. Sure, the cine-gears and housing comes at a premium - oh - and the glow in the dark paint, too, but come on.... I would of traded up from my Sigma to this had it been more reasonable. Sigh.

5
25/08/2024

[Super35/APS-C] After a year of adapting Nikon glass, using cannon photography lenses, and trying out a few Rokinon primes, I couldn’t be more elated with the results I’m getting from this lens. Having 18-35mm and all the focal lengths between, covered in a single lens is great. The image quality is truly great, but more importantly, it’s soooooo much easier to use than still photo lenses.

I’ve already heard the complaints of, “but it’s the same glass as the art series lens, just in a cinema housing!” I don’t know if this is 100% true. My brother and I (Curtis Judd) will be doing a side by side comparison soon with matching Ursa Mini Pros to see if that’s true.

Yes, the extra $3000+ for this lens is steep, and yes, I’ve heard it’s the same glass as the art series, but for me in my particular applications, function is the second priority right after image quality. The quality of my projects (ranging from corporate, to real estate, music videos, documentary, and tv commercials) has significantly improved with having a proper range on my focal ring. Historically, as my quality improves, so doesn’t client base.

A few other wonderful things about this lens: sigma does not advertise it as being par focal, though after working with it for a week, I have to say, it’s pretty close. If I pull focus at 18mm and zoom to 35mn, the focus holds strong till about 28mm & then it goes a little soft

Breathing is minimal on this lens, which I can’t say for the matching 50-100.

Another delightful surprise is that my UMP4.6k is able to read and display the aperture via electronic contact points on the lens, so you don’t have to rely solely on the markings on the barrel of the lens.

5
05/08/2024

[Yes] Perfect combo with BMPCC 6K

5
08/07/2024

[T2] 7 beautiful, color matched, mechanically smooth, Art level lenses in cine mounts with a full range from 14-135mm. Using with PL mount on Helium Red sensor. Now in one single case for all lenses. Exceptional clarity and beautiful falloff. B&H was very helpful in making this purchase.

5
07/05/2024

[5.045 lb] Hace pocos meses compr la cmara de cine Ursa mini pro g2 y trat algunos lentes prime, ninguno de ellos me agrad tanto como este de Sigma, porque si tengo que trabajar en un documental que no me permita estar cambiando de lentes constantemente, este 18-35 lo hace todo.

5
29/04/2024

[9] Very sharp. Well built. Par focal, Has better contrast than the 85mm Zeiss Batis. The lens appears to loose about 1/3 stop on the long end, and it won't focus quite as close as a prime, but otherwise it's fantastic.

5
14/04/2024

[5.045 lb] The price is too high sigma lovely lens but the price is too much!!

5

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