[36 lb] We were looking for a 44 glossy photo paper for our Cannon printer and are so pleased with this stock for large architectural prints. We even used the standard profiles for our glossy paper on our printer and are so pleased with the color gamut.

[56 x 7 x 6.5"] I just started using this paper on a Canon ipf6400, with a custom profile and media defintion. The results are fantastic. The surface is a perfect luster, the weight is substantial, and it has less curl and stiffness than any other RC paper I've used. Highly recommended.

[36 lb] This is the only paper I have used for many years now.

[36 lb] I am a professional photographer and started printing in house in 2001. I use Epson printers, right now the 4900. I have tried several roll papers and always come back to the Kodak Lustre. It has a great look with a lab print sheen, lays flat coming out of the printer unlike many other papers that I tried, and the price cannot be beat. I love the Kodak Professional marking on the back. It tells my customers that I use only the best.

[1x Film Roll] This is probably the most glossy surface I got after printing on it. The price is great. I was able to get higher quality gloss prints than on other materials. If glossy gloss is required by clients, this is the way to go. I switched to it as my primary gloss photo paper. Sorted out out Lexjet Sunset gloss, since their 300 gsm got discontinued. Not as thick but awesome results. Of course free expedited shipping is a great plus.

[56 x 7 x 6.5"] Have used the mat version and it was really good stuff. I just bought the glossy version and have not had a chance to print on it yet but I expect it to be flawless.

[36 lb] This is my quality proofing/working paper. The white base and near perfect surface brings out the best and worst in every process—from checking an image at scale to nozzle checks—this paper reveals almost everything with clarity. It linearises near perfectly with a low(ish) ink load (245%) across all 6 colors at 1440dpi and the resulting ink surface is nearly perfect. This makes for fast, very high quality proofing. The base substrate is light, so more ink (2880) would require a lower ink load and slower head speeds to stop uneven surface expansion (and potential head strikes). The paper profiles beautifully and can emulate the fidelity and performance of better quality exhibition papers like MOAB Juniper which makes the transition across to final prints easier and more predictable. This makes it perfect to work through ideas on and it stacks flat in drawers without curl memory. A really impressive paper from Kodak (watermarked on the reverse) that beats Epson variants and produces great images that a lot of people enjoy. A great benchmark paper.

[36 lb] This paper has brighter whites and lays flatter than others I have used. Excellent results!

[36 lb] I am a semi-professional photographer. I sell my photographs at local art shows. I for years I have used Ilford Smooth Pearl, but they increased the price and cut the roll size. Then I switched to Ilford Lustre, but they discontinued the product. So I gave the Kodak Professional Luster Paper a try. I really like the results, so I just ordered 2 more rolls. I am switching over to Kodak. I found that the paper is more flexible than the Ilford. The Ilford is more stiff. At first I thought this might be a problem and I might get fold marks in the paper. So far this has not been a problem at all. In fact with the Ilford, I had to sometimes flatten the paper with weights to get rid of the curl. The Kodak paper is a brighter white versus the Ilford Lustre. I had to change a setting in Photoshop, and now I am getting consistent results with my previous Ilford prints. For me this is a great product and value.

[305 gsm] I have not done many prints on the material yet, but for the ones I have done it has been a great product and received many compliments.